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Russian warship sinks in the Black Sea after Ukraine claims it was hit by a missile

One of the Russian Navy’s most important warships has sunk in the Black Sea, a massive blow to a military struggling against Ukrainian resistance 50 days into Vladimir Putin’s invasion of his neighbor.

Russian state news agency TASS reported Thursday evening that the guided-missile cruiser Moskva had sunk, citing a statement from the Russian Ministry of Defense.

“During the towing of the cruiser Moskva to the port of destination, the ship lost its stability due to hull damage received during a fire from the detonation of ammunition. In the conditions of stormy seas, the ship sank,” the statement said, according to TASS.

Conflicting accounts have emerged about the incident.

Ukraine’s Operational Command South claimed earlier on Thursday that the Moskva had begun to sink after it was hit Ukrainian Neptune anti-ship missiles.

“In the Black Sea operational zone, Neptune anti-ship cruise missiles hit the cruiser Moskva, the flagship of the Russian Black Sea Fleet – it received significant damage,” the statement said. “A fire broke out. Other units of the ship’s group tried to help, but a storm and a powerful explosion of ammunition overturned the cruiser and it began to sink.”

Russia said a fire broke out on the guided-missile cruiser, causing munitions aboard to explode, inflicting serious damage to the vessel, and forcing the crew of the warship to be evacuated.

CNN has not been able to independently verify what caused the damage to the ship.

Earlier in the day Russia’s defense ministry had said that the Moskva “remains afloat” and that measures were being taken to tow it to port. The ministry said the crew had been evacuated to other Black Sea Fleet ships in the area.

Two sources familiar with US and Western intelligence told CNN on Thursday that Ukraine’s claim is believed to be credible, although US officials do not yet have definitive proof.

One source familiar with the latest intelligence said that the US believes with “medium confidence” that Ukraine’s version of events is accurate.

Both sources cautioned that the US has not yet made an independent attribution.

“We’re not in a position to officially confirm independently what exactly led to the ship’s now sinking,” Pentagon press secretary John Kirby told CNN’s Jake Tapper on Thursday. “But we’re also not in any position to refute the Ukrainian side of this. It’s certainly plausible and possible that they did in fact hit this with a Neptune missile or maybe more.”

Whatever happened to the Moskva, analysts say its loss would strike hard at the heart of the Russian navy as well as national pride, comparable to the US Navy losing a battleship during World War II or an aircraft carrier today.

“Only the loss of a ballistic missile submarine or the Kutznetsov (Russia’s lone aircraft carrier) would inflict a more serious blow to Russian morale and the navy’s reputation with the Russian public,” said Carl Schuster, a retired US Navy captain and former director of operations at the US Pacific Command’s Joint Intelligence Center.

Alessio Patalano, professor of war and strategy at King’s College in London, said losing the warship would be a “massive blow” for Russia.

“Ships operate away from public attention and their activities are rarely the subject of news. But they are large floating pieces of national territory, and when you lose one, a flagship no less, the political and symbolic message – in addition to the military loss – stands out precisely because of it,” he said.

The 611-foot-long (186 meters) Moskva, with a crew of almost 500, is the pride of the Russian naval fleet in the Black Sea. Originally commissioned into the Soviet navy as the Slava in the 1980s, it was renamed Moskva in 1995 and after a refit reentered service in 1998, according to military site Naval-Technology.com.

The Moskva is armed with a range of anti-ship and anti-aircraft missiles as well as torpedoes and naval guns and close-in missile defense systems.

All those represent massive amounts of explosive ordnance in its ammunition magazines. Any fire nearing them would have given the crew limited options to deal with the threat, Schuster said.

“When a fire reaches your ammunition magazine(s), you have two choices; 1) flood them or 2) abandon ship,” Schuster said. “Otherwise your crew is onboard to be wiped out by the catastrophic explosion that follows a fire reaching several hundred tons of ordnance.”

Odesa state regional administrator Maxim Marchenko claimed in a post on Telegram that Ukrainian forces had used Neptune cruises missiles to attack the Moskva. If that’s true, the Moskva would potentially be the largest warship ever taken out of action by a missile, Schuster said.

Such an achievement would represent a big advance for Kyiv’s forces.

The Neptune is a Ukrainian weapon, developed domestically based on the Soviet KH-35 cruise missile. It became operational in the Ukrainian forces just last year, according to Ukrainian media reports.

If it was used to attack the Moskva, it would be the first known use of the Neptune during the war, according to a post on the website of the Center for International Maritime Security (CIMSEC) from Lt. Cmdr. Jason Lancaster, a US Navy surface warfare officer.

His post for the CIMSEC on Tuesday said the threat posed by mobile shore-based cruise missiles like the Neptune “changes operational behavior” of an enemy.

Russian “ships will operate in ways to minimize the risk of detection and maximize their chances to defend themselves,” Lancaster wrote. “These behavioral changes limit Russia’s ability to utilize their fleet to their advantage. The added stress of sudden combat increases fatigue and can lead to mistakes.”

