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Maleficent opens to $170 million

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Maleficent opens to $170 million

added: 4 Jun 2014 // by: Film-News.co.uk Newsdesk 

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Angelina Jolies Maleficent debuted to $170 million in North America.

This makes it a career best for Angelina, who plays the title character in the Disney live-action remake of the classic fairytale.

The movie also performed well overseas, making $100.6 million internationally, according to The Hollywood Reporter.

Maleficents success is said to be thanks in very large part to the number of women who bought tickets, something that worked very well with 2013s Frozen. 60 percent of the audience was reportedly female, with 30 percent being under the age of 18.

It is the best opening of Angelinas career, ahead of 2008s Kung Fu Panda, Wanted, and 2005s Mr. Mrs. Smith.

“To be able to take something like Sleeping Beauty and come at it from a different angle is intriguing. Then when you can lay on the Disney brand and a star like Angelina Jolie, and you have all the ingredients,” Disney’s distribution chief Dave Hollis said.

Angelina has spoken about why she came back from a four-year acting hiatus to take on the role. According to the actress, the script and concept was irresistible.

Its such a great project, she told the Los Angeles Daily News. After having directed and thinking that I wasnt sure if I wanted to act, this was such a crazy idea and I was so challenged by it. As an actress, it was to not do something where Im taking myself so seriously and trying to do something for myself and my art, but just to remember that it was to play and entertain and to try something big.

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UK Cinemas Latest to Ban Google Glass from Being Worn

When Google released its first Glass units to the public, it didn’t take long before some caveats of wearing a pair in public could be seen. Last March, a self-proclaimed “dive bar” in Seattle preemptively banned the specs from being worn in its establishment, as its owner simply considers Glass to be a potential breach of privacy. Since then, we’ve seen this same argument brought up time and time again.

Other establishments have different reasons for disallowing Glass to be worn, such as the conglomerate of cinemas in the UK. Because the Glass has video-recording capabilities, it’s probably easy to see why they’re not going to be allowed, though it’s being noted that they can’t be worn in general, even if a movie is not playing.

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There are a couple of facts about Glass that takes the sense out of this ruling a little bit. If Glass is recording, a light will make that evident. Further, Glass is designed to stop recording after 45 minutes, which is half the length of most movies. Multiple people could get together and later stitch their sources together, but at the end of the day, people have been releasing cinema-filmed copies of movies to various torrent sites and other repositories for a while, and in generally good quality,  so chances are that Glass might not have been the best solution to begin with.

That last fact could certainly change as time goes on, though, when Glass and its competitors become even more powerful, and more capable. In the end, the fact that cinemas want to ban Glass from being worn really shouldn’t come as much of a surprise, though it will be inconvenient for those wearing them who genuinely have no intent to record the movie they are about to see.

‘Princess’ Eugenie Bouchard making Big Bang at Wimbledon


Confident, assertive and blonde, Eugenie Bouchard is the Canadian golden girl of Wimbledon, a marketing man’s dream who was named after a British princess.

She has the tennis world at her feet, but deep down she insists she’s just a Teddy-bear collecting nerd with a liking for mathematics.

That explains the presence of US actor Jim Parsons in the players box during her Centre Court fourth round win over Alize Cornet on Monday.

Parsons is Dr Sheldon Cooper, the aloof, super-nerd with a love of physics, computer games and comic books and a social misfit’s distaste for all things human in the hit TV show The Big Bang Theory.

“It’s my favourite show. So many unexpected things, you just burst out laughing. It’s less stressful to watch than, say, like a movie on a war or something,” said 20-year-old Bouchard, the first Canadian woman in the Wimbledon quarter-finals in the Open Era.

“Jim Parsons’ character Sheldon is my favourite. He’s so nerdy. He’s so smart and set in his ways.

“I do have a little bit of the nerd in me. When I was in school, my favourite class was math class. I was very determined to try to get 100% on all my math tests. I think that kind of self-discipline translates to tennis.”

Bouchard and Parsons became friends around a year ago in what she describes as a “random pairing”.

He is a regular spectator at her matches and he was also on hand Saturday when Bouchard defeated Andrea Petkovic to make the last 16.

“He’s emailed me after every single match I’ve played. He’s more positive than all of my team combined. So it’s a refreshing change to get a nice email with exclamation marks and smiley faces,” said Bouchard.

