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No, a woman didn’t win a $2.5 billion ‘Matrix’ lawsuit over copyright infringement

An old hoax that the lucrative “Matrix” and “Terminator” film franchises forked over billions of dollars to a woman who claims they ripped off her work has resurfaced online as the fourth “Matrix” movie, “The Matrix Resurrections” is set to debut in Dec. 2021. 

“Sophia Stewart wrote books in the 70s that were stolen from her by Warner Bros. (Terminator 1-4 The Matrix 1 2!)” a Sept. 29 Instagram post said. “Her lawsuit took 30 years but she won Hollywood’s biggest lawsuit, $2.5 Billion.”

The lawsuit is real, and Sophia Stewart, a writer and paralegal, continues to maintain that the films were based on her ideas. But her case was long ago dismissed, with no such $2.5 billion settlement — not in 2004 when the rumor was first shared, and not now.

The Instagram post was flagged as part of Facebook’s efforts to combat false news and misinformation on its News Feed. (Read more about our partnership with Facebook.)

On her website, where she describes herself as “The Mother of the Matrix,” Stewart claims that she answered a magazine ad in 1986 that said Andy and Larry Wachowski (who would go on to direct the Matrix films and now go by Lilly and Lana Wachowski) were seeking science fiction stories to be made into a comic book. She said she submitted her story “The Third Eye,” but never heard back and her manuscript wasn’t returned.  

After seeing “The Matrix” in 1999, Stewart claimed that she recognized themes and characters from her story and said the same of the “Terminator” films. She filed a lawsuit in 2003 against several defendants including the Wachowskis, “Terminator” director James Cameron, producers Gale Anne Hurd and Joel Silver, Warner Bros., and 20th Century Fox. She accused them all of copyright infringement and racketeering, and sought over $1 billion in damages.

The case was dismissed in June 2005 after the judge ruled that Stewart and her attorneys had failed to produce evidence to support her claims and did not demonstrate a striking similarity between her work and the films. 

She later filed another lawsuit, this time against her attorneys who represented her in the case, accusing them of breach of contract and malpractice, among other things. In 2014, the judge ordered that she was entitled to $316,280 stemming from the costs and attorneys fees in the copyright infringement suit. 

Featured Fact-check

By Samantha Putterman • January 12, 2022

Stewart responded and sent us court documents but we didn’t see anything that substantiated the claim.

The false rumors about the supposed settlement appear to stem from an October 2004 article by the Salt Lake Community College Globe newspaper. The story, titled “‘Mother of the Matrix’ Victorious,” mistakenly said that Stewart would recover damages from the films, receiving “one of the biggest payoffs in the history of Hollywood, as the gross receipts of both films and their sequels total over 2.5 billion dollars.”

The article was later found to be full of errors, with the student reporter mistaking Stewart’s successful counter of an early dismissal motion as her winning the case. The Globe issued a correction: 

“In reference to the recent article entitled ‘Mother of the Matrix Victorious,’ some information has been deemed misleading. Ms. Sophia Stewart has not yet won her case against Joel Silver, Time Warner and the Wachowski Bros. The decision on October 4th enabled Ms. Stewart to proceed with her case, as all attempts to have it dismissed were unsuccessful. Ms. Stewart’s case will proceed through the Central District Court of California.”

By then the story had already been picked up by other websites, and continues to be shared.

An Instagram post claims that Stewart won “Hollywood’s biggest lawsuit” over copyright infringement in the “Matrix” and “Terminator” film franchises and was awarded $2.5 billion.

This is inaccurate. The case was dismissed in 2005, with no money going to Stewart. 

We rate this claim False.

UPDATE, Oct. 6, 2021: This story has been updated to note that Stewart did respond to PolitiFact following initial publication.