According to Patalano, the war professor: “It would appear the Russians have learned that the hard way today.”

In the CIMSEC post, Lancaster notes the British Royal Navy lost several ships to missiles fired by Argentina during the 1982 Falklands War.

During that war, a British submarine sank the Argentine cruiser General Belgrano, a former World War II US Navy ship similar in size to the Moskva.

The Moskva also poses symbolic significance to Ukraine as it was one of the ships involved in the famous exchange at Snake Island in February, according to Oleksiy Arestovych, an adviser to Ukrainian President Volodymyr Zelensky.

According to a purported audio exchange in late February, as the Russians approached the Ukrainian garrison on Snake Island, also known as Zmiinyi Island, in the Black Sea, a Russian officer said: “This is a military warship. This is a Russian military warship. I suggest you lay down your weapons and surrender to avoid bloodshed and needless casualties. Otherwise, you will be bombed.”

A Ukrainian soldier responded: “Russian warship, go f*** yourself.”

On Thursday, Ukrainian National Security Advisor Oleksiy Danilov told CNN that the strike on the Moskva was a very important mission for his country’s military and vowed there would be more such dramatic actions.

“It is a very important mission for us. The Moskva was there near the Snake Island and was hit yesterday by two powerful Ukrainian-made missiles,” Danilov said. “(Putin) came to kill our children, our women, our civilians. That is our gift to him. And this is just the beginning. There will be more than one Moskva.”

This is the second large-sized Russian naval vessel to suffer that fate during Moscow’s war with Ukraine.

In late March, Ukraine said a missile strike had destroyed a Russian landing ship at the port of Berdiansk.

Nathan Hodge and Olga Voitovych contributed to this report from Lviv, Ukraine. Vasco Cotovio contributed from Kyiv, Ukraine. Natasha Bertrand, Anna Chernova, Radina Gigova and Jorge Engels also contributed to this report.

Watch: Oscars TV Spot for Pixar’s ‘Lightyear’ Movie with Chris Evans

Watch: Oscars TV Spot for Pixar’s ‘Lightyear’ Movie with Chris Evans

by
March 28, 2022
Source: YouTube

“Buzz!!” During the Oscars ceremony last night broadcast live on ABC, Disney debuted an extended TV spot for Pixar’s Lightyear, this sort of prequel to the Toy Story movies, focusing entirely on Buzz Lightyear as a spin-off solo movie about the Space Ranger. Chris Evans is voicing the “real” Buzz Lightyear, the astronaut within the Toy Story universe who inspired the action figure. The plot involves Buzz being marooned in an alien planet and having to figure out a way to build a spaceship and get home. But that only seems like the beginning of this story! Along with Evans, the full voice cast includes Keke Palmer, Dale Soules, Taika Waititi, Peter Sohn as Buzz’s robot companion, Sox the cat, plus Uzo Aduba, James Brolin, Mary McDonald-Lewis, Efren Ramirez, and Isiah Whitlock Jr. This is primarily just a recut version of the latest official trailer, with one or two shots added, but most of it we’ve already seen before. Still looks great.

Here’s the Oscars TV spot for Pixar Angus MacLane’s Lightyear movie, direct from YouTube:

You can rewatch the teaser trailer for Pixar’s Lightyear movie here, or the full-length trailer here.

To infinity and… The sci-fi action-adventure presents the definitive origin story of Buzz Lightyear—the hero who inspired the toy—introducing the legendary Space Ranger who would win generations of fans. Lightyear is directed by American animation filmmaker Angus MacLane, co-director on Finding Dory, and director of the shorts Toy Story of Terror and Burn-E, as well as work for years as an animator at the studio. The final screenplay credits have not been confirmed yet. Based on characters created by Pete Docter for the original Toy Story. Produced by Galyn Susman. Made by Pixar Animation Studios. Disney will debut Pixar’s Lightyear in theaters nationwide (yay!) starting on June 17th, 2022 this summer. Ready to watch?

Find more posts: Animation, Pixar, To Watch, Trailer

‘The Contractor’ Asks How Ex-Spec Ops Warriors Are Supposed to Feed Their Families

“The Contractor” represents the third movie that actors Chris Pine and Ben Foster have made together. They starred in “The Finest Hours,” the finest Coast Guard movie ever, and in “Hell or High Water,” the classic modern western that launched “Yellowstone” writer/director Taylor Sheridan’s career.

This time, they’re a pair of ex-Army Rangers who team up on a mission for a private military contractor. Pine is James Harper, who’s separated from the Army after a new commanding officer requires a blood test and he’s busted with all the medication in his system that he needs to keep his body functioning to do the job.

Broke and facing financial ruin, Harper reaches out to his former commanding officer Mike (Foster). Mike introduces James to Rusty (Kiefer Sutherland), a military contractor who promises that his company, unlike its warriors-for-hire competition, will only take on righteous work that aims to promote good in the world. James, desperate for cash, takes Rusty at his word and goes home with a $50,000 check.

Soon, James and Mike are packed off to Berlin to interrogate a scientist (Fares Fares), who’s been described as a bioterrorist, and shut down his lab. The mission goes wrong, but not before the scientist puts doubts in James’ head about whether he’s really the bad guy.

Rusty decides that his latest hire can’t be trusted and sends his men to put James down for good. Since James is played by, you know, Chris Pine, that mission will not go as Rusty planned.

“The Contractor” is yet another movie that’s had its release date screwed up by pandemic theater closings. Originally set for a big holiday release in 2021, it’s now trickling out to a few theaters while simultaneously available to buy or rent on digital home video.

This is the first English-language film from Swedish director Tarik Saleh, who’s also directed episodes of Showtime’s “Ray Donovan” and HBO’s “Westworld.” Saleh and screenwriter J.P. Davis (who also co-wrote Gerard Butler’s upcoming action movie, “The Plane”) aren’t interested in copying the frantic killing sprees that everyone’s been trying to make since they saw “John Wick.”

“The Contractor” is the kind of methodical, slow-burn action picture that could have been made in any decade, starting with the 1970s. Pine has to work through his guilt over taking a private military gig, and he and Foster definitely have some stuff to work out before the movie’s over.

This movie deserved a wide release with a full publicity campaign. If you’re looking for a solid spec-ops thriller, don’t miss it.

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Will Smith’s New Movie ‘Emancipation’ Sees Delays from Apple Due to Oscar Scuffle

Will Smith’s Oscar shenanigans may have cost him delays for his latest movie Emancipation. Smith’s film was set to arrive at the fall festival circuit later this year. However, the Apple movie co-producted by Smith’s company Westbrook Studios is now expecting delays until sometime in 2023.

Will Smith’s ‘Emancipation’ Seeing Delays

Directed by Antoine Fuqua, Emancipation would have been the first release from Smith following his assault on Chris Rock at the 94th Oscars. After the incident, Smith received a 10 year ban from attending the Oscars and other Academy-related events.

Though there was no official release date for Emancipation, the film was likely to be Apple’s next potential awards project after its massive success with CODA. Though Apple has not set an official date, a source close to the situation stated “it’s the unspoken truth” that the action-drama will not see itself on the platform in 2022.

However, the same source also stated that internal discussions between Apple executives and the filmmakers on the possibility of a fall release, but it is highly unlikely. Smith’s Emancipation will most likely see delays until the end of the year.

Even before this year’s Oscars, buzz around Emancipation was already growing. After seeing early footage from the film, an anonymous filmmaker told Variety that “Will’s going to win back-to-back”. This was in reference to his upcoming best actor win for King Richard.

Additional Rumors

While the slap is mostly receiving the blunt of the blame for the release delay, sources are also indicating that Fuqua is still deep in the post-production phase. It is likely the director is simply not ready for a 2022 release date. The film has already seen several delays. This includes moving production from Georgia to Louisiana to protest the state’s voting restriction laws, destruction caused by Hurricane Ida and a pause due to COVID-19 cases in August 2021.

Furthermore, delays could also be the result of Apple’s incredibly stacked line up arriving in the second half of this year. Many of the films Apple is looking to release may seet hemselves marketed for an awards push.

Apple has several undated films in the works, including Martin Scorsese’s The Killers of the Flower Moon, starring Leonardo DiCaprio and Jesse Plemons. Additionally, Apple has acquired the Sundance Film Festival Audience Award Winner Cha Cha Real Smooth, feating Dakota Johnson. Unlike Scorsese’s work, Cha Cha Real Smooth has a release date of June 17.

Additionally, Rodrigo Garcia’s Raymond and Ray will most likely see a release sometime this year. The film stars Ewan McGregor and Ethan Hawke. Peter Farrelly’s The Greatest Beer Run Ever, his first film since Green Book won best picture, will also find itself on the streaming service later this year.

While Smith’s Emancipation is seeing delays, Apple TV+ is still likely to have an incredible year.

Where to watch this year’s Oscar-nominated films

With the 94th Academy Awards only three weeks away, on March 27, now’s the time to sit down and watch the raft of movies — from more intimate art films to Blockbusters — gathering buzz.

While some of these movies are still available to watch in theatres, many can be found online. To help, CBC has compiled a list of some of the biggest nominees and where you can stream or rent them in Canada.


Belfast

Young actor Jude Hill is shown in a scene from the film Belfast. The semi-autobiographical film written and directed by Kenneth Branagh received six Academy Award nominations. (TIFF)

 

Available to rent and buy on Apple TV, Amazon, YouTube, Google Play, Cineplex,  TIFF Bell Lightbox.

Belfast is a semi-autobiographical film written and directed by Kenneth Branagh, nominated for best picture, directing, original screenplay and three other categories. The coming-of-age drama follows a boy’s life in Belfast, at the beginning of the Troubles in 1969. It is available from both Amazon Prime and Apple TV for $24.99 to purchase and $6.99 to rent. 


CODA

Troy Kotsur, left, and Marlee Matlin are shown in a scene from CODA. Kotsur, a deaf actor, is up for a supporting actor Oscar. (Apple TV+/The Associated Press)

Available to stream on AppleTV+.

CODA, written and directed by Sian Heder, stars Emilia Jones as the only hearing member of a deaf family, the child of deaf adults. The movie received three Oscar nominations: best picture, adapted screenplay and supporting actor.  


Don’t Look Up

Leonardo DiCaprio, left, and Jennifer Lawrence in a scene from Don’t Look Up, an apocalyptic satire from director Adam McKay with a star-studded cast. (Netflix)

Available to stream on Netflix.

Written, produced and directed by Adam McKay, Don’t Look Up is an apocalyptic satire featuring some of the biggest names in Hollywood. The film, with four Oscar nominations, is about global indifference in the face of a world-ending comet. It stars Leonardo DiCaprio, Jennifer Lawrence, Timothée Chalamet, Meryl Streep and Cate Blanchett.


Drive My Car

Hidetoshi Nishijima, left, and Tôko Miura in the Japanese film Drive My Car. It’s nominated for best picture, best international feature, best director and best adapted screenplay at this year’s Oscars. (TIFF)

Available to rent on Apple TV.

One of the best-reviewed films of last year, Drive My Car is a drama co-written and directed by Ryusuke Hamaguchi. It follows Yūsuke Kafuku, a theatre director who recently lost his wife and ends up becoming close to the young woman hired to be his chauffeur. The film received four nominations, including best picture — Japan’s first nomination in this category. It is available for rent on Apple TV for $7.99.


Dune

Timothée Chalamet as Paul Atreides and Rebecca Ferguson as Lady Jessica in Dune: Part One. The film received the second-most Academy Award nominations this year. (Warner Bros.)

Available to rent or buy from Amazon Prime, Apple TV. YouTube, Cineplex

Dune, the first of a two-part adaptation of the 1965 sci-fi novel by Frank Herbert, was directed by Canadian Denis Villeneuve. The film has scored 10 Oscar nominations, including best picture, making it the second-most nominated movie in this year’s Oscars. The cheapest sources for this movie are Amazon Prime and Apple TV, where it is available to buy for $9.99 or rent for $2.99.


King Richard

Will Smith, centre, stars in King Richard. The biopic follows Richard Williams and his relationship with his tennis star daughters, Serena and Venus Williams. (WarnerMedia)

Available to rent or buy on Amazon Prime, Apple TV, Cineplex, YouTube.

King Richard is a biographical drama about Richard Williams, the father and coach of famous tennis players Serena and Venus Williams. Will Smith’s nomination for best actor and Aunjanue Ellis’s for best supporting actress were among the film’s five Oscar nominations. It’s available to rent for $6.99 or to buy for $12.99 on multiple streaming platforms. 


Licorice Pizza

Alana Haim, left, and Cooper Hoffman are shown in a scene from Licorice Pizza. It received three Oscar nominations, for best picture, best director and best original screenplay. (MGM)

Available to purchase from Apple TV, YouTube, Prime, Cineplex.

Paul Thomas Anderson’s Licorice Pizza received three Oscar nominations: best picture, best director and best original screenplay. The coming-of-age film set in the 1970s can be purchased for $24.99 from Apple TV, YouTube and Amazon Prime and for $26.99 from Cineplex. 


Nightmare Alley

Richard Jenkins, left, and Bradley Cooper in a scene from Nightmare Alley. Three Canadians who worked on the film have been nominated for Oscars. (Kerry Hayes/Searchlight Pictures)

Available in select theatres, not yet available for streaming.

Nightmare Alley, the second film adaptation of the 1946 novel of the same name by William Lindsay Gresham, is directed by Guillermo del Toro, who has previously won best picture and best director Oscars. Along with nominations for best director and best cinematography, three Canadians who worked on the film were also nominated: costume designer Luis Sequeira, production designer Tamara Deverell and set decorator Shane Vieau. It’s not yet available for streaming in Canada.


The Power of the Dog

Benedict Cumberbatch, left, and Jesse Plemons in a scene from The Power of the Dog. The frontrunner at this year’s Oscars, with 12 nominations, the film is directed by Jane Campion, who is also nominated. (TIFF)

Available to stream on Netflix.

Starring Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons and Kodi Smit-McPhee, The Power of the Dog is the front-runner at this year’s Academy Awards with 12 nominations. The psychological drama is available to stream on Netflix


West Side Story

Ariana DeBose, left, and David Alvarez perform in Steven Spielberg’s West Side Story, the second film adaption of the musical inspired by Romeo and Juliet. (Niko Tavernise/20th Century Studios/The Associated Press)

Available for streaming on Disney+. 