“We talk about the mental aspect in tennis. He says how it’s similar to him acting. He has to be in the moment on set and all these things. It’s interesting to see how similar the mentality is in different careers.”

Bouchard has also been a focus for the royalty-obsessed British media at Wimbledon and Monday, with the Royal Box…well, full of royalty…, was no exception.

The Duke of Kent, the president of the All England Club, watched Bouchard, as did his brother, Prince Michael of Kent and the Countess of Wessex, the wife of Prince Edward, the youngest son of Queen Elizabeth II.

Bouchard was named after the younger daughter of Prince Andrew, the Queen’s second son, while her sister was named after Beatrice, Andrew’s elder daughter. The Canadian player also has a brother, William.

Bouchard pointed her finger at her mother, Julie, for further questions over her royal links.

“She named us, so I wasn’t really aware of what was going on at that time. But I played on Centre Court last year. Kate Middleton’s parents were watching us then. That was really exciting,” she said.

“I think when I went in the Royal Box when I won the juniors, I think the Duke of Kent presented me the trophy.”

With her status as a potential Grand Slam champion-in-waiting, does Bouchard act like a princess, throwing the occasional diva tantrum?

“You can ask my coach or my parents or anyone that I can be a princess,” said the 13th seed who could face 2004 champion and fellow commercial goddess, Maria Sharapova in the quarter-finals.

“I mean, they’re not horrible. But I can be moody in the morning. I’m not so much of a morning person. My fitness trainer carries my tennis bag around. But that’s so I don’t get tired because I want to save all my energy for the match.

“I can demand a few things once in a while, but I do it with love,” she smiled.

Hundreds flocked to get heads cropped when movie stars came to town…but …

Hundreds flocked to get heads cropped when movie stars came to town…but were you a hater?

By Barry Leighton

Several hundred extras, mostly from Swindon, appeared alongside nine professional actors and actresses during the Two Minutes Hate scene at RAF Hullavington in June 1984

“YOU have to work yourself into a lather… a screaming demented rage… you have got to look brutal… you must seethe with hatred… stomp your feet… shake your fists… grind your teeth… groan with passionate, frustrated loathing… you must become A REAL NAZI FACIST…”

Several hundred men and women from Swindon are sitting in a former World War Two hangar on a sunny afternoon in June receiving instruction in the fine art of appearing and behaving very, very angry indeed.

They must think of everything and everyone who has ever annoyed, inflamed and enraged them – those people who have made their blood boil – and then, in two minutes of screeching, unbridled fury, let it all out.

On no account should they simply look peeved or irked. They must pour their hearts and souls into it. There is no room for pussy cats. So off they go… snarling, raving, bellowing. It is quite a scene… But why is this unbecoming, ungentleman-like behaviour taking place in the heart of the languid Wiltshire countryside?

Because a definitive version of George Orwell’s 1984 – the ultimate dystopian novel – is being filmed and hundreds of extras, mostly from Swindon, have been recruited to recreate as noisily and fervently as possible the infamous Two Minutes Hate sequence.

This, in Orwell’s book, is a daily ritual whereby the people of Oceania are impelled to unleash “uncontrollable exclamations of rage” upon the appearance on a screen of the ‘Enemy of the People’ Emmanuel Goldstein (Penguin Modern Classics, page 13).

It is powerful stuff and on the set everyone is keen to impress, not to let the side down and to earn their 20 quid ‘extras’ money – not to be scoffed at back then.

They have, in all likelihood, been further inspired to give nothing less than their all at the sudden appearance of the charismatic, craggily handsome devil sitting near the front… Richard Burton.

It is 30 years ago this month since Hollywood – or the British version of it – memorably decamped in Wiltshire. That’s right, 1984.

A few weeks earlier a brief message in this newspaper called for anyone interested in a spot of film work on a major production to present themselves at the Territorial Army Centre in Church Place at 8am on Friday, May 25. They would be appearing alongside no less a luminary than Richard Burton, one of the greatest actors of his generation, and John Hurt, commanding almost as much esteem.

Unsurprisingly, there was no lack of takers. Around 50 starry-eyed Swindonians had even camped outside the TA Centre all night. Hundreds of 18 to 30 year-olds answered the call, said assistant director Crispin Reece. But some older Oceanians were required.

“Everyone should bring along their grandparents,” he urged, as the drive for extras continued over the next couple of days. There was a catch, though. All the chaps would need a haircut.

A week later the TA Centre was transformed into an old-fashioned barber’s shop with a platoon of grim faced hairdressers – clippers at the ready – assembled from local salons. The style required for the film would be, ahem, somewhat severe.

Ever see those shots of Elvis having his quiff irreverently cropped upon his conscription into the US Army? It was just like that. Images of Big Brother had been pinned to the walls to add to the air of trepidation, austerity and anxiety.

Methodically going about his brutal business, Old Town-based Talk of the Town stylist Tony Holmes admitted: “This is a blow to my artistic side.

“People come in, sit down and we give them a quick short back and sides. We have to get through about 600 people and must be cutting one head of hair every ten minutes.” Appalled at such sheep-shearing savagery, Kevin Crook took one look and decided he didn’t want to appear in a big movie after all. Shaking a bountiful head of golden brown locks, he exclaimed: “Just look at what they’re doing. They’re butchers.”

Bill McLaren, 61, of Park South had no such qualms with his spartan new barnet. “I was due a haircut, anyway,” he shrugged. Hairdresser George Garrard from Tingles of Calne had little sympathy for victims of his lightning handiwork. “They knew what they were letting themselves in for.

“Each hairdresser is working flat out to cut 40 heads of hair and we just haven’t got time to fuss over the cuts.”

Sadly Big Brother wasn’t smiling upon 200 Swindon women who, having been hired as extras, were told on the day of filming: “Sorry, we got the proportions of men to women wrong. You’re out.”

Those still in were ushered into 19 double decker buses and ferried to “a secret location” which turned out to be RAF Hullavington.

Disappointingly nursing a can of diet coke, one-time infamous hard drinker-cum-hell raiser Burton, 58, told us: “In the old days I used to get rolling drunk but I can’t take that anymore.”

He had come out of semi-retirement to appear in the film.

“I was turning scripts down but when I heard John was in this, I read it. It was brilliant, so four weeks ago I decided to take part.”

Inside the grass-covered hangar Swindon’s assortment of clerks, secretaries, electricians, postmen, railway workers and check out girls were screaming merry hell.

“That’s perfect” said director Michael Radford, before asking them to do it all over again, and then again…

It took around ten takes to get it right – once because Burton missed his cue.

Later Radford admiringly added: “It’s the best crowd some of us have ever seen.”

Producer Simon Perry hailed the raw-throated horde. “You did amazingly well. The scene we have done here is tremendously important. One thing everyone remembers from the book is the Two Minutes Hate.”

That and Room 101, the Thought Police, the Anti Sex League and the “Big Brother is Watching You” slogan. After a sound going over in the make-up tent, Adver employee-turned-downtrodden Oceania resident Edna Holman couldn’t have given a hoot about Big Brother.

Describing her less than glamorous appearance, she exclaimed: “My hair was a glutinous mess and the make-up was ghastly. I looked hideous.”

Were you an extra in 1984? We’d love to hear your recollections of the experience. Email us at: leightonbarry@ymail.com

Richard Burton relaxes on the set of 1984 at RAF Hullavington

  • JUST seven weeks after filming in Wiltshire Richard Burton was dead, his long term, alcohol related health problems having finally caught up with him.

The film 1984 – his last – was dedicated to his memory. Simon and Sheran Hornby, of Pusey near Faringdon, were “great friends” of the star and his ex-wife Elizabeth Taylor.

Upon Burton’s passing Mr Hornby told us: “He used to come down here regularly. He liked Pusey and regarded it (our house) as one of his English homes.”

The chairman of Swindon- based WH Smith at the time, Mr Hornby last saw Burton in June during the filming of 1984.

“He looked very well and was in very good form.”

  • PUBLISHED in 1949 – a year before his death – Orwell’s novel is acknowledged as one of the great works of the 20th Century.

It is set in a dictatorial world of perpetual war, public manipulation and constant surveillance.
Winston Smith – played in the film by John Hurt – secretly rebels against the government of Oceania and its symbolic head, Big Brother.

But he is betrayed by the treacherous O’Brien (Burton) who is responsible for his imprisonment, torture and re-education.

Director Michael Radford said the film aimed to “make a romantic melodrama of Orwell’s idea of the future.”

The Adver’s political reporter Justin Davenport pictured in his blue 1984 overalls signifying that he was a member of Oceania’s outer party as opposed to the inner party elite who wore black

  • HAVING attended countless Swindon council meetings the Adver’s civic reporter Justin Davenport was no stranger to political rants and outbursts.

But he was taken aback by the sheer ferocity of the yelling and shrieking he and hundreds of other Swindon extras were obliged to emit during the Two Minutes Hate.

He described it as thus: “Previously decent members of society were transformed into inmates from some tyrannical concentration camp.”  

Of his appearance after being given a short back and sides, slapped with dollops of hair gel and smeared with white make-up he commented “a more ugly beast I never did see.”

Justin, who now works for the London Evening Standard, gets a couple of quality close-up seconds in the film, heartily screaming abuse.

His demented effusions – along with those of many other Swindonians – can be enjoyed on YouTube.

Two Minutes Hate clip from the film 1984 (be warned, this video contains material some may find offensive)…

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Film editor visits High Wycombe school

Film editor visits High Wycombe school

Film editor visits High Wycombe school

STUDENTS were given an insight into the movie world during a school visit by children’s film editor and animator Mark Soloman last week.

Mr Soloman, whose credits include Shrek, Shark Tale and Chicken Run, took part in a question and answer session at St Michael’s Catholic School.

The year 13 students’ film club, part of the BAFTA Into Film education charity, has seen students interview The King’s Speech actress Helena Bonham-Carter and also attend a glitzy preview of The Young and Prodigious movie.

It marks a busy couple of weeks for the Daws Hill Lane-based school, which received a visit from Wycombe Mayor Cllr Khalil Ahmed, who praised pupils for their fundraising efforts for the Little Princess Trust and CAFOD charity.

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Special screening of Wirral kickboxing champion’s new film

Special screening of Wirral kickboxing champion’s new film

By Craig Manning, Chief Reporter

Lee Charles as Patch in The Anomaly

A WIRRAL born actor and kickboxing champion will attend a special gala screening of his latest film at the Light Cinema in New Brighton later this week.

Lee Charles will take questions from the audience following screening of The Anomaly at the seaside venue on Friday, July 4.

The Birkenhead-born star got his chance to work in the Industry as a stunt man through Hollywood’s top fight choreographer Benny “the jet” Urquidez back in 2007 where he worked alongside Hollywood A-Lister John Cusack.

His work has taken him all over the world, and in 2012 he got a call from Joey Ansar to work on  Green Street 3 Never Back Down alongside Martial Arts Superstar Scott Adkins from Expendables 2.

It was this movie that saw Lee’s acting career begin to take off, securing roles in movies such as I Am Soldier, Montana, London Fields and The Anomaly, among others.

Appearing in I am Soldier lead to his biggest role to date in The Anomaly, when Lee met with BAFTA winner Noel Clarke – who immediately cast him for the role of Patch.

A strong friendship was built and preparations began preparing for the role which would see Lee go onto to film on locations in London New York.

The Anomaly also stars Ian Sommerhalder, Alexis Knapp, Brian Cox, Michael Bisping and Luke Hemsworth.

Lee will be appearing for photos, a special QA session and a gallery of pictures from the making of  will be on display in the cinema’s exhibition space, by screens one and two.

Looking ahead to the film’s launch, Lee told the Globe: “It’s great to be doing this in New Brighton, as it’s my home town and I get to celebrate with all my family and friends.

“The opportunity to share this with them is overwhelming and I greatly appreciate all the help the Light Cinema has given me. We look forward to seeing you on July 4.”

The Anomaly will be screened daily until Thursday, July 10.

Lee is a five times World Kickboxing Champion received a message back in November 2012 from Joey Ansah, who appeared in big screen hits Bourne and Snow White the Huntsman.

Joey asked if Lee would be interested in making a film with Hollywood star Scott Adkins, who appeared in Sylvester Stallone’s action sequel Expendables 2. The film, Green Street Hooligans – Underground was made throughout December in locations across London.

On his film career, Lee said recently: “When I set out on my journey within the martial arts I never had the vision of myself becoming an actor in movies, even though like everyone else I dreamt of it.

“But it goes to show that with hardwork and dedication you can achieve your own personal dreams.”

“I have had so much help and support from my parents family and everyone at my gym.

“Without this help and support I don’t think I would have done what I have, so I owe a lot to them all.”

Friday’s screening of The Anomaly starts at 7.30pm.