Isabelle Fuhrman in Award-Winning Rowing Film ‘The Novice’ Trailer

Isabelle Fuhrman in Award-Winning Rowing Film ‘The Novice’ Trailer

by
November 18, 2021
Source: YouTube

“We can’t be psychotic like you, some of us have lives!” IFC Films has unveiled a trailer for The Novice, an intense rowing thriller marking the feature directorial debut of filmmaker Lauren Hadaway. She worked on Hollywood movies for years in various sound positions, including ADR editing. The film premiered at the 2021 Tribeca Film Festival this year, and won three top prizes: Best Actress, Best Cinematography, and Best Narrative Feature Film. A queer college freshman joins her university’s rowing team and soon undertakes an obsessive physical and psychological journey to make it to the top varsity boat, no matter the cost. “This unapologetic debut from Hadaway, based on her own personal experience as a competitive collegiate rower, heralds a bold new voice in storytelling. If you liked Whiplash, this one’s for you.” Isabelle Fuhrman stars as Alex, with a cast including Dilone, Amy Forsyth, Jonathan Cherry, Kate Drummond, Charlotte Ubben, Sage Irvine, Chantelle Bishop, Jeni Ross, and Nikki Duval. Oh yes this looks damn good! Very good! I’ve been looking forward to catching up ever since it won all those Tribeca awards. Bring it on.

Here’s the official trailer (+ poster) for Lauren Hadaway’s The Novice, direct from IFC’s YouTube:

Isabelle Fuhrman plays Alex Dall, a queer college freshman who joins her university’s rowing team and undertakes an obsessive physical and psychological journey to make it to the top varsity boat, no matter the cost. Intent on outperforming her teammates, Alex pushes herself to her limits—and beyond, alienating everyone around her in the name of success. Furhman’s fierce lead performance collides with Lauren Hadaway’s bold direction and dynamic editing, creating a visceral window into a cutthroat world. Stylish cinematography and a seductive soundtrack complete the experience, evoking the romance and danger of falling in love; the attraction, the drama and the fallout. The Novice is both written and directed by sound expert / filmmaker Lauren Hadaway, making her feature directorial debut after working for years as a sound editor and ADR editor in Hollywood. This initially premiered at the 2021 Tribeca Film Festival earlier this year, where it won three awards by the end of the fest. IFC Films will debut Hadaway’s The Novice in select US theaters + on VOD starting December 17th, 2021 coming soon this fall. Interested in watching?

Find more posts: Indies, To Watch, Trailer

Gandhi’s assassin and his association with the RSS revealed in a new book based on archival details

Such a line of argument would help protect not just Apte and Savarkar, but also Gopal. This line of argument also suited Godse’s self-image—by doing so, he could carry the glory all on his own.

In any case, the rectification was to be a mammoth exercise, involving a serious perusal of questions of law. It is unrealistic to expect that Godse, with his limited legal knowledge and command over the English language, managed these questions on his own. There is evidence that the statement he would read out in court was not entirely of his preparation.

Inamdar subsequently noted that Mehta, a prominent member of the group of lawyers defending the accused and a staunch Savarkarite, helped him draw up a calculated written statement. ‘In Nathuram’s case, it was primarily Jamnadas Mehta, Barrister-at-Law from Bombay, who assisted him in preparing the statement,’ Inamdar wrote. The ponderous statement that ran into 150 paragraphs took Godse five hours to read in the courtroom.

Speaking quietly in English, he attempted at the very beginning to remove all traces of guilt from Apte, Savarkar and the other accomplices. ‘I say that there was no conspiracy of any kind whatsoever amongst the accused to commit any of the offences mentioned in the charge-sheet [sic],’ Godse read. ‘I may also state here that I have not abetted any of the other accused in the commission of the alleged offences.’

While giving an account of his past life, Godse also claimed that he had broken with the RSS long before he killed Gandhi. The claim ran contrary to what he had told the interrogators and what the documents seized from the RSS Nagpur headquarters had revealed.

Years later, Gopal, on seeing the RSS brazenly forsake Godse, sought to set the record straight. ‘He [Godse] said it because Golwalkar and the RSS were in a lot of trouble after the murder of Gandhi,’ Gopal declared. ‘But he [Godse] did not leave the RSS.’

Godse’s statement in the court showed his impeccable command over English, a language he supposedly did not know well.

In the group of lawyers defending the accused, Inamdar was the odd man out. While the others had been picked by L.B. Bhopatkar, who headed the team of advocates, Inamdar had joined them independently. He had been sent by Parchure’s wife from Gwalior as her husband’s counsel. In a way, therefore, both Inamdar and Godse shared the status of an outlier in their respective groups.

‘During the whole of the trial, I never saw Savarkar turning his head towards even Nathuram, who used to sit by him, in fact next to him, much less speak with him,’ Inamdar noted.

‘During the various talks I had with Nathuram, he told me that he was deeply hurt by this—Tatyarao’s calculated, demonstrative non-association with him either in court or in the Red Fort Jail during all the days of the Red Fort Trial. How Nathuram yearned for a touch of Tatyarao’s hand, a word of sympathy, or at least a look of compassion in the secluded confines of the cells! Nathuram referred to his hurt feelings in this regard even during my last meeting with him at the Simla High Court!’

Sam Discovers Her Own Path in Life in ‘Samantha Rose’ Film Trailer

Sam Discovers Her Own Path in Life in ‘Samantha Rose’ Film Trailer

by
August 18, 2021
Source: YouTube

“You okay?” “It’s been a rough couple years.” Freestyle Digital Media has released an official trailer for an indie docu-drama film titled Samantha Rose, the latest from filmmaker Andrew Morgan. The film stars a real woman named Samantha Rose, known as Sam, who tries to leave her old life behind. Returning to her hometown in northern Oregon she reunites with a childhood friend and joins him and a group of misfits as they work the fall harvest on the surrounding vineyards. This unforgettable week leads her to see her life for what it really is: her own. In addition to Samantha, the film’s ensemble cast includes Marla Freeman, Matthew Danger Lippman, Nicholas Horiatis, Allison Berman, Vilém McKael, Natalia Ruiz-Heinsohn, and Johnny Dawson. “I don’t think it’s naive to think that there could be something better out there.” This looks like some low key goodness, the kind of film that finds you when you need it the most.

Here’s the official trailer (+ poster) for Andrew Morgan’s Samantha Rose, direct from YouTube:

Sam (Samantha Rose) is lost, working a dead-end job, afraid to pursue a real life of her own. Returning to her hometown in northern Oregon she reunites with a childhood friend and joins him and a group of misfits as they work the fall harvest on the surrounding vineyards. This ragtag family of runaways are fearless and free, leading Sam on a journey of both discovery and healing. There are motorcycle rides and homemade wine, midnight swims and bonfires, horses, camping, and a love story that unfolds as Sam comes to see her life for what it really is: her own. Samantha Rose is written and directed by filmmaker Andrew Morgan, director of the film Long Gone By previously, plus the docs After the End, The True Cost, and The Heretic as well. From a story by Emily Morgan and Andrew Morgan. Freestyle Digital Media will debut Samantha Rose direct-to-VOD starting on September 7th, 2021 coming up. Who’s interested?

Find more posts: Indies, To Watch, Trailer

Teaser for ‘Juice WRLD: Into the Abyss’ Doc About the Hip Hop Star

Teaser for ‘Juice WRLD: Into the Abyss’ Doc About the Hip Hop Star

by
November 14, 2021
Source: YouTube

“A voice of that generation.” HBO has unveiled an official trailer for the music documentary Juice WRLD: Into the Abyss, another one of the films featured in the Music Box selection from producer Bill Simmons. This is premiering at the 2021 AFI Fest this month, hence the first trailer now before it arrives on HBO in December. Formerly known as The Party Never End, this music history doc film provides an “intimate” look at the life of gone-too-soon hip hop star known as “Juice WRLD”, whose real name was Jarad A. Higgins. A dynamic, real-time account of the Chicago native who was already heading for superstardom and streaming supremacy by the time he was 18 courtesy of his breakout hit “Lucid Dreams”. He tragically passed away from a drug overdose in 2019 at the age of 21. This “Music Box” series on HBO has been delivering some of the best music docs in the past year, each one is as intriguing and worth watching as the other. Take a look.

Official trailer (+ poster) for Tommy Oliver’s doc Juice WRLD: Into the Abyss, direct from YouTube:

HBO’s documentary Juice WRLD: Into the Abyss is an intimate and often eye-opening exploration of the life and all-too-short career of wunderkind rapper Juice WRLD, told primarily though verité, his prolific music making, and his freestyles. A dynamic, real-time account of the Chicago native who was already heading for superstardom and streaming supremacy by the time he was 18 courtesy of his breakout hit, “Lucid Dreams,” the film includes a wealth of never-before-seen footage, unreleased music, and dozens of industry interviews as it details Juice WRLD’s struggles to navigate his meteoric rise to fame, his drug use, and mental health issues. Juice WRLD: Into the Abyss is directed by the American filmmaker Tommy Oliver, director of the doc 40 Years a Prisoner previously, as well as a producer and cinematographer. This is part of Bill Simmons’ Music Box doc series for HBO. The film is premiering at the 2021 AFI Fest this fall. HBO will then debut Juice WRLD: Into the Abyss streaming on HBO Max starting December 16th, 2021.

Find more posts: Documentaries, To Watch, Trailer

Ryan Reynolds and Younger Ryan Reynolds Make a Power Team in The Adam Project

“After accidentally crash-landing in 2022, time-traveling fighter pilot Adam Reed teams up with his 12-year-old self on a mission to save the future.” That’s the logline on Netflix’s The Adam Project, which doesn’t give you much until you find out that it’s from the same director-star team that made the enormously popular Free Guy: Shawn Levy and Ryan Reynolds. And now a whimsical, action-packed new trailer has appeared.

In The Adam Project, Adam in 2050 will have to get Adam in 2022 to help him repair that crash-landed ship—a key part of his crucial mission to save the future—an idea that’s met with some resistance at first. Of course, he knows best how to convince himself to do something he doesn’t want to do. “The humor that Adam uses in the movie echoes certain aspects of my own life, which is that it’s a defense mechanism,” Reynolds told Vanity Fair recently. “It’s a defense mechanism from allowing anything in and trying to deflect. And of course part of the journey that he’s on is to lower that shield.”

And just because Levy and Reynolds worked together on Free Guy doesn’t mean The Adam Project will be anything like that film. “This character is night-and-day different from the character Ryan played for me in our last movie,” Levy told the magazine. “[Free Guy’s] Blue Shirt Guy is a deeply innocent, naive boy in a man’s body. Whereas Adam Reed in The Adam Project is bruised by life and consequently deeply cynical.”

The Adam Project stars Reynolds as Adam and Walker Scobell as young Adam. The rest of the cast includes Mark Ruffalo as Adam’s father (a time-travel scientist who dies at some point prior to the events in 2022) and Jennifer Garner as Adam’s mother (yes, that is an official 13 Going on 30 reunion happening), plus a badass Zoe Saldaña and a not-appearing-in-this-trailer Catherine Keener.

The Adam Project hits Netflix on March 11.


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Get this little cartography fan of a vacuum cleaner
Mapping robots are nice to have. They don’t take an hour to clean a room, rolling over the same patches repeatedly. They know where their home base is, so they can find it every time.

Johor polls not linked to court cluster – Umno info chief

Umno information chief Shahril Hamdan has dismissed claims that the upcoming Johor state election was linked to attempts by Umno leaders with pending corruption charges to bolster their positions through alleged judicial interference.

Shahril (above), in a statement, said to link the Johor polls with the ‘court cluster’ is clearly off the mark.

“It has nothing to do with the…

35 “Encanto” Details That Are Brilliant, But You Probably Missed Them The First Time Around

🚨There are BIG spoilers ahead for Disney’s Encanto!🚨

BJP likely to lose power in Goa and Uttarakhand; Opposition must be prepared to foil horse trading attempts

Immediately after the 2017 elections, Mahohar Parrikar had won the vote of confidence with the help of Congress leader Vishwajit Rane who had left the house mid-way. He afterwards joined BJP, got re-elected, and was made a minister. Two other leaders deserted the Congress within a year to join BJP.

Mahohar Parrikar died in 2019, and thereafter Pramod Sawant became chief minister. Only a few months after, the BJP did not spare even its ally Maharashtra Gomantak Party, which was split into two, and two out of its three MLAs eventually joined the BJP.

