logo
Already a member? Login here

Movie Rental´s archives ↓

The Atlantic The Atlantic Can Bollywood Survive Modi?

“Everybody is just shit-scared and wanting to lie low,” a woman who is closely involved with the industry told me recently. “This is such a vindictive government.” The day before we spoke, tax authorities had raided the home and offices of one of the country’s finest directors, along with those of an actor he worked with. Both are outspoken government critics, and the raid was widely seen as politically motivated.

As we talked, a director friend sent me a vanishing message on Signal, the encrypted-communications platform, about a case before India’s Supreme Court. A senior Amazon executive in India was facing arrest, along with others, for a nine-part political drama called Tandav, which includes a portrayal of the Hindu god Shiva that some found objectionable. The director of the series had apologized, and removed the offending scene. And according to the message I received, the court had declined to offer protection (a decision it later revised). “The problem,” one senior executive for a major streaming service told me later, “is that the director is Muslim and the actor is Muslim.”

Soon, another show—Bombay Begums—was under fire, with India’s National Commission for Protection of Child Rights calling on Netflix to pull the series on the grounds that it would “pollute the young minds of the children” by “normalizing” drug use. The more credible motivation was that the series normalized interfaith relationships, as well as LGBTQ ones.

I got to know India’s movie industry starting in 2013, when I was dating a Bollywood director, a protégé of Karan Johar—one of the city’s biggest producers, known as KJo. Johar is the Hindu half of a storied collaboration with Shah Rukh Khan, a Muslim and one of Bollywood’s biggest stars. Their partnership began in the 1990s—at first yielding popcorn-and-bubblegum films, and then moving on to iconic post-9/11 dramas such as My Name Is Khan (2010), which dealt with growing Islamophobia worldwide.

Bollywood, in its upper echelons, is tight-knit, and through my boyfriend I met the whole A-list in a matter of days. It was a world of blacked-out SUVs that swept into underground garages, where men with walkie-talkies conveyed you up to palatial apartments overlooking the Arabian Sea.

The Indian film industry turns out more than 2,000 movies a year. Bollywood, its largest component, produces as many as Hollywood. The intensity of Bollywood celebrity is unmatched. One night, Ranbir Kapoor—India’s Ryan Gosling, you might say, and the leading man in a movie my boyfriend was directing—picked me up at my hotel in a tinted SUV. Kapoor was with his then-girlfriend, the actor Katrina Kaif. Soon we were speeding to a private dinner. Word traveled along the Mumbai streets that Ranbir was on the move, and by the time we had arrived at our destination, a crowd of several dozen had gathered.

The Atlanta spa shooting and the hate crime gap

(RNS) — In March, a 21-year-old white man went on a killing spree in Georgia. He targeted three massage businesses and murdered eight people, six of whom were Asian American.

The killer, Robert Aaron Long, told police that he did not target the victims because of their race. One Atlanta police officer, apparently attributing the killing spree to Long’s mental health, dismissed his crimes as the result of “a bad day.” Long himself claimed his actions were the result of “sex addiction.” At the time, FBI Director Christopher A. Wray said that while the shooting was “a heartbreaking incident, … it does not appear that (it) was racially motivated.”

Now, Fani Willis, the Fulton County district attorney who is prosecuting the shootings in Atlanta, has announced that she will be pursuing hate crime charges against Long. Willis intends to make the case that Long targeted these women because of their race, sex, gender and national origin.


RELATED: Black and Asian Christian leaders discuss role of church in fighting racism


Willis’ decision ignited a vigorous national debate about how we understand prejudice and hate in this country. Should these killings be prosecuted as hate crimes?

If we want justice in this case, the answer is a simple “Yes.” But hate crime prosecutions face challenges few other classes of crime do. By pursuing hate crime charges, Willis will now have to prove that Long’s killing spree was motivated by bias, knowing that detractors may use a defeat to say that the concept is unfair to defendants.

