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True holographic movie is within grasp

Holographic movies, like the one R2D2 projected of Princess Leia in the Star Wars: A New Hope, have long been the province of science fiction, but for most of us, the extent of our experience with holograms may be the dime-sized stamps on our passports and credit cards. By using ‘metasurface’ materials that can manipulate light in ways that natural materials cannot, researchers reckon they have finally seen the light at the end of the tunnel for creating true holographic movies.

The findings, by a team at the Tokyo University of Agriculture and Technology (TUAT), are published on August 3rd in Optics Express.

Static holograms are all around us these days on our money, credit cards, and passports.

These “surface-relief holograms”, stamped onto plastic in a similar way to how vinyl records are embossed, can be useful as a security device or to make wrapping paper twinkle, but they are known for their low image quality, still imagery, and limited viewing angle. In the third decade of the 21st Century, we don’t yet have true holographic movies, such as R2D2’s projection of Princess Leia in Star Wars: A New Hope, despite their ubiquity in popular culture.

Even the ‘holograms’ of pop stars that are increasingly common spectacles at concerts aren’t true holograms, but an updated version of a very old theatrical trick deceiving the eye with mirrors and light–an illusion that is easily revealed as such if the viewer moves just slightly to the side of the set-up.

But researchers at Tokyo University of Agriculture and Technology have demonstrated a genuine holographic movie, whose concept is inspired by the sequential playback of the very first cinematographic projectors of the 19th Century.

The proof of concept depends on what is called a ‘metasurface’, a thin film material just nanometers thick whose microstructure is artificially crafted in a way to deliver characteristics, such as clever manipulation of light, that are not found in naturally occurring materials. Metasurfaces involve very tiny repeating patterns at scales smaller than the wavelength of light. It is their shape and particular arrangement, rather than, as with conventional materials, their chemical composition, that allows metasurfaces to alter the path of light.

The researchers “printed” an array of 48 rectangular frames of a metasurface made primarily of gold and which diffracts laser light shone at it in such a way as to produce a true holographic three-dimensional image appearing mid-air (just like Princess Leia), viewable from most angles in the room.

Each of the metasurface frames is slightly different–as with a reel of celluloid film–using 48 images of the Earth rotating. The holographic movie was played back by sequentially reconstructing each frame at a rate of 30 frames per second–the frame rate used in most live TV.

“We’re using a helium-neon laser as the light source, which produces a reddish holographic image,” said Kentaro Iwami, one of the engineers who developed the system, “so the aim is to develop this to produce full colour eventually. And we want it to be viewable from any angle: a ‘whole hemisphere’ 3D projection.”

It also took an electron-beam lithography printer six and a half hours to draw the 48 frames–an extremely short film run on a loop. A six-minute holographic movie would take just over 800 hours to draw, the researchers reckon.

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For more information about the Iwami laboratory, please visit

http://nmems.lab.tuat.ac.jp/en/

Original publication:

Ryota Izumi, Satoshi Ikezawa, and Kentaro Iwami, “Metasurface holographic movie: a cinematographic approach,” Opt. Express 28, 23761-23770 (2020)

https://doi.org/10.1364/OE.399369

About Tokyo University of Agriculture and Technology (TUAT):

TUAT is a distinguished university in Japan dedicated to science and technology. TUAT focuses on agriculture and engineering that form the foundation of industry, and promotes education and research fields that incorporate them. Boasting a history of over 140 years since our founding in 1874, TUAT continues to boldly take on new challenges and steadily promote fields. With high ethics, TUAT fulfills social responsibility in the capacity of transmitting science and technology information towards the construction of a sustainable society where both human beings and nature can thrive in a symbiotic relationship. For more information, please visit http://www.tuat.ac.jp/en/.

Contact:

Kentaro Iwami, Ph.D.

Associate Professor

Institute of Engineering,

Division of Advanced Mechanical Systems Engineering

Tokyo University of Agriculture and Technology (TUAT), Japan

k_iwami@cc.tuat.ac.jp

Worried about drug pricing, Democrat pushes Biden to pledge support

WASHINGTON — At least one Democratic lawmaker is openly pushing President Biden to include drug pricing reform in his next big legislative package, after rumors swirled on Capitol Hill this week that the forthcoming legislation might not include provisions on the subject.

Rep. Peter Welch of Vermont told STAT he plans to call the White House Wednesday night and is urging his colleagues to pressure the administration in a letter, too.

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The Epic Journey to ‘The Underground Railroad’

“Dealing with what we saw will probably stick with me for a very long time, if not forever,” he added. “But I hope these images stick with the people who see this show, too, because it’s important for us all to recognize our history.”

On my last night at the farmhouse in Newborn, Laxton and Jenkins were outside setting up a shot. A blinding white overhead light, cast against the still, black sky, made it seem as if we were being abducted by aliens. Inside, I had a conversation with McMillon, the editor, about the deeper meaning of the project. We were interrupted at one point by the farm’s owner, who had been on-hand for the shoot and who wanted to show us a photo of one of the farm’s old residents — the daughter of slaves who had belonged to the owner’s family.

Traveling across Georgia during production, such reminders of the not-so-distant past were common. The locations manager, Alison A. Taylor, told me she had felt disoriented by the experience of driving past houses flying large Confederate flags on her way to set. In Madison, where some of the shooting took place, a chapter of the Ku Klux Klan had thrown a barbecue months before.

McMillon, who worked with Jenkins to sculpt the series during and after production, described what it felt like to filter the horror and possibility of American history through a Black lens.

Is there a different kind of motivation that comes into play given the nature of this story?

MCMILLON Yeah, because we represent so much more than ourselves. You do feel, not the pressure to succeed, but the pressure to represent in the best way possible. You don’t want anyone embarrassed to claim you. I think one of the things that we’ve all taken into account is, when you tell stories like this, it’s so much bigger than us.

What do you want people to get out of the show?

MCMILLON The idea of “in spite of.” I feel like that is the motto for most Black people in America. Survival in spite of — to find love and laughter and joy in spite of your circumstances. With Cora’s journey, the odds are against her from the beginning, and so much of what she goes through is heartbreaking. But, in spite of all that, there’s still this hope of a better life, of survival, of making meaningful connections and leaving a lasting impression on this earth.

The First-Ever Horror Movie For Cats Premieres Friday – PRNewswire

The brand, along with creative agency adameveDDB, worked with the Waltham Petcare Science Institute, to enhance the movie with specific sound frequencies that would capture cats’ attention. The result is a short film truly designed for cats – and it seems to have done the trick. In advance of Friday night’s premiere, the film was shared with some notable felines who unanimously gave it “two paws up.” Here’s what they had to say about the movie

  • October said “For an evening more frightening than a vacuum cleaner, ‘Scaredy Cat’ is a must see.”
  • Belarus said “Exactly how a cat would navigate a haunted house — I was on my toes!”
  • Bonnie and Clyde said “Full of suspense. We were on the edge of our cat tree! A cat’s worst nightmare!”

This Halloween, don’t trick your cat, treat them. As cat lovers prepare to snuggle up with their pets for the premiere of “Scaredy Cat,” they can grab a bag of the new TEMPTATIONS Creepy Catnip Treats. They’re the purr-fect snack to enjoy during a “Scaredy Cat” movie night. The limited-edition treats are available online and at major retailers.

Tune into the film on Amazon Fire TV streaming devices by clicking on the “Scaredy Cat” banner or by saying “Alexa, find ‘Scaredy Cat’ on YouTube” with your Alexa Voice Remote or hands-free with a paired Echo device or Fire TV Cube.

Check out the “Scaredy Cat” movie trailer on YouTube and don’t forget to visit the TEMPTATIONS  YouTube page on Friday, October 16 at 6:30 pm ET for the movie’s premiere. For more information on “Scaredy Cat,” follow the @temptationscats Instagram channel or visit TemptationsTreats.com.

About the TEMPTATIONS™ Brand
TEMPTATIONS™ treats are America’s favorite cat treats and offer a fun, playful treating experience for both cats and their owners. With a texture that’s crunchy on the outside with a soft, meaty center, a shake of the bag is all it takes to make your cat’s mouth water! Look for TEMPTATIONS™ Treats for cats nationwide where pet food is sold. For more information, please visit www.TemptationsTreats.com.

About Mars Petcare
Part of Mars, Incorporated, a family-owned business with more than a century of history making diverse products and offering services for people and the pets people love, the 85,000 Associates across 50+ countries in Mars Petcare are dedicated to one purpose: A BETTER WORLD FOR PETS™. With 85 years of experience, our portfolio of almost 50 brands serves the health and nutrition needs of the world’s pets – including brands PEDIGREE®, WHISKAS®ROYAL CANIN®, NUTRO™, GREENIES™, SHEBA®,CESAR®, IAMS™ and EUKANUBA™ as well as the WALTHAM Petcare Science Institute which has advanced research in the nutrition and health of pets for over 50 years. Mars Petcare is also a leading veterinary health provider through an international network of over 2,000 pet hospitals and diagnostic services including BANFIELD™, BLUEPEARL™, VCA™, Linnaeus,AniCura and Antech. We’re also active in innovation and technology for pets, with WISDOM PANEL™ genetic health screening and DNA testing for dogs, the WHISTLE™ GPS dog tracker, and LEAP VENTURE STUDIO accelerator and COMPANION FUND™ programs that drive innovation and disruption in the pet care industry. As a family business and guided by our principles, we are privileged with the flexibility to fight for what we believe in – and we choose to fight for: A BETTER WORLD FOR PETS.

®/™ Trademarks © Mars, Incorporated 2020.

SOURCE TEMPTATIONS™

News | Fat White Family To Debut Film About Album-Making Process

Fat White Family are set to unveil a new film about the process of working on their new album.

Moonbathing In February is described by the band’s Lias Saoudi as “a no budget DIY film about the ‘throwing shit at the wall until something sticks’ stage of the album-making process.” He adds that it “also serves as a portrait of just how hard it is to get your rocks off at the bitter end of a winter lockdown and what, if anything, it means to be in a band at this abysmal juncture in music history.”

The full film will be available to stream via the band’s website from 8pm GMT on April 2. For now, you can watch a trailer here.

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New Sci-Fi Thriller Film ‘ONE AND THE SAME’ Where Vengeance Meets Reincarnation; Releasing March 23, 2021 by Gravitas Ventures

LOS ANGELES, March 22, 2021 /PRNewswire/ — Modern technology helps a young woman seek vengeance for her past life killer in the upcoming sci-fi thriller feature film, ONE AND THE SAME. Helmed by first-time feature writer-director Felipe Cisneros, the film will release TVOD on March 23rd by Gravitas Ventures, a Red Arrow Studios company.

ONE AND THE SAME' a film by Felipe Cisneros; releasing March 23, 2021 by Gravitas Ventures

ONE AND THE SAME’ a film by Felipe Cisneros; releasing March 23, 2021 by Gravitas Ventures

New Sci-Fi Thriller 'ONE AND THE SAME' by Felipe Cisneros; releasing March 23, 2021 by Gravitas Ventures

New Sci-Fi Thriller ‘ONE AND THE SAME’ by Felipe Cisneros; releasing March 23, 2021 by Gravitas Ventures

Set in Sacramento, ONE AND THE SAME weaves together a mysterious science-fiction tale of vengeance and reincarnation. When a young woman, Lola, is invited to a secret facility, she discovers an experiment beyond space and time. After uncovering her own past self, a teenage boy named Robbie, she embarks on a malevolent path for justice against the ex-con who killed him.

The intense journey stars Glenn Plummer (South Central, Menace II Society, City of Lies) along with rising young talents Makena Taylor (Skyfire, Some Kind of Beautiful, Adolescence), Acoryé White (Juanita, The Seventh Day, Under the Stadium Lights), and Ignacyo Matynia (Break Every Chain, Luke Cage).

Cisneros is excited to deliver a futuristic look at reincarnation, adding “It’s been said: we only truly die, once someone has spoken your name for the last time. The idea of being forgotten forever scared me, but it also led me down a rabbit hole of finding a way to change that. With a bit of imagination, and a dash of science fiction, I surrounded that concept with the perils of what would happen if we knew too much about ourselves from a past life.”

Produced by Cisneros under Shadow Clone Films and Nick Leisure (A Clear Shot) of Leisure Films, ONE AND THE SAME was shot in 2019 on a tight 16-day schedule with only 30 crew members in Baja, Mexico.

“I’m drawn to sci-fi because its only limit is our very own imagination. There’s nothing more satisfying when you can bend the rules of what is expected,” explains Cisneros.

Cisneros has been building a solid reputation for his talents on the independent film scene. The Sacramento native originally set his sights on acting, before discovering his true calling behind the camera. A self-taught screenwriter and director, Cisneros honed his skills by creating a series of notable short films, including A Cry for Vengeance, Not My Blood, and The Fringe of Existence.

Official Trailer: https://youtu.be/9VEWoXRVr7s
Official Website: OneAndTheSameFilm.com
Follow on Instagram: @oneandthesame.film

Available on iTunes: https://itunes.apple.com/us/movie/one-and-the-same/id1552585782

Press contact:
Tammy Lynn, Spotlight PR Company
310.867.1952
[email protected]

SOURCE Gravitas Ventures

Losing John Wick; 4 Marvel Films This Year?; RIP George Segal

In today’s Movie News Rundown: John Wick and his creator part ways; Black Widow is coming to your house; goodbye to George Segal. Plus: a real catchy song from 1967.

But First: Should you move to Mississippi? I talked with Mississippi Film Office director Nina Parikh about the many ways the Hospitality State is attractive to filmmakers, and how she used barbecue and banana caramel pie to lure the Coen brothers for O Brother Where Art Thou and The Ladykillers. You can listen on Apple and Google and Spotify and here:

Losing John WickDerek Kolstad says he wasn’t invited back to write the two latest John Wick sequels, even though he created the franchise and it’s been going magnificently so far. This is a bummer for those of us who appreciated Kolstand’s spare dialogue and deft world building every bit as much as the gun-fu. “It wasn’t my decision,” Kolstad told Collider. “And so you look at that and you could be hurt, and I would say if I was 20 years ago I would have been, but seeing what the industry is and how things go, I just believe that you bless everything and hope it all the best, and to the players involved who are doing other things elsewhere.”

Black Widow Moves Again: Marvel is kind of becoming that bar that has a permanent sign that says “Free Beer Tomorrow.” The long-delayed Black Widow has been moved again to July 9, when it will arrive simultaneously in theaters and on Disney+, for an extra $30. Okay, so it isn’t exactly “free” beer. But this is a thing fans have been asking Disney to do for more than a year.

4 Marvel Movies This Year?: The Black Widow announcement is part of an overall Disney release plan that also includes the much-anticipated Marvel movie Shang-Chi and the Legend of the Ten Rings, which has been pushed back from July to Sept. 3. The Eternals is scheduled for November 5 and Spider-Man: No Way Home is scheduled for Dec. 17. So we’re scheduled to go from zero Marvel movies in 2020 (understandably) to four this year.

R.I.P. George Segal: The Who’s Afraid of Virginia Woolf Oscar nominee died Tuesday at 87. “Some of the top directors of the 1960s and ’70s, including Robert Altman, Mike Nichols, Paul Mazursky and Sidney Lumet, cast Segal for his gently humorous everyman quality, and he often played an unlucky-in-love professional or a writer who gets in over his head,” wrote Variety in this obituary.

M-I-Double-S-I-Double-S-I-Double-P-I: Here’s the song referenced at the top of the podcast above. It’s also put to great use in Craig Zobel’s The Hunt.

 

 

 

Nintendo Says It’s Already “Looking Into” Animations Beyond The Mario Movie

While I’ve watched a few, I personally don’t care for films or TV shows based off of videogames. Part of what makes videogames immersive is that the player is directly interacting with and experiencing the world the protagonists are in, whether it’s fantastical or realistic. It’s also why silent or faceless protagonists like Link or Master Chief are so iconic; the player can imagine their dialogue in their own words, and it could be anybody underneath that armor, respectively. Passive entertainment like films and TV show versions of videogames tend to miss the mark because they pull you out of that immersion and set you on rails, watching a forced narrative. And let’s face it, when you’ve played countless hours in a given videogame’s world, a two-hour film or TV series is at best redundant and typically has way too many jarring differences to really work.

In any case, I would prefer that Nintendo continue to focus primarily on their first-party console videogame development. People can try to deny that delving into mobile games, theme parks, and movies hasn’t pulled any resources away from in-house game development, but there’s no denying the widening gaps between new, original first-party releases (aka what we invest in consoles for) and a concerning and steady rise in the ratio of recycled titles from the Wii U and other legacy platforms. There was a changing of the guard after Satoru Iwata’s death, and it brought with it a shift in corporate priorities; not all of them were necessarily positive from a gamer’s standpoint.

Jenny Agutter to reprise Railway Children role in film sequel

Tom Courtenay will also appear, with the script by Danny Brocklehurst, whose credits include TV shows like Brassic, Accused, Clocking Off and Shameless.

Netflix purchases ‘Knives Out’ sequel rights in massive two-movie deal

Fox News Flash top entertainment headlines for March 31Video

Fox News Flash top entertainment headlines for March 31

Fox News Flash top entertainment and celebrity headlines are here. Check out what’s clicking today in entertainment.

Netflix reportedly dropped big money to acquire two sequels to Rain Johnson’s Oscar-nominated 2019 mystery film “Knives Out.” 

Detective Benoit Blanc’s next cases will therefore drop exclusively on Netflix, although there’s no word yet on what the nature of those cases may be or if any other characters will reprise their roles in the sequels.

Netflix declined to say how much it was paying for the films, which Johnson will direct with Daniel Craig returning as inspector Blanc. However, according to Deadline, the price approaches $450 million, which would make it one of the largest acquisitions Netflix has ever made.

‘NO TIME TO DIE’ STAR LASHANA LYNCH REACTS TO THE BACKLASH OVER REPORTS SHE’S THE NEXT 007

<a href='http://www.movierental.com/link/netflix'>Netflix</a> acquired the sequels to the 2019 movie 'Knives Out.'

Netflix acquired the sequels to the 2019 movie ‘Knives Out.’
(AP)

It also lands Netflix something it has dearly sought: the kind of major film franchises that traditional studios have long depended on. Production on the second “Knives Out,” written by Johnson and produced by him and Ram Bergman, is set to begin this summer.

‘JAMES BOND’ ACTOR DANIEL CRAIG SAYS HE’S AN AMERICAN WHILE PROMOTING NEW MOVIE

Netflix outbid several other streaming services to land “Knives Out,” something that was even possible because the 2019 film was produced by Media Rights Cable and distributed by Lionsgate on a single-picture deal.

Made for $40 million, “Knives Out” grossed $311.4 million in worldwide ticket sales and landed Johnson an Academy Award nomination for best original screenplay. The director ultimately lost the award to “Parasite,” which ended up also taking home best picture at the 2020 Oscars.

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The plot of the first movie saw Blanc brought in after a mystery writer who is the patriarch of a wealthy family dies under mysterious circumstances. He spends the investigation untangling the web of deceit and strained relationships between the family in order to figure out how the victim met his demise. 

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Deadline reports that Craig’s character being the throughline in the sequels almost didn’t happen. When Danny Boyle exited the upcoming James Bond movie “No Time to Die,” Craig was left with some downtime in his schedule that Johnson scooped up in order to make a whodunit mystery in the style of Agatha Christie. Had Craig’s last outing as James Bond not have been delayed, “Knives Out” could have been a completely different franchise.

The Associated Press contributed to this report.

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