Just on the eve of the present elections, one of GFP’s MLA along with an independent MLA joined the BJP which seemed to present it with an advantage. However, the situation changed when BJP MLAs including Alina Saldanha and Michael Lobo quit the party to join AAP and Congress. One BJP MLA, Pravin Zantye, left the BJP to join MGP. This indicates that the ground situation continued to be fluid.

‘Don’t Look Up’ movie review: Adam McKay’s savage satire aims for the sta— comets

It is hard to pick favourite actors or scenes from this satirical black comedy as there are so many of them. Written and directed by Adam McKay (The Big Short), Don’t Look Up tells the story of Kate (Jennifer Lawrence), doing her PhD in astronomy at Michigan State University. Kate discovers a comet heading for earth. Her professor, Randall Mindy (Leonardo DiCaprio), calculating the trajectory of the comet, realises it is going to hit the earth in six months, annihilating all life.

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The two get in touch with NASA with the news, and are put on to Teddy Oglethorpe (Rob Morgan), the head of the Planetary Defense Coordination Office. He sets up a meeting with the President Janie Orlean (Meryl Streep), who is not particularly interested.

Their attempts to get the news out via the media does not work though Kate’s meltdown on the talk show, The Daily Rip, hosted by Brie Evantee (Cate Blanchett) and Jack Bremmer (Tyler Perry), goes viral.

While the two scream themselves hoarse about the earth coming to an end, the world seems only obsessed with pop star Riley Bina’s (Ariana Grande) relationship with DJ Chello (Scott Mescudi). Once the President realises doomsday is a good way to divert attention from a sex scandal she is embroiled in, she plays it for all it is worth.

  • Director: Adam McKay
  • Cast: Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Scott Mescudi, Himesh Patel, Cate Blanchett, Meryl Streep
  • Story line: Two astronomers try to tell the sheeple that the world is about to end
  • Run time: 138 minutes

A soldier, Benedict Drask (Ron Perlman), is selected to divert the comet though Mindy mutters would it not be better to do it remotely. “Washington always needs heroes,” a pundit intones. The mission is aborted midway because tech billionaire Peter Isherwell (Mark Rylance) discovers the comet is full of precious minerals. So, the new plan is to blow up the comet and mine the minerals.

The world is split into those urging people to look up and see the fast-approaching comet, and others who do not believe in the comet and insist that people not look up. Everything unfolds at warp speed on social media.

The performances by the ensemble cast breathe life into the characters; from Rylance’s tech guru to Streep’s smoking hot, opportunistic, narcissistic president. Jason (Jonah Hill) as the President’s son and Chief of Staff is hilarious, while Blanchett as shallow and hard-nosed Brie is a hoot.

DiCaprio effortlessly hides his golden good looks under an unfashionable haircut, beard and round glasses as the plaid-shirt-wearing, pill-popping, anxious Mindy, while Lawrence’s Kate, with even weirder hair, is a far cry from angsty, take-charge Katniss.

Timothée Chalamet makes for a sweetly-charming Yule, who becomes Kate’s fan after all the memes of her meltdown. Yule and Kate start a relationship after she returns home to Michigan. Himesh Patel plays Kate’s caddish boyfriend Phillip, who is looking to profit from her notoriety.

The small roles are also performed with élan from Perlman’s bluff and politically-incorrect Drask to Michael Chiklis as Dan Pawketty, news anchor on a conservative television show and Liev Schreiber as narrator for Bash, Isherwell’s company. There is also an Avenger as Devin Peters, an actor starring in a film called — you got it — Total Devastation, after news of the approaching comet goes public.

Don’t Look Up has mid and end-credit sequences like all good superhero movies. ‘Second Nature’ composed by Bon Iver’s Justin Vernon and Nicholas Britell, which plays over the end credits sums up the awe and absurdity with the words— “When’s that Rapture… will there be merch?” If the tinsel and good cheer are too much for you this season, you could do well to sink your teeth into this savage satire.

Don’t Look Up is currently streaming on Netflix

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