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Car swallowed up by well in Mumbai, efforts on to retrieve it

The baffled vehicle owner, Kiran Doshi said in a statement this evening that his car cleaner informed him that the vehicle had tilted dangerously.

“I rushed out to check it and right in front of my eyes, the vehicle was sucked into the well water in barely seconds, before we could do anything,” said Doshi.

The Mumbai Police, BMC teams and others rushed to spot and deployed water pumps to empty the well.

The society has requisitioned a crane to lift the vehicle from the bottom of the well, which is more than a century old and around 40-50 deep.

A composed Doshi said that “whatever was destined to happen has happened”.

Viral claim about 85-year-old RSS worker giving up his bed for younger man runs into questions

A claim viral on social media that an elderly RSS worker “gave up” his bed at a Covid hospital to a younger person has run into questions.

Doctors have said 85-year-old Narayanrao Dabhadkar, who died three days later at home, indeed had taken discharge against medical advice (DAMA), but there was no clarity over the claim that he had given up his bed for someone else.

A statement or “news” issued by RSS on Tuesday claimed, “Dabhadkar had secured a bed at the Indira Gandhi Rugnalay after a lot of running around. When brought to the hospital, he was barely able to breathe and all the formalities for his admission to the hospital had been completed. It was then that Dabhadkar saw a woman wailing and requesting the authorities to admit her 40-year-old husband and provide him with oxygen. Her children were also crying. Dabhadkar told the medical staff that he was 85 and had lived his life and, if there are no beds available, the bed reserved for him be given to the man whose family needs him.”

The statement further read, “Dabhadkar’s son-in-law and doctors tried to explain to him that it was necessary to treat him, and that there was no guarantee that he would get another bed. Dabhadkar, however, called up his daughter and said he is returning home, which would be the right thing to do. Being her father’s daughter, she understood his feelings. Dabhadkar signed the consent letter and returned home, where he died after three days.”

Sheelu Chimurkar, the doctor incharge at the hospital run by the Nagpur Municipal Corporation, however, said, “Dabhadkar was admitted at 5.55 pm on April 22 and we had put him on an oxygenated bed in the casualty ward. We told the relatives accompanying him that he will have to be moved to a higher hospital in case his condition deteriorates. They agreed and left. They returned at 7.55 pm and sought his discharge. We don’t know the reason, but advised them that he should be taken to a higher hospital. After his son-in-law Amol Pachpor signed the consent letter, we gave him discharge against medical advice.”

Asked about the claim doing the rounds on social media, Chimurkar said, “Our staff on duty on the day was not witness to any such incident.”

The hospital, which has 110 Covid beds, has 92 active beds with the remainder being kept for the proposed intensive care unit. Asked if the hospital did not have any other bed available, Chimurkar said, “We had at least four to five beds available on the day.”

Dabhadkar’s son-in-law Amol Pachpor told The Indian Express, “I am not in a condition to talk because I was also Covid positive and what has happened is correct. There are no two opinions that he was a man of helping nature. But what is there to talk about now? Four days have elapsed since his death. What is there, is a fact. That is all I can say. I am not willing to talk further.”

Asked if he tried taking him to another hospital, Pachpor said, “We searched a lot of hospitals and this was one where we found a bed. But the rest, you know. Then I took him to my elder co-brother because they were all Covid positive too. I don’t need to tell you anything different.”

On being pressed further if his father-in-law was taken to another hospital, Pachpor once again said, “I told you that I am not in a position to talk. We will talk about it later.”

Taryn Manning is Terrifying in First Trailer for ‘Karen’ Movie

Taryn previously told us she embraced the role because she’s sick of the behavior of the so-called Karens of the world, like Central Park Karen, Manhattan Beach Karen, Drive-Thru Karen, Radio Host Karen, Old Lady Karen, Bagel Karen and Spray Paint Karen … to name just a few lowlights. TM’s hopeful the movie, and her role, can help put an end to it.

Alabama’s Kate Edmonds, Taylor Hanks star together in Lifetime ‘Sorority’ movie

If you tune in to “Secrets on Sorority Row” tonight at 7 on Lifetime, two of the young stars of the movie may look familiar to you if you’ve paid attention to the Birmingham acting scene.

Kate Edmonds and Taylor Hanks, who were both involved with Red Mountain Theatre Company, Virginia Samford Theatre and Acting Out Academy, find themselves playing sorority pledge sisters in the thriller – much to their delight and surprise.

“It’s crazy,” says Edmonds, who had done another movie with the same production company that airs on Lifetime May 31.

She recalls a conversation with the director, Dylan Vox, who called her about the second film and told her they had cast an actress also represented by Lynne Marks, Edmonds’ manager.

“I thought, well, that’s interesting, and then he told me it was Taylor,” Edmonds says. “I said, ’Oh, my gosh, I literally grew up with Taylor Hanks.’ He said they had 800 submissions for each of the girls, and it was Taylor.”

Edmonds and Hanks mostly know each other through years of work and classes with Red Mountain Theatre Company, although both did shows at the Virginia Samford Theatre. Edmonds did shows at Mountain Brook High School, while Hanks was active in the theater program at Alabama School of Fine Arts and New York’s Pace University, from which she recently graduated.

“I love Kate,” Hanks says. “We did a lot of stuff together. We took classes together, and we’ve always gotten along. We were always on the same path together.”

Alabama actresses Kate Edmonds, left, and Taylor Hanks play sorority pledges in Lifetime’s “Secrets on Sorority Row.” (Photo courtesy of Lifetime)

Right now, that path is to primetime television, playing two young women pledging a sorority their mothers had been members of decades before.

“It’s been 22 years since a tragic accident left one sorority sister dead, and strange events begin to occur,” Edmonds says.

The movie was shot in Roanoke, Virginia, and Edmonds and Hanks worked together every day, Edmonds says.

“It was so much fun,” she says. “If I’m getting cast in a movie with someone I know, it’s at least someone I know and love.”

Both Edmonds, the daughter of Susan and Stewart Edmonds of Mountain Brook, and Hanks, the daughter of Debra and Steven Hanks of Hoover, are committed to acting careers, though Edmonds is focusing on film right now and Hanks, also a director and a poet, has a real love for live theater.

“Both of my parents are actors, so I grew up in an environment where theater was appreciated, and I basically did any theater I could get my hands on,” Hanks says. “There’s literally not a single time that I can remember that this wasn’t what I wanted to do and planned to do and was working to do.

“Anywhere I can act I’m going to do it,” adds Hanks, who also had roles in the films “The Giant” and “The Breakup Marriage.” “But I have a very special love for the stage. It feels like my foundation. It feels like my craftmanship has been based around the practice of stage work.”

Edmonds’ first TV role was in Investigation Discovery’s “Homicide Hunter” series, and she’s leaning more toward film work.

“Film acting is so different from theater,” says Edmonds, whose parents also have been supportive of her career. “It’s so much smaller, and you don’t have an audience, and you get multiple takes to do everything. I just fell in love with film acting.”

And May is turning out to be “The Month of Kate Edmonds” on Lifetime. The first movie she filmed for the network, “A Party Goes Wrong,” airs May 31.

Also a thriller, that movie is about a young woman, April, who is fighting for her life after a run-in with a bad crowd – a really bad crowd – that gets her involved in organ trafficking.

“I play April’s best friend, and it may be her fault that this is happening,” Edmonds says. “I play a dark and seedy character in that one.”

The young actress is as committed to her career as her co-star and friend Hanks.

“I would be on sets with older actors and they would say, ‘If you could do anything else, you should do that,’” says Edmonds, whose resume also includes the movies “Root Letter” and “The Third Saturday in October.” “I can’t do anything else. I was meant to do this.”

Next up for both actresses is auditioning for future roles. Edmonds is planning her move to Atlanta, and Hanks will continue “dabbling in directing and reading poetry” in New York.

“I get paid to do things I love to do, and that’s kind of awesome,” Hanks says.

Exclusive: Sex abuse allegations by Carl Lentz’s former nanny put spotlight on Hillsong culture

NEW YORK (RNS) — A former Hillsong NYC staff member has come forward with allegations that the megachurch’s former pastor Carl Lentz subjected her to “bullying, abuse of power and sexual abuse” over the course of seven years as she worked as a nanny in Lentz’s home.

“I felt trapped and silenced. I also felt so ashamed and I had been told not to say anything or tell anyone,” Leona Kimes, 37, told Religion News Service via email Sunday (May 30).

In a statement published on Medium on Monday, Kimes, now a co-pastor of Hillsong’s Boston location, claimed Lentz abused her sexually on multiple occasions. “I was physically violated by his unwanted and repeated sexual touching of my intimate areas. I froze. Every time, I froze,” Kimes said in her statement.

A legal representative for Carl and his wife, Laura Lentz, responding to Kimes’ allegations, told RNS the Lentzes “vehemently deny the allegations and, in addition to that, have irrefutable proof the events did not happen as they are being described.”

Kimes’ allegations are the most recent chapter in a scandal that has caused turmoil in the global church founded in the 1980s by Brian and Bobbie Houston in Australia, now a multimedia empire with 130 locations around the world.

Lentz, 42, who had established Hillsong’s Manhattan church with the Houstons’ son Joel, was fired in November for “moral failings” and admitted to an adulterous affair. Soon after, Ranin Karim, a Brooklyn jewelry designer, discussed her relationship with Lentz on “Good Morning America.” The following month, comments from Brian Houston, in which he called Lentz “a narcissist,” suggested the affair was not Lentz’s only transgression.

One of several pastors GQ Magazine once described as “hypepriests” for their fashionable attire and celebrity congregants, Lentz was perhaps best known for baptizing Justin Bieber in NBA player Tyson Chandler’s bathtub. But since Lentz’s firing and subsequent move to California with his wife and children, he has been little heard from, and Hillsong has portrayed his pastorate as a one-time mistake.


RELATED: Beyond $1,000 sneakers: Carl Lentz, hype priests and the cult of celebrity


Hillsong co-founder Brian Houston. Video screen grab

In December, the New York law firm Zukerman Gore Brandeis Crossman, hired to investigate Hillsong East Coast’s leadership, recommended protocols to prevent similar situations, and Brian Houston apologized “unreservedly” for his lack of oversight.

Kimes’ statement paints a darker picture than what the church first made public after the law firm’s report, alleging unwanted sexual encounters with a subordinate whose husband was also employed by the church.

Kimes said she began working as the Lentzes’ nanny and housekeeper in 2011, spending as many as 19 hours a day at their home. Requests for foot rubs and massages escalated to Lentz sexually touching Kimes, according to her statement, including in a car and a movie theater while one or more of his children were with them. Kimes said the two never kissed and never had intercourse.

By 2016, Laura Lentz had apparently learned of the alleged behavior and Kimes said the couple addressed the situation with her. “I was blamed and silenced,” Kimes said in her statement. “I was the problem.”

Multiple times in her statement, Kimes said she blamed herself for the alleged sexual activity. “I would leave church on Sunday full of shame after hearing his sermon. I would think it was all my fault, only to get a flood of messages from him that afternoon.”

In 2017, Kimes said, the Lentzes sat down with her again to address the situation. This time, according to Kimes, “he took full responsibility for taking advantage of me and putting me in a situation that was so heavy for me.”

Lentz had considered confessing to leaders, but “after talking it through with his wife,” they decided it wasn’t necessary, according to Kimes. They told her they would establish boundaries. But, Kimes said, Lentz’s wife told her soon after “I should repent and dismissed me from all of my duties in the house.”

“I’d been fired from their family, but not from their staff. I felt like it was my fault, leaving me full of shame. I wasn’t given another role, and thought we could resolve it, though I wasn’t sure how. I just knew we were all going to keep quiet.”

Later that year, Kimes and her husband relocated to lead the Hillsong campus in Boston.

During those first years on staff for Hillsong, working in the Lentz household, Kimes said the job, which she considered her ministry, was “exhilarating but also exhausting.” She said she was responsible for “cleaning their house, running their errands and ensuring that everything within the walls of their house was as perfect as possible. It was also my responsibility to take care of the pastors’ children.”

“I rarely had time outside of work to be with friends, family or other employees,” Kimes told RNS. 

Hillsong churches have reportedly depended on volunteers to work long hours that left many burned out, with one former volunteer telling Vanity Fair they joked about “the Hillsong hangover,” after long weekends serving at the church.

Kimes said the “do whatever it takes attitude” extended to staff, who “often sacrificed personal needs for what our lead pastors needed — or even just wanted.”

Kimes and her husband, Josh Kimes, have themselves come under scrutiny for their treatment of volunteers in their Boston church. Tiffany Perez, a former volunteer there, told Business Insider that she was asked to care for the couple’s daughter for up to 25 hours a week as well as do cleaning and look after their dog, while being paid $150 a week.

Josh Kimes was hired at Hillsong NYC in 2013 as an associate pastor and “looked after youth and young adults, evening college, midweek services,” Leona Kimes told RNS. She did not tell him of the alleged sexual assaults by Lentz. “Even though I knew Josh loved me with his whole heart, I was also terrified that I would lose my family and that added to my fear,” she told RNS. She said she also worried he might lose his job.

In this July 14, 2013, photo, then-pastor Carl Lentz leads a Hillsong NYC Church service at Irving Plaza in New York. (AP Photo/Tina Fineberg)

Kimes said she was afraid to say anything to higher-ups at Hillsong. “It seemed to me like my pastor had ensured that there was great distance between him and any sort of accountability or communication with his oversight. So, I couldn’t even imagine reporting my experiences. We were growing so quickly that we didn’t really have the things that are supposed to protect against situations like this — Human Resources, whistleblower policies or any sort of ‘safe place’ to share concerns,” Kimes said in her statement.

Kimes finally told both her husband and Hillsong leadership on the night she found out Lentz had been fired from the church in November — “After I was safe,” she said in her statement.

Rachael Denhollander, an abuse advocate and attorney who has worked with faith organizations in addressing sexual abuse, said abuse and power dynamics in religious environments often prevent victims from taking action.

“When you have somebody who is ostensibly speaking as a spiritual authority, then it starts meshing with your beliefs, your convictions and how you define yourself,” said Denhollander. “It makes it difficult to be able to point to something and say ‘this is wrong,’ because you’ve been conditioned to believe your godliness is dependent on your submission, essentially, to what is taking place.”

Denhollander raised questions about the work culture at Hillsong. “The situation this survivor was in, the way she was employed in the home,” Denhollander said, “that raises very legitimate questions about Hillsong’s policies and procedures.” 

Those procedures have been criticized by Anna Crenshaw, an American student at Hillsong College in Sydney who was touched inappropriately by a Hillsong staffer, Jason Mays, the son of the church’s human resources chief, at a party in early 2016. Crenshaw didn’t tell Hillsong leadership about the incident for two years, but told RNS that Brian Houston initially excused Mays’ behavior, saying Mays was “just young, drunk, stupid, and in a bad situation.”

Crenshaw said Hillsong seemed to initially take her accusations seriously but was slow to take action. After Crenshaw’s father, a pastor, became involved, Hillsong reported the assault to the police in 2019. Mays pleaded guilty to indecent assault in 2020 and received two years’ probation and mandatory counseling. A church spokesperson told Vanity Fair magazine that Mays was banned from ministry for 12 months, before being reinstated in his administration role and as a volunteer singer.

Crenshaw told RNS she believes there is a cultural tendency at Hillsong “to value those ‘higher up’ or more connected.”

“Unfortunately, due to the close-knit relationships and lack of institutional accountability it may never be dealt with,” Crenshaw said. But, she added, “It is never too late to do better.”

When asked about Crenshaw, a Hillsong representative pointed to a March statement from Hillsong regarding the matter, which reads in part: “Hillsong Church vehemently denies any allegation of a culture that tolerates abuse. We take every complaint seriously and regularly demonstrate our commitment to updating our policies and procedures.”

In a statement about Leona Kimes’ allegations, provided to RNS on Friday and now live on their website, the Houstons said that “hearing Leona Kimes’ experience was very disturbing” and that they “commend her for her courage and have assured her of our utmost compassion in their (family’s) journey forward.”

“As a local church within the greater Body of Christ, we welcome this opportunity to grow in what is an increasing societal problem,” according to the Houstons’ statement.

Kimes said she has been “met with compassion, particularly by Brian and Bobbie Houston,” since she came forward, and Brian Houston said her experience “will be central to our processes.”

Senior Pastors Brian and Bobbie Houston in prayer at Hillsong Church. Photo courtesy Hillsong Church

Kimes told RNS there has not been an expectation for her to be involved in developing those processes, but she has been “welcomed to give my input if I choose.”

Hillsong has had other fires to address elsewhere. 

In January, Reed and Jess Bogard, lead pastors of the Dallas location, abruptly resigned during a Sunday morning service. Houston later said the couple, who had served in New York with Lentz, “failed to meet the commitments and standards of Hillsong Church,” and the Dallas location has been shuttered for the foreseeable future.


RELATED: Carl Lentz and the ‘hot pastor’ problem


In April, Darnell Barrett, a pastor for the Montclair, New Jersey, Hillsong campus, resigned after sharing revealing photos of himself on Instagram stories to a group of friends that included a woman who once volunteered for him at the New Jersey church.

Denhollander hopes Hillsong will reopen an independent investigation — one that includes a waiver of attorney-client privilege and that will culminate in a public report to ensure accountability and transparency.

If an organization’s policies are not aimed at giving employees clear opportunities to report potential abuse, Denhollander said, “you run a very high likelihood of other predators in that organization that you may not be aware of.” When a system is less than transparent, she added, there is a very strong likelihood other unhealthy dynamics will come into play. 

For her part, Kimes said she is not going anywhere. “Even with all I’ve been through, I still love it. Hillsong is my church, and I will remain on staff, working toward a stronger future.”

This is a breaking story and may be updated.

In The Heights: What to know about the Lin-Manuel Miranda film

“As a collection of interwoven stories set to the pulsing rhythms of everyday barrio life, this In The Heights can feel as dramatically thin and overstretched as its source material admittedly was,” said Justin Chang of the Los Angeles Times. “But as a musical valentine to a close-knit Latino community, an inspired swirl of hip-hop, Latin pop, salsa and other musical idioms, its pleasures are often glorious, even transporting.”

Filmmakers Worry Hong Kong Film Censors Will Stifle Expression

BANGKOK – Filmmakers are raising concerns about new guidelines for Hong Kong’s film censor that instruct them to ban movies deemed endangering national security. 

Last week, the Hong Kong government announced that amendments to the territory’s Film Censorship Ordinance could result in movies being banned as part of the Beijing-imposed national security law. 

The government statement said it is the “duty” of the Hong Kong Special Administrative Region (HKSAR) to “safeguard national security” and that “censors must abide by these provisions.” 

Local and international filmmakers who have worked in Hong Kong said the changes could hurt the city’s film industry.  

American Joe Piscatella, who directed “Joshua: Teenager vs. Superpower,” a documentary about Hong Kong teenage activist Joshua Wong, told VOA that while filming in 2015 and 2016, he “never imagined” Hong Kong would have to deal with this level of censorship so soon.  

The stakes always felt high for the then-teenage subjects of his documentary, he said, but not the filmmakers.  

“We’re filmmakers, in our minds, we’re protected,” he said. “Obviously, that’s all changing. I know it sounds cliché to say it, but it’s going to have a chilling effect on the film business.” 

Wong, now 24, is serving consecutive jail sentences following guilty pleas of his participation in unauthorized assemblies during the anti-government protests in 2019 and 2020. He was also charged for subversion under the national security law earlier this year and is awaiting trial. 

Piscatella said he expects Hong Kong filmmakers to self-censor and predicts international streaming platforms may buckle over whether to stream a sensitive movie if pressured from China.  

“It’s not going to stop somebody from filming,” he said. “I think the problem that will start to rear its head is will mainstream Western media companies want to take up the mantle to fight to put something like that on their platform. Or is that just such a giant headache that they’ll have to deal with China?” 

Anders Hammer, a Norwegian filmmaker, received an Oscar nomination this year for his short documentary “Do Not Split” that focused on Hong Kong’s anti-government protests in 2019.


Anders Hammer, director of “Do Not Split,” an Oscar-nominated documentary about the 2019 protests in Hong Kong speaks during an interview in Oslo, Norway, April 7, 2021.

“These new film rules will make it even harder for local filmmakers to use their democratic rights to create art and challenge unjust power structures,” he told VOA. “This week, it’s two years since the pro-democracy protests started and it’s really sad to see another serious example of Beijing’s encroachment on Hong Kong’s civil liberties.”  

Hammer’s film was panned by Chinese film industry observers, who said the documentary was “full of biased political stances” and “lacks artistry,” according to China’s state-controlled media the Global Times. 

Since Hong Kong was returned to China in 1997, the city was supposed to continue to enjoy certain freedoms unseen in mainland China under a “one country, two systems,” an agreement lasting for 50 years. 

Despite those promises, critics have complained the city has become increasingly more aligned with China’s mainland model, which is governed by the Chinese Communist Party. 

After 2019’s pro-democracy protests, Beijing implemented the national security law for Hong Kong, which came into effect last year. Since then, dozens of pro-democracy activists have been arrested and jailed, while slogans have been banned and pro-democracy material has been removed from libraries. 

The new film censorship guidelines, Hong Kong authorities say, is “built on the premise of a balance between protection of individual rights and freedoms on the one hand, and the protection of legitimate societal interests on the other.”  

The new policy calls out for special scrutiny of documentaries, particularly about Hong Kong. “The local audience may likely feel more strongly about the contents of the film or be led into believing and accepting the whole contents of the film, and the effect on viewers would be more impactful,” the censor guidelines state. “The censor should carefully examine whether the film contains any biased, unverified, false or misleading narratives or presentation of commentaries, and the tendency of such contents to lead viewers to imitate the criminal or violent acts depicted.” 

In China, movies are heavily vetted, and censorship is common, with few Western productions made available to Chinese moviegoers. 

In March, Hong Kong’s largest TV network cancelled its broadcast of the Academy Awards for the first time in over 50 years, citing “commercial reasons.” The decision came as China requested media to lessen coverage of the awards after Hammer’s documentary received a nomination. China’s government was also displeased by the political views of Beijing-born director Chloe Zhao, who subsequently won the Best Director award for her movie Nomadland. 

Recently, organizers of the Fresh Wave International Short Film festival in Hong Kong pulled a screening of “Far From Home,” a short political film about Hong Kong following the 2019 anti-government protests. Reports say that censors didn’t approve the screening. 

Nick Liu, an independent filmmaker from Hong Kong and director of “Tomorrow Is Not Promised,” told VOA the new rules are not clear, making it hard for filmmakers who “don’t know what plot can or can’t show in the film.” 

An experienced member of the film industry in Hong Kong, who requested anonymity when discussing the national security law, told VOA that much depends on how the censors decide to apply the rules. Will authorities use the same standards on foreign films, he asked.   
 
“Will a film like South Korea’s “1987” be banned just because it’s about political activism?” 

Episode 106 Book Vs. Movie: Howl’s Moving Castle

Sharifah and Jenn discuss the Nebula Award winners for 2021, some Cowboy Bebop and Broken Earth adaptation news, compare Howl’s Moving Castle the book and the movie, and more.

Follow the podcast via RSS here, Apple Podcasts here, Spotify here.
The show can also be found on Stitcher here.

To get even more SF/F news and recs, sign up for our Swords and Spaceships newsletter!

News

NK Jemisin is adapting Broken Earth [Tor.com]

2021 Nebula Winners

A problematic Sweet Tooth advert [io9]

Live action Cowboy Bebop follow-up! [Tor.com]

Discussion Notes

Howl’s Moving Castle by Diana Wynne Jones

New York Magazine review (movie)

The Spool retrospective (movie)

Miyazaki’s anti-war message in Howl’s Moving Castle [Hornet]

ASMR Cottagecore: Rain, fire, and music and Howl’s bedroom

In The Heights: Rita Moreno supports Lin-Manuel Miranda in colourism row

“In trying to paint a mosaic of this community, we fell short. I’m truly sorry. I’m learning from the feedback, I thank you for raising it, and I’m listening.” Miranda added he is “dedicated” to “learning and evolving”.

Pittsburgh movie theaters welcome back customers, hoping to spark a struggling industry

PITTSBURGH — With the unofficial start of summer kicking off on Monday, the major studios are hoping more and more people will return to their local theaters as summer Blockbusters are released.

”I’m just excited not to wear a mask and need masks anymore,” said Ella Adelman, Pittsburgh.

Major movie theater chains AMC Entertainment, Regal Cinemas and Cinemark are no longer requiring customers who are fully vaccinated to wear masks.

”I know I’m excited. This is like our first movie we’ve seen in like two years,” said Adelman.

Adelman and her family visited the Cinemark Theater in McCandless to see Disney’s “Cruella.”

The entire family was excited about being out in public without having to wear a mask.

”Being vaccinated, I’m not really worried anymore. I’m just ready to get back to normal,” said Abby Adelman.

However, other vaccinated customers still chose to keep their masks on.

”I feel like we are conditioned now to wear masks. So, it is kind of hard even though I’ve been vaccinated for months,” said Sara Dietrich.

Theaters are still requiring customers who are not fully vaccinated and theater employees to wear masks, unless they are eating or drinking.

Dietrich tells Channel 11, she missed the food offered at the theaters.

”I’m excited to eat popcorn. Honest, I really miss movie theater popcorn,” said Dietrich.

All three chains are following local and state mandates, which are listed on their websites.

Movie theaters are still continuing to implement social distancing, cleaning protocols and limited capacity until further notice.

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