This expectation exposes a chasm between what modern science says about bias and what our legal system demands: While social scientists have clearly established that we all have implicit and unconscious biases that animate our actions and behaviors, our legal system presumes that, at least when it comes to hate crime law, biases only exist when they are made explicit. 

People view a makeshift memorial on Friday, March 19, 2021, in Atlanta. Robert Aaron Long, a white man, is accused of killing several people, most of whom were of Asian descent, at massage parlors in the Atlanta area. (AP Photo/Candice Choi)

No one understands this better than communities that regularly face violence due to hate. After the Georgia spa shootings, Asian Americans immediately pointed to the potential role of bias. They reminded us that the fetishization of East Asian women at the spas was itself a form of sexualized racism. Others pointed out that the killer passed by several strip clubs and adult entertainment shops en route to the massage parlors he targeted. If Long was only motivated by a general anger at sex workers, how is it that he selected three spas owned and operated by Asian women?

Daniel Dae Kim’s testimony before Congress argued it this way: “These were places associated with Asian people. If this was a synagogue or a Black church and someone shot up those places, would we really be asking whether this was a hate crime or not?”

These invested observers were able to connect the dots because they knew from experience where to look. Law enforcement’s vision of these same events can be often obscured by the manner in which they gather and consider evidence. Understanding how bias works — that it often doesn’t announce its own presence or fit into traditional categories of motive — will help them ask better questions and conduct more thorough investigations. 

For starters, is a shooter’s denial of being motivated by racial bias really enough for investigators to dismiss bias as a possible motive?

In April, a 19-year-old white male massacred eight people at an Indianapolis FedEx facility. A  former employee there, the killer would have known that about 90% of the employees at that warehouse were Punjabi Sikhs, many of whom have turbans, beards and brown skin. We also know now that he had a history of visiting white supremacist websites and posting far-right content on his own social media accounts.

Members of the Sikh Coalition gather at the Sikh Satsang of Indianapolis in Indianapolis, Saturday, April 17, 2021, to formulate a group response to the shooting at a FedEx facility in Indianapolis that claimed the lives of four members of the Sikh community. A gunman killed eight people and wounded several others before apparently taking his own life in a late-night attack at a FedEx facility near the Indianapolis airport, police said. (AP Photo/Michael Conroy)

As soon as the shooting occurred, Sikh groups and leaders called on law enforcement to conduct a thorough investigation of bias. I lent my voice to this effort, largely because I knew from past experience that by not holding authorities accountable, the question of possible bias often falls through the cracks.


RELATED: At nationwide rallies, Christians stand up for Asian Americans


But it shouldn’t be this way. Why should civil society have to advocate for law enforcement to apply laws that are on the books? Why do we have to connect the dots for investigators whose job it is to do so?

The answer is that we shouldn’t. Investigators must better understand the science around bias and be ready to take it into account when deciding whether to bring bias charges.

So long as we fail to account for bias when it presents itself, we will continue to misunderstand the disease of hate and continue to be ravaged by it. This is why we must close the gap between the lived experiences of marginalized groups and how law enforcement understands and investigates hate. 

RSS chief Mohan Bhagwat discharged after Covid treatment

RASHTRIYA SWAYAMSEVAK Sangh (RSS) chief Mohan Bhagwat was discharged from hospital on Friday after successful treatment of Covid-19.

Bhagwat was admitted to Kingsway Hospital in Nagpur eight days ago after he developed symptoms. A medical bulletin by Shubhrajit Dasgupta, Director, Medical Services of the hospital, said, “All his vital parameters like pulse, blood pressure, respiration, oxygenation were normal. All blood investigation, including markers, were normal. The attending doctors have decided discharge today (Friday). He had a good sleep and usual diabetic high-protein diet. His blood sugar levels are within control and he was able to perform six-minute walk test on room air. He has been examined in the morning by Dr Rajan Barodkar and his tean expressed satisfaction with his condition. Team of attending doctors have decided to discharge him today (Friday) with advice to remain in home quarantine for the next five days.”

Bhagwat will remain quarantined at his regular residence at the RSS headquarters in Mahal area of the city.

Sources from the RSS said, “Former general secretary Suresh ‘Bhayyaji’ Joshi, who is also down with Covid, is recuperating under home quarantine treatment.”

San Antonio theaters are offering movie tickets for under $2 as part of family fun series

SAN ANTONIO – Movie theaters around San Antonio are kicking off the summer with free and discounted tickets for families.

Cinemark, EVO and Regal are all participating in programs locally that offer family-friendly options at discounted rates. View details for the respective theaters below:

Cinemark

Three Cinemark locations in San Antonio are participating in the Summer Movie Clubhouse series from June 16 through August 4. On Wednesdays, starting around 9:30 a.m., movie buffs can find tickets priced at $1.50 with dollar-off Summer Movie Clubhouse pricing on all kids’ snack packs, large popcorns and large drinks, according to Cinemark officials.

Participating San Antonio theaters include Cinemark San Antonio 16 and Cinemark McCreless Market.

“This fan-favorite program brings films for all ages back to the big screen and offers our littlest moviegoers and their families and a great way to spend their summer months by escaping into the pure joy of watching a great movie in a theatre,” said Cinemark Global CMO Wanda Gierhart Fearing.

For all details on Summer Movie Clubhouse, including participating theatres, show schedules and how to buy tickets, visit cinemark.com/kidsclubhouse.

EVO

The Kidflix Summer Movie Clubhouse at EVO will take place over 10 weeks with $1 family films showing every Wednesday.

All EVO locations are participating in the program which kicks off June 9.

The KidFLIX Summer Movie Clubhouse schedule released by EVO officials is as follows:

Tickets for the KidFLIX Summer Movie Clubhouse are available for purchase online at evocinemas.com/kidflix. For more information and location information, visit evocinemas.com.

Regal

Summer kids movies are also back at Regal as part of the 2021 Summer Movie Express series. Express tickets are $1 on Tuesdays and Wednesdays at select theaters, according to Regal officials.

Participating theaters and movie times will vary. For a full list of details about the Summer Movie Express series at Regal, click here.

Santikos

Movies are free at Santikos this summer for select days and screenings. On Tuesdays and Wednesday at 10 a.m. from June 8 through July 28, Santikos is offering free movies for guests.

Palladium, Casa Blanca, Cibolo, Mayan Embassy, Northwest and Galaxy will all feature family-friendly movies like “Trolls World Tour,” “How To Train Your Dragon 3″ and more. Get full details here.

Vision Films to Release Pandemic Made Feature Film Anthology ‘After Masks’

LOS ANGELES, April 27, 2021 /PRNewswire/ — Vision Films (“Vision”) is proud to announce the release of feature film anthology After Masks, from producers John Crockett, Brian McCulley and Jason Potter of AEC Studios, Drea Berg of Uncle Sammy Productions, Mitchell Hoog of The Collective International, and Andrew Burrill, on streaming and cable platforms in the US and Canada on May 18 and on dvd on June 8. 

After Masks Movie Anthology Poster with Mitchell Hoog

After Masks is an emotional and therapeutic collaboration triggered and inspired by the unprecedented reshaping of our society during the global pandemic. Made about the stay-at-home order, during the stay-at-home order, this movie is not a recorded Zoom call. It is a full, rich, and emotional film shot in locations including Orlando, Denver, Santa Monica, Boulder, Tulsa, Los Angeles and more. Actors were cast and rehearsed over video, equipment was shipped to multiple locations across the country, and shoots were completed with professional, virtual support.

Synopsis: Journey through the human experience as the pandemic tests what we are made of both as individuals and as a culture. COVID-19 has challenged us with losing our jobs, being alone together, and facing death head-on. But a light still shines as we hope for togetherness, embrace the spirit of survival, and know that although we may bend, we are never broken. Everyone has a story. What’s yours?

The trailer: https://www.youtube.com/watch?v=zkMGE0whTMY 

The five distinctly different stories were individually produced and directed, each addressing a different theme, and are seamlessly woven together with interstitial artistic commentary by Narrator, Mitchell Hoog (Saved by The Bell 2020).

  • Isolation: Winners
    Directed by Manaal Khan and featuring Alexandra Rodriguez
    An over-zealous, aspiring writer loses herself in routine in order to endure months-long solitude.
  • Faith: Ushering The Light
    Directed by Rebekah Wiggins and featuring Frances Lee McCain (Back to the Future), Drea Berg
    A conservative Jewish couple struggle to preserve their relationship after the loss of their two-year-old son.
  • Black Lives Matter: Hold On
    Directed by Tayo Amos and featuring Tionne “T-Boz” Watkins (TLC)
    A spirited black woman’s personal and professional relationships are strained when she confronts the trauma of racist police brutality.
  • Identity: Clownfish 
    Directed by Rebekah Wiggins and featuring Lindsay Sparks, Ruth Lieberman
    At odds with society’s expectations, a grieving widow slowly supplants her own identity with that of her late husband.
  • Self: Quarantales
    Directed by John Crockett and Brian McCulley and featuring Krista Allen (Baywatch), Eric Roberts (The Dark Knight), Eliza Roberts (Animal House), Debra Wilson (MadTV), Michael Welch (Twilight), Amber Lynn Ashley (Model Citizen), Ted Maritz (Scorpion), Brian McCulley (Pain is Beautiful), Jason Potter (The Social Dilemma), and John Crockett (Sin Eater)
    During months-long isolation, six individuals confront their inner demons when they are no longer able to hide from themselves.

A bonus chapter, Past Cure, directed by Carmelo Chimera and featuring Robert Picardo (Star Trek: Voyager) will be available exclusively on the dvd.

Lise Romanoff, CEO Managing Director of Vision Films shares, “After Masks is one of the most unique films we’ve had the privilege of releasing. As the world emerges from challenging times, this film reflects a myriad of experiences that we know audiences will find relatable as well as cathartic. After Masks features an extraordinary cast and exceptional filmmaking despite pandemic restrictions, it is a true time capsule for the ages.”

Co-Executive Producer Andrew Burrill adds, “As artists and creators of culture, I felt that our social responsibility was only intensified when we became one of the (few) teams approved by SAG to produce content during one of the deadliest pandemics in our Nation’s recent history.

 We approached After Masks with the utmost respect and aimed to create an authentic, living time capsule that reflects a multigenerational and diverse perspective of Covid-19. I hope audiences find a moment of truth within After Masks and that our film inspires and provides an opportunity for others to reflect and ultimately follow hope above all else.”

After Masks will be available on major streaming and cable platforms in the US including: iTunes, Microsoft Xbox, Amazon Instant, Google Play, Vudu, Vimeo, Hoopla, and across hundreds of cable providers including Comcast, Spectrum, Charter, Cox, Dish, DirecTV and more. Canadian cable providers include Rogers and Shaw. The dvd will be available at online retailers including Amazon.

About Vision Films

Vision Films is a leading independent sales and VOD aggregator specializing in the licensing, marketing, and distribution of over 800 feature films, documentaries, and series from some of the most prolific independent film producers in the world. Led by Lise Romanoff, Managing Director/CEO Worldwide Distribution, Vision Films releases 2-4 films a month across Theatrical, VOD, dvd, and television. www.visionfilms.net

Media Contact:
Andrea McKinnon
818-415-9442
[email protected] 

SOURCE Vision Films, Inc.

Related Links

http://www.visionfilms.net

Netflix’s Sweet Tooth: 6 things to know about the show

“For me, Jepperd is this really tough exterior guy. We know he was a pro-athlete in the past, he has this dark past that he’s trying to get away from,” says Anozie. “So he’s got leadership qualities, toughness, he knows how to be strong. But there is a heart of gold in there, that Gus somehow, through his innocence and optimism, which is something Jepperd hasn’t come into contact with for many years, brings out in him.”

Thelma & Louise stars recall male backlash to film 30 years on

When the film was released, the media predicted there were “going to be so many movies starring women, about women, female road pictures, whatever”, Davis said in a QA session, according to the Hollywood Reporter.

Anti-India forces might use Covid crisis to stir mistrust: RSS

AS healthcare across the country struggles to handle the Covid-19 surge, the RSS Saturday said anti-India forces were likely to create an atmosphere of “negativity” and “mistrust” during the pandemic, and asked people to be cautious against them and come together to fight the crisis.

RSS Sarkaryawah Dattatreya Hosabale also asked media to help foster a “positive atmosphere”. Offering condolences to the families who had lost members to the virus, the RSS No. 2 said the government was making extensive efforts and that in a country the size of India, problems can take “gigantic proportions”.

In a statement, Hosabale said, “It is also possible that destructive and anti-Bharat forces in society can take advantage of these adverse circumstances to create an atmosphere of negativity and mistrust in the country. The countrymen, apart from positive efforts to resolve the situation, should be cautious of the conspiracies of these destructive forces.”

To the media, Hosabale said, “We request all sections of society including media to contribute in maintaining an atmosphere of positivity, hope and trust. Those who are active in social media should play a positive role, being more restrained and vigilant.”

The RSS leader also exhorted Sangh workers, social, religious and service institutions and organisations, and people from the field of commerce and industry, to “come forward with a spirit of urgency and service to resolve the current challenges and leave no stone unturned in meeting any kind of shortages”.

Referring to the stress on healthcare infrastructure because of the pandemic, including the lack of oxygen, Hosabale said that in a large country like India, problems can blow up. “Due to the sudden worsening of the pandemic, people are facing a shortage of beds, oxygen and necessary medicines in hospitals. In a large society like Bharat, problems often gain gigantic proportions. Extensive efforts are being made to meet these challenges by Union and state governments and also local civic bodies.”

Anne Hathaway’s role in ‘The Devil Wears Prada’ was offered to Rachel McAdams three times

Updated 11:50 AM ET, Tue June 15, 2021

TV Movie Guide 24 – 30 May | Movie News | SBS Movies

  • Closed Captions (CC) available for Milpirri: Winds of Change, Captain Fantastic, Ten Canoes, Rabbit-Proof Fence, Chef, Birdman, Wik Vs. Queensland
  • Audio Description (AD) available for When The River Runs Dry, Chef, Birdman and A United Kingdom

 

MONDAY 24 MAY

When The River Runs Dry
11:35am, NITV

PG, AD
Australia, 2019
Genre: Documentary
Language: English
Director: Rory McLeod
What’s it about?
A documentary about one of Australia’s worst environmental disasters, the mass fish kills at Menindee, in Western NSW. This film calls upon experts, Indigenous elders and locals, to unravel the cause and effects of this catastrophe on people and wildlife.

Streaming after broadcast at SBS On Demand:

 

TUESDAY 25 MAY

Milpirri: Winds of Change
12:05pm, NITV

PG, CC
Australia, 2014
Genre: Documentary
Language: English
Director: Stewart Carter
What’s it about?
The remote Warlpiri community of Lajamanu are preparing for Milpirri, an exciting cross-cultural event. Milpirri clouds bring rain from the collision of opposites, reminding us all that to find our way ‘back home’ we need to listen to ‘ngurra’ (home) – the country we share.

Ghosts of Ole Miss
8:30pm, NITV (repeats Wednesday 26 May, 1:00pm)

PG
USA, 2012
Genre: Documentary
Language: English
Director: Fritz Mitchell
What’s it about?
In the fall of 1962, a dramatic series of events made Civil Rights history and changed a way of life. On the eve of James Meredith becoming the first African-American to attend class at the University of Mississippi, the campus erupted into a night of rioting between those opposed to the integration of the school and those trying to enforce it.