The second feature film adaptation of West Side Story received seven nominations at this year’s Oscars, including for best picture, director and supporting actress. It was directed and co-produced by Steven Spielberg. Inspired by Shakespeare’s Romeo and Juliet, it premiered first as a Broadway musical in 1957, before making its way to Hollywood in 1961. 


The Tragedy of Macbeth

Denzel Washington has the starring role in The Tragedy of Macbeth, directed by Joel Coen. Washington was nominated for best actor, the 10th Oscar nomination in his career. (Apple TV+)

Available to stream on AppleTV+.

This Shakespeare adaptation earned nominations for production design, cinematography and a best actor nod for Denzel Washington — his 10th career nomination. Directed by Joel Coen, The Tragedy of Macbeth is available to stream on AppleTV+.


Spencer

Kristen Stewart, who stars as Princess Diana in the biopic Spencer, garnered a best actress Oscar nomination for her work in the film, which delves into the difficulties Diana faced as a member of Britain’s Royal Family before her tragic death in 1997. (Neon)

Available for rent or purchase on Apple TV, Amazon Prime, YouTube, Cineplex, TIFF Bell Lightbox.

In what has been called a star turn for Kristen Stewart, Spencer delves into the difficulties Princess Diana faced as a member of Britain’s Royal Family before her tragic death in 1997. The film, which garnered a best actress nomination for Stewart, is available to rent or buy from multiple sources. The cheapest options are from Apple TV, where it can be purchased for $9.99 and rented for $2.99.


Tick, Tick … Boom!

Andrew Garfield stars in Tick, Tick … Boom! The musical biopic directed by Lin-Manuel Miranda is available to stream on Netflix. (Macall Polay/Netflix)

Available to stream on Netflix.

Tick, Tick … Boom! is a biographical musical drama directed by Lin-Manuel Miranda that stars Andrew Garfield as an aspiring composer in New York City. Garfield won critical acclaim for his performance, landing him a best actor nomination. The film was also nominated for best film editing.


The Worst Person in the World

Renate Reinsve in a scene from The Worst Person in the World, the third film in director Joachim Trier’s Oslo Trilogy. It’s nominated for best international feature and best original screenplay at this year’s Oscars. (TIFF)

Available in select theatres, not yet available for streaming.

The Worst Person in the World is the third instalment in Joachim Trier’s Oslo Trilogy, following 2006’s Reprise and 2011’s Oslo, August 31st. It’s received Oscar nominations for best international feature film and best original screenplay. While select theatres began showing the film on Feb. 11 — including the TIFF Bell Lightbox in Toronto — it’s not yet available to stream in Canada.


Flee

The animated documentary Flee follows Amin Nawabi, the fictional name of a refugee from Afghanistan living in Denmark. (TIFF)

Available to rent or buy on Google Play, Cineplex, YouTube, Amazon Prime Video, TIFF, iTunes. 

The animated documentary Flee shares the life of Amin Nawabi, the fictional name of a refugee from Afghanistan living in Denmark. Nominated for best animated feature, best documentary feature and best international feature film, it is available on multiple streaming platforms to rent for $4.99 or buy for $12.99.


The Hand of God

Italian drama The Hand of God, directed by Paolo Sorrentino, is nominated for best international feature film at this year’s Academy Awards. (Netflix)

Available to stream on Netflix.

The Hand of God by Italian director Paolo Sorrentino — who received the Oscar for best foreign language film in 2014 for The Great Beauty — was nominated for best international feature film. It’s largely based on Sorrentino’s life, with some fictional fragments. The film is available to stream on Netflix.


Encanto

The Madrigal family appears in Encanto, one of three Disney films nominated in the animated film category. (Disney)

Available to stream on Disney+.

Encanto is a Disney animated movie about a family, the Madrigals, living in a magical house that gives each family member, except Mirabel, unique powers used to protect their town in Colombia. The animation’s soundtrack spent seven weeks in first place on the Billboard 200, while the hit song We Don’t Talk About Bruno has been in first place for five weeks. The movie received three Oscar nods: best animated feature, best original score and best song.


Luca

A scene from Disney’s animated film Luca. It stars Canadian Jacob Tremblay as Luca. (Disney)

Available to stream on Disney+.

Luca was nominated for best animated feature, one of three Disney films nominated in the category. It follows the life of a young sea monster, Luca, who assumes the form of a young boy.


The Eyes of Tammy Faye

Jessica Chastain stars in The Eyes of Tammy Faye. The biopic follows the life of Tammy Faye Messner and her work with televangelist and husband Jim Bakker. (TIFF)

Available to rent or purchase on Cineplex, Apple TV, YouTube, Amazon Prime.

This Andrew Garfield and Jessica Chastain-led biopic follows the life of TV evangelist Tammy Faye Messner and her work with televangelist and husband Jim Bakker. The film, which earned a best actress nomination for Chastain, is available to purchase on numerous streaming sites for $19.99. Cineplex currently has the cheapest rental price at $4.99. 


Lead Me Home

Patricia Wilcox is shown in the documentary Lead Me Home. Directed by Pedro Kos and Jon Shenk, the film depicts the homelessness crisis in California. (Netflix)

Available to stream on Netflix.

Lead Me Home is a documentary directed by Pedro Kos and Jon Shenk about the current homelessness crisis in California. The film received a nomination for best documentary short subject.

Paramount reportedly ‘delighted’ as Sonic 2 movie tops overseas markets | VGC

paramount is reportedly “delighted” with Sonic the Hedgehog 2’s opening weekend, which saw the movie top several overseas markets.

Sonic 2 opened in Europe, South Africa, Australia and New Zealand this weekend and grossed $25.5 million from 31 markets, according to Deadline. The movie isn’t set to debut in North America until Friday, April 8.

The markets reportedly represent around half of the movie’s overseas footprint, and paramount is said to be “delighted” with the results, which are 2% above the original movie in like-for-likes.

Sonic the Hedgehog 2 was No. 1 in markets such as the UK ($6.4M), France ($5.7M), Australia ($2.8M), Spain ($2.2M/339) and Germany ($2.1M/). Sweden, Czech Republic, Austria, Norway, Belgium, New Zealand, Slovakia and South Africa all also saw No. 1 starts.

The original Sonic the Hedgehog was a surprise success, with it becoming the top-grossing video game adaptation of all time in the US. paramount Pictures and Sega revealed in February that a third Sonic film and a live-action TV series have entered production.

Toby Ascher, who was a producer on 2020’s Sonic film and the upcoming sequel, commented on plans for a “Sonic cinematic universe” in production notes released to coincide with the lifting of the Sonic 2 review embargo.

“We’re creating a Sonic cinematic universe, so we knew we were going to add characters, like Tails and Knuckles; new to the films but beloved by gamers all over the world,” he said.

VGC’s Sonic the Hedgehog 2 movie review called it a much better film than the original and said there’s a pleasant surprise to be found in the chemistry between its new characters.

“Idris Elba’s performance as the steely Knuckles, which has him channelling the deadpan humour of Guardian of the Galaxy’s Drax, offers the perfect contrast to Sonic’s energetic snark. His backstory also provides a pleasing footing for his connection to the blue mascot, previously not revealed in the games.

“Meanwhile, Tails provides the brains of the trio, with his gadgets and smarts threading together much of the movie’s action sequences. In Sonic 2’s timeline Tails and Sonic have never met before, and there are some genuinely sweet moments where viewers get to watch the pair’s friendship develop on screen.”

Full Trailer for ‘Under the Banner of Heaven’ with Andrew Garfield

Full Trailer for ‘Under the Banner of Heaven’ with Andrew Garfield

by
March 30, 2022
Source: YouTube

“Heavenly Father, we ask that we might be instruments in thy hand… to fix what we find broken.” FX + Hulu have revealed the full-length official trailer for a chilling true crime series called Under the Banner of Heaven, based on the Jon Krakauer book of the same name – which many folks already familiar with. A devout detective’s faith is tested as he investigates a brutal murder seemingly connected to an esteemed Utah family’s spiral into LDS fundamentalism and their distrust in the government. It tells the true story of a double murder committed by two fundamentalist Mormons in the 1980s. The series follows the detective who is a FLDS member, starring Andrew Garfield as Pyre. Featuring an ensemble cast including Daisy Edgar-Jones, Sam Worthington, Denise Gough, Wyatt Russell, Billy Howle, Gil Birmingham, Adelaide Clemens, and Rory Culkin. The episodes are directed by two talented filmmakers: David Mackenzie (Starred Up, Hell or High Water, Outlaw King) as well as Isabel Sandoval (Lingua Franca). I’m not usually into this kind of series, but the filmmaking looks so damn good I might just watch this one.

Here’s the full trailer (+ poster) for FX’s series Under the Banner of Heaven, direct from YouTube:

You can rewatch the first teaser trailer for FX’s Under the Banner of Heaven here for more footage.

The faith of a young FLDS (Fundamentalist Church of Jesus Christ of Latter-Day Saints) police detective is shaken when investigating the murder of a woman that seems to involve the Church. Based on the true story of a double murder committed in the name of God by the brothers Ron and Dan Lafferty, who subscribed to a fundamentalist version of Mormonism. Under the Banner of Heaven is mini-series with episodes directed by David Mackenzie (Young Adam, Hallam Foe, Spread, Perfect Sense, Tonight You’re Mine, Starred Up, Hell or High Water, Outlaw King) and Isabel Sandoval (Señorita, Apparition, Lingua Franca) and Thomas Schlamme (So I Married an Axe Murderer, “Manhattan”, “The Americans”, “The Plot Against America”). With writing by Dustin Lance Black, adapted from the book “Under the Banner of Heaven: A Story of Violent Faith” by author Jon Krakauer. The series is created by Dustin Lance Black, and produced by Leslie Cowan, Shannon Costello, Stephanie Davis, and Ron Howard. FX will debut Under the Banner of Heaven streaming on Hulu starting on April 28th, 2022 this spring. Who wants to watch this?

Find more posts: To Watch, Trailer

Iwan Rheon & Tom Cullen in Dinner Party Horror ‘Barbarians’ Trailer

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Official Trailer for Coming-of-Age Indie ‘Coast’ Starring Fátima Ptacek

Official Trailer for Coming-of-Age Indie ‘Coast’ Starring Fátima Ptacek

by
March 25, 2022
Source: YouTube

“If you don’t take chances in this life, you’re already dead.” Cinedigm has revealed the official trailer for Coast, an indie coming-of-age film from filmmakers Jessica Hester Derek Schweickart. This premiered at the 2021 Santa Barbara Film Festival last year and is ready for release starting in April this year. Desperate to escape her small coastal farming town, 16-year-old Abby falls in love with the lead singer of a touring rock band. Now, she must decide whether she’ll stay or leave her family and friends behind. Starring Fátima Ptacek as the spunky Abby, with Ciara Bravo, Melissa Leo, Cristela Alonzo, Kane Ritchotte, Mia Rose Frampton, Andres Velez, and Mia Xitlali. The film features live performances from Dog Party, Hayley The Crushers, Pancho The Wizards, and music for the film by The Ceremonies Black Match. The Ceremonies also co-star in the film as the fictional band “Pinata Jones”. Another film about young love.

Here’s the trailer (+ poster) for Jessica Hester Derek Schweickart’s Coast, direct from YouTube:

Desperate to escape the trappings of her small coastal farming town, 16-year-old Abby falls for the lead singer of a touring rock band and must decide whether or not to leave her family and friends behind. With live music performances and an exciting ensemble cast, Coast is about female friendships, finding your truth and letting the music take you home. Coast is co-directed by filmmakers Jessica Hester Derek Schweickart, both making their feature directorial debut after a few shorts previously. The screenplay is written by Cindy Kitagawa. The film is produced by Alex Cirillo, Wendy Guerrero, Jessica Hester, Dani Faith Leonard, and Derek Schweickart. This initially premiered at the 2021 Santa Barbara Film Festival last year. Cinedigm will debut the film Coast in select US theaters + on VOD starting on April 8th, 2022 this spring.

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Why can’t we decide whether Doctor Strange is horror?

Outside of the cyclops tentacle monster, zombies, witches, gore, bloodshed and death, Doctor Strange in the Multiverse of Madness flaunts one of the most transparent horror references out there, right there in its title.

The film borrows from H.P. Lovecraft’s At the Mountains of Madness, a novella which itself had enough interstellar weirdness to fit a Marvel movie — and quickly became one of the writer’s most enduring stories.

Written in 1931, it follows an Antarctic research team who discovered typically horrifying secrets of the ancient “Elder Things” — also known as “Old Ones” — buried in an as-yet-undiscovered range of black mountains.

It helped to launch an entire new genre: Cosmic horror.  

Even with the racist themes that so often cropped up in his writing, At the Mountains of Madness and Lovecraftian literature is one of the most pervasive examples of inspiration source material out there. 

Everything from Stranger Things, to Locke Key, to Rick and Morty, to the Mass Effect video games have drawn from it.

And even Doctor Strange‘s one-eyed monster — officially named Gargantos — is just the film’s version of the Shuma-Gorath. Comics writer Robert E. Howard first created the creature in 1967 as a way to bring Lovecraft’s “Great Old Ones” mythos into Marvel, eventually dovetailing into Doctor Strange itself. (The movie’s altered name was simply a way to avoid a copyright dispute.)

So if Doctor Strange in the Multiverse of Madness has such clear roots in the genre, along with the jump-scares, violence and body horror so often associated with it, why can’t anyone agree if it really is horror?

Horror or horror-adjacent?

It’s because we’re really bad at identifying horror, and as it ekes its way further into the mainstream, we’re only getting worse. 

“Don’t worry, Sam Raimi fans. Doctor Strange in the Multiverse of Madness fully goes horror,” wrote New York Times editor and movie reviewer Karl Delossantos soon after the film’s premiere

“This is a horror movie,” reviewer Tessa Smith similarly tweeted, also making sure to note director Sam Raimi’s stamp is firmly there — a source of worry after Doctor Strange‘s originally intended director Scott Derrickson left over “creative differences.”

(Marvel Studios’s CEO Kevin Feige later denied the move was because Derrikson wanted to take the movie further into the horror world than they were prepared to go.)

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But elsewhere, the most many reviewers could bring themselves to call it was “horror-adjacent,” “horror-inspired” or as containing “horror elements.” Even the CBC’s own Eli Glasner suggests it’s “merely the veneer of horror … a fun ride without any real moments of terror.”

“I wouldn’t say this is a strict horror movie,” Chase Hutchinson, a film critic for Collider, said in an interview. Instead, Doctor Strange uses horror tropes and imagery to evoke the genre, without being firmly in it. 

He said: “When you look at it as a holistic thing, a few sequences that use the language of horror does not a horror film make.”

Doctor Strange is played by Benedict Cumberbatch, shown here with actor Xochitl Gomez, appearing as America Chavez, who has the ability to travel between worlds. (Jay Maidment)

Much less than a failure, Doctor Strange‘s creators seemed to be on the same boat, wanting to pull in the excitement of horror fans without actually being labelled a horror movie.

As far back as 2019, Feige had hedged, saying he “wouldn’t necessarily say that’s a horror film,” but a “big MCU film with scary sequences in it.”

Raimi responded by saying in an interview that the film has “a flavour of horror to it,” while star Benedict Cumberbatch told Esquire Middle East that he was “trying to dumb down expectations” on Doctor Strange being a horror film. 

“I think almost definitely it is the most frightening Marvel film of all time,” he said. “But I know that doesn’t necessarily put it in the same league as The Shining, or of The Exorcism of Emily Rose.” 

Difficult to define

It’s a strange waffling from the team in charge of promoting their film — but not entirely a confusing one.

Horror as a genre-marker has always been hard to pin down, explained Chris Alexander, a filmmaker and horror history professor at Sheridan College in the Greater Toronto Area.

While you can clearly identify a comedy as a comedy if you laugh, an action as an action when you see a car chase, the strict guidelines between horror and drama or thriller — the genres it is most often compared with — are far more difficult to pin down. 

It can be harder to separate whether a film is trying to excite you, as in a thriller, or genuinely scare you, like in a horror.

And with the Marvel Cinematic Universe now nearly 15 years old, pitching a new movie as bordering a new genre is an appetizing move — one that’s all the more easy to do in the uniquely fungible space of “horror.”

“That word, it has always bothered me, because it’s just a marketing gimmick,” Alexander said. “I mean, it’s just a way for a publicist to have easily classified a certain type of film, to market it to a certain demographic.”

Even though horror can stretch itself more than virtually any other genre, what has likely kept the Marvel creators from saying they fully dove into horror is how most people think the opposite is true.

More than any other storytelling subsection, people’s interpretation of horror is often one-note — and more often than not, that note is negative, said Amy Jane Vosper, a horror scholar and course instructor at Trent University in Peterborough, Ont.

“When we mention the word horror, automatically people think of the slasher sub-genre, as it’s kind of come to exemplify horror just in general,” she said. “However, horror is so much more nuanced than that. There’s so much more going on.”

Judging Doctor Strange by how closely it resembles a typical slasher, like Scream, Nightmare on Elm Street or the newer Malignant, would clearly leave it wanting. And the belief that this is how audiences would decide whether the film counts as a horror is likely why its creators veered away from calling it such.

But Vosper said that has less to do with what horror can be and more to do with how bad we are at identifying it.

A genre disrespected

Even though the genre has always made money, critics and audiences haven’t always associated the idea of “artistic merit” with “horror.”

Going as far back as the ’90s, Jonathan Demme’s Silence of the Lambs is often cited as the only horror movie to win best picture at the Academy Awards. And even while horror fans have consistently argued whether that movie even counts as a horror movie, Vosper argued that not only is it a horror, but other past winners have been, too.

As recently as 2018, both Jordan Peele’s Get Out and Guillermo del Toro’s The Shape of Water took home awards at the Oscars.

Both have strong horror elements, Vosper argued — though viewers hardly ever think of del Toro’s movie as such. And on top of Peele himself describing his movie as a social thriller, when screenwriter Geoffrey Fletcher presented Peele with an award for the film, he said if Get Out is a horror, then Jaws is a “beach movie.”

Daniel Kaluuya appears in a scene from Jordan Peele’s Get Out. The 2017 film was described by the director as being a ‘social thriller.’ (Universal Pictures/YouTube)

It’s part of a poor understanding of what horror is and can be, said film critic Courtney Howard, and this is despite a slate of atypical films, like The Humans, Take Shelter and The Babadook, redefining the types of stories the genre can tell — and how they can be told. 

“The thing with horror movies these days is [they] can be a combination of everything,” Howard said. “Whether that be jump-scares, or that feeling of dread that amounts to something that’s more powerful and hits you.”

So in the end, is Doctor Strange a horror film? 

Questions like that have been following the genre since the Universal Classic Monsters series back in the 1930s, said writer and film historian Karina Wilson.

But while what scares us will always change, turning down the dial doesn’t necessarily stop Doctor Strange — or any other movie — from being horror. Because it’s still the most subjective genre out there — and that’s the point. 

“Horror is always going to be different things to different people,” she said. “And we’re going to be arguing about it until the last of humanity is snuffed out.”

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