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Trevorrow: Jurassic World was spoiled

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Trevorrow: Jurassic World was spoiled

added: 1 Jun 2014 // by: Film-News.co.uk Newsdesk 

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Colin Trevorrow is dismayed info about his new film Jurassic World was leaked.

The director is at the helm of the forthcoming Jurassic Park sequel, which stars Chris Pratt and Bryce Dallas Howard.

Plot details of the follow-up were leaked on the internet in the past week and Colin is extremely disappointed that happened.

Thats the thing about leaks, sometimes they arent misinterpreted or false. Theyre real story elements that the filmmakers were hoping to introduce to the audience in a darkened movie theater, he told Total Film.

Last week was discouraging for everyone on our crewnot because we want to hide things from the fans, but because were working so hard to create something full of surprises. When I was a kid, you got to discover everything at once, it washed over you and blew your mind. Now it only takes one person to spoil it for everyone else. I hope whoever leaked it is actively trying to undermine what were doing. Because if theyre trying to help, theyre doing it wrong.

Although Colin would have liked to keep Jurassic Worlds narrative a secret, he confirmed a lot of speculation about the film is indeed true.

Yes. Jurassic World takes place in a fully functional park on Isla Nublar. It sees more than 20,000 visitors every day, he detailed.

You arrive by ferry from Costa Rica. It has elements of a biological preserve, a safari, a zoo, and a theme park. There is a luxury resort with hotels, restaurants, nightlife and a golf course. And there are dinosaurs. Real ones. You can get closer to them than you ever imagined possible. Its the realisation of [fictional billionaire] John Hammonds dream, and I think youll want to go there.

Jurassic World reaches theatres in 2015.

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Lucas: Internet would have ruined Star Wars

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Lucas: Internet would have ruined Star Wars

added: 1 Jun 2014 // by: Film-News.co.uk Newsdesk 

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George Lucas thinks Star Wars’ famous father scene was one of the movie industry’s last “real reveals”.

Empire magazine’s latest edition crowned 1980’s Star Wars: Episode V – The Empire Strikes Back the best film of all time in its top 200 list. George, 70, wrote the story, which includes the epic moment where Darth Vader reveals he is Luke Skywalker’s father.

Looking back, he’s amazed he was able to keep the huge twist under wraps for so long.

“No. It was pretty remarkable we pulled it off then,” he answered Empire when asked if he thinks it would have been possible now.

“It was without the internet but it was still extremely intense in terms of the fans. Literally, I didn’t tell anybody. Even the producer didn’t know. It wasn’t until James Earl Jones [Darth Vader’s voice] came on during the finishing of the movie that it was revealed what he was actually saying there.

“We expected it to leak but it didn’t. It made it through the sound mix where the group widened. Then, everybody came out of the first screening and said, ‘He’s his father!’

“Personally, I think it was one of the last real reveals. Now you can’t do it.”

George owned Lucasfilm before selling it to Disney in 2012 and is also the director behind several of the movies in the franchise. The Empire Strikes Back was directed by Irvin Kershner, but George helmed the instalment before that, Star Wars: Episode IV – A New Hope.

He also discussed the difference between the two films.

“I think [Episode V] is soulful, but in a different way from Episode IV,” he mused.

“It’s a little bit more adult. As a director, I’m more of a goofy director.”

He added that Episode V’s popularity is “relative” and that each of the films is loved by different people.

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Hilary Swank praises Jones

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Power station to host outdoor cinema

Power station to host outdoor cinema

By Nick Hitchens, Assistant Editor

Power station to host outdoor cinema

Football fans and movie buffs can enjoy outdoor cinema in the shadow of one of London’s iconic monuments.

Films and the Fifa World Cup final will be shown on a 9m screen to up to 250 people in a pop-up park in front of Battersea Power Station, as the developers link up with group Everyman Cinema.

It is the last summer the public will have access to the park area before regeneration of the 42- acre site.

Movies scheduled for airing include Wayne’s World, The Wolf of Wall Street, Pulp Fiction, Lock Stock and Two Smoking Barrels and Drive, as well as the World Cup final on July 13.

Elsewhere in the park will be a bar area, pop-up street food vendors and more seating, to allow up to 1,000 guests.

l The Power of Summer; Battersea Power Station; July 10 to August 31; free before 5.30pm, £5 afterwards; cinema tickets £10 matinees, £15 evening shows; visit everymancinema.com/thepowerofsummer.

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