Streaming after broadcast at SBS On Demand:

Captain Fantastic
12:40am, SBS VICELAND

M, CC
USA, 2016
Genre: Adventure, Comedy, Drama
Language: English, Esperanto
Director: Matt Ross
Starring: Viggo Mortensen, George MacKay, Samantha Isler, Annalise Basso
What’s it about?
Raised in the forest and living off the grid, six children venture out into the world for the first time after their recently widowed father (Mortensen, in an Oscar-nominated performance) takes them on a road trip. Also starring 1917‘s George MacKay. 

 

THURSDAY 27 MAY

My Survival as an Aboriginal
2:00pm, NITV (repeats Friday 28 May, 10:50pm)

M
Australia, 1979
Genre: Documentary
Language: English
Director: Essie Coffey
What’s it about?
Essie Coffey, a Murrawarri woman and black activist, shows the conflicts of living as an Aboriginal under white domination. The first Australian film directed by an Indigenous woman.

Ten Canoes
8:50pm, NITV (repeats Friday 28 May, 12:30pm)

M, CC
Australia, 2006
Genre: Adventure, Comedy, Drama
Language: Ganalbingu
Director: Rolf de Heer
Starring: Richard Birrinbirrin, Jamie Gulpilil, Crusoe Kurddal
What’s it about?
An elder of an Indigenous tribe in the Northern Territory realises a young man in the group covets the beautiful young wife of another elder. To teach him the proper way, the elder tells the youngster a story from the mythical past, about a man who had no wife. Directed by Rolf de Heer (The Tracker, Bad Boy Bubby).

NOTE: No catch-up at SBS On Demand

Twelve Canoes
10:35pm, NITV (repeats Friday 28 May, 11:20am)

PG
Australia, 2009
Genre: Drama, Omnibus Film
Language: English
Director: Rolf de Heer, Molly Reynolds
What’s it about?
A series of short films that paint a compelling portrait of the people, history, culture and place of the Yolngu people whose homeland is the Arafura Swamp of north-central Arnhem Land in the Northern Territory.

Streaming after broadcast at SBS On Demand:

 

FRIDAY 28 MAY

Rabbit-Proof Fence
8:00pm, NITV (repeats Saturday 29 May, 10:00am)

PG, CC
Australia, 2002
Genre: History, Adventure
Language: Walmajarri, English
Director: Phillip Noyce
Starring: Everlyn Sampi, Tianna Sansbury, Laura Monaghan, Kenneth Branagh, Deborah Mailman
What’s it about?
Based on the true story of three young Aboriginal girls, Molly (Sampi) and Daisy (Sansbury) and their cousin, Gracie (Monaghan), who in 1931, were forcibly removed from their mothers and their home in Jigalong and moved over fifteen hundred miles away, as a part of official ‘White Australia’ Government policy. Molly leads her younger sister and cousin on a brave escape and in a bid to find their way home, following, on foot, the rabbit-proof fence that cuts across the Gibson Desert and towards Jigalong.

Heart Coming Home
9:50pm, NITV (repeats Saturday 29 May, 11:40am)

PG
Australia, 2002
Genre: Documentary
Language: English
Director: Sally Godrick
What’s it about?
In 1945 a teacher, Noel White came to the Carrolup Native Settlement in south-west WA. The children in his classroom were ‘stolen’ and confined at Carrolup with little or no family contact.

 

SATURDAY 29 MAY

The Deep
12:00pm, SBS VICELAND

M
Iceland, 2012
Genre: Drama
Language: Icelandic
Director: Baltasar Kormakur
Starring: Ólafur Darri Ólafsson, Stefán Hallur Stefánsson, Joi Johannsson
What’s it about?
On a cold night a few miles off the coast of Iceland in March 1984, a fishing boat sank with all of its men. Miraculously surviving after five hours in the ocean, the exhausted young hulk washes ashore – only to find himself on a deadly lava field. 

