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Best new movies of fall 2021: release dates and where to watch them …

What a difference a year makes. Last fall, the impact of the COVID-19 pandemic sent shockwaves through the movie industry. Studios pushed back some of the season’s biggest premieres to 2021 or indefinitely halted production all together as movie-going audiences sheltered in place. The upheaval resulted in a year of “lost” releases. Except for Tenet … which really came out last August. Wild.

A year later, conditions are at once both radically different and much the same. The development and subsequent rollout of the COVID-19 vaccine has given some studios the confidence to move forward with their fall premiere plans, though a rise in cases tied to the COVID Delta variant has forced both filmgoers and studios to make the calculated decision of where and how to watch this year’s most anticipated new releases, if at all. But off the theatrical success of Marvel’s Shang-Chi over Labor Day weekend, many studios are prepared to move forward with the release schedule — and lean on streaming like never before.

To that end, here’s a list of what movies are playing in wide release this fall, from theater-only screenings to streaming exclusives and everything in-between. There’s a wealth of exciting new films to watch this season, here’s what you should keep your eyes out for.


The Card Counter

Oscar Isaac as William Tell in The Card Counter

Image: Focus Features

Paul Schrader follows his 2018 spiritual drama First Reformed with a moody vehicle for Oscar Isaac. The actor plