Technological advances, widespread availability of internet and profound changes in habits of music consumers have led the industry into an unprecedented crisis.For real are there are no opportunities? Yes there actually are, and most likely lots more than ever before. That has been what these pointers confirm. The music goes through one of his best moments in history around the world with new emerging artists in every nook and becoming known of completely new and creative ways, completely regardless of intermediaries. But the industry has significant difficulties adapting to this new situation, because much of the structure is precisely that: the intermediary between the artist (creator) and the public (listener). Whether record companies, production studios, record establishments duplicators, sellers, retail stores, executives, etc., a large sum of men or women it feeds on (and in turn products an added value) cycle. The problem arises when the chain loses its intrinsic value and starts to be replaced by entirely new alternatives. How was the music industry at the beginning?  There were several major record labels (which still today there are four: Sony Music Entertainment, Universal Music, EMI Music and Warner Music), who were managers art (known as A & R, Artists & Repertoire), whose task was to find promising new musicians , sign contracts with them and develop them as artists of the company. Also including all cases the production of one or many more cds, some promo along with sale was especially in charge of the label. The corporation itself addionally gave services to the live shows involving his music artists, whose leading goal was not surprisingly to boost the purchase of music on different formats, which seemed to be to for lots of years the key source of income through-out the cycle.   Today the equation is reversed because the discs are used primarily to promote public attendance at concerts, real source of income for the artist. That is when all which usually rely on that profit of these cds (for instance, of course, audio engineers and production studio owners through-out the whole world), today we discover shrinking finances and job opportunities that we loose form our hands for a couple of coins above the rest. Actually, almost no music performer exists today which usually has not acquired a recorder solution (home or at at a minimum semi-professional), and on the other hand today we have an internet even greater, cheap and acquirable, a fact that should begin to knock out the game from a number of pro’s who had always been living from the distribution and development and marketing of music. With all these accessibility, the artist can become a qualified DIY, accumulating capabilities for production, cropping and editing, internet marketing and distributing their own music, and audio skills of coursethey  really own.