Streaming after broadcast at SBS On Demand:
 

Croker Island Exodus
7:30pm, NITV

PG
Australia, 2012
Genre: Documentary
Language: English
Director: Steven McGregor
What’s it about?
1942, Croker Island, as Japanese bomb the North, 95 Aboriginal children and their missionary carers make a remarkable journey to safety 3000 miles across the Australian continent.

Streaming after broadcast at SBS On Demand:

Dhakiyarr vs. the King
8:55pm, NITV (repeats Wed 27th Jan, 11:00am)

PG
USA, 2004
Genre: Documentary
Language: English
Director: Allan Collins, Tom Murray
What’s it about?
In 1933, on Woodah Island in remote northeast Arnhem Land, Yolngu leader Dhakiyarr speared a policeman, Constable McColl, who had chained up his wife. This was Dhakiyarr’s land and that was his law. On the advice of missionaries, he went to Darwin to explain his actions and his people’s ways to the Northern Territory Supreme Court. Seventy years after the controversial murder trial and his subsequent disappearance, Dhakiyarr’s descendants seek to restore what was denied him: his honour. 

Streaming after broadcast at SBS On Demand:

Chef
9:25pm, SBS

M, AD, CC
USA, 2014
Genre: Comedy
Language: English
Director: Jon Favreau
Starring: Jon Favreau, Robert Downey Jr., John Leguizamo, Scarlett Johansson, Dustin Hoffman
What’s it about?
Carl Casper (Favreau) is a disillusioned chef fed up with his restaurant’s management, poor reviews and lack of creativity. After an online battle with a well-known critic leads to further frustration, Carl decides to leave and go solo as a food truck operator in a bid to rediscover his flair for cooking.

Takeover
9:55pm, NITV

M
Australia, 1979

Genre: Documentary
Language: English
Director: David MacDougall, Judith MacDougall
What’s it about?
This documentary observes the profound effect on an Aboriginal community of political and bureaucratic decisions made far away. Although specific to time and place, the film is timeless and universal in its observations of a conflict between an Indigenous minority and a powerful government.

Birdman or (The Unexpected Virtue of Ignorance)
11:30pm, SBS

MA15+, AD, CC
USA, 2014
Genre: Drama, Comedy
Language: English
Director: Alejandro Gonzalez Inarritu
Starring: Michael Keaton, Zach Galifianakis, Edward Norton, Emma Stone, Naomi Watts
What’s it about?
A fading actor (Keaton) best known for his portrayal of a popular superhero attempts to mount a comeback by appearing in a Broadway play. As opening night approaches, his attempts to become more altruistic, rebuild his career, and reconnect with friends and family prove more difficult than expected. Winner of Best Picture at the 2015 Academy Awards.

NOTE: No catch-up after broadcast at SBS On Demand

A United Kingdom
1:30am, SBS

PG, AD, CC
UK, 2016
Genre: Drama, History
Language: English
Director: Amma Asante
Starring: David Oyelowo, Rosamund Pike, Tom Felton, Jack Davenport
What’s it about?
The inspiring true story of Seretse Khama, the King of Bechuanaland (modern Botswana), and Ruth Williams, the London office worker he married in 1948 in the face of fierce opposition from their families and the British and South African governments. Seretse and Ruth defied family, Apartheid and empire – their love triumphed over every obstacle flung in their path and in so doing they transformed their nation and inspired the world.

Streaming after broadcast at SBS On Demand:

 

SUNDAY 30 MAY

Wik vs Queensland
8:30pm, NITV

PG, CC
Australia, 2018
Genre: Documentary
Language: English
Director: Dean Gibson
What’s it about?
This landmark feature documentary portrays the historical decision in 1996 by the High Court of Australia, granting native title to the Wik People of Cape York, and the demonisation that followed at the hands of politicians and media. With unique access to the key players of that moment in history, and featuring never-before seen footage of the two (then) young lawyers, Noel Pearson and Marcia Langton, Wik Vs Queensland tells a very personal story set against the backdrop of a tumultuous time in Queensland’s history. 

Streaming after broadcast at SBS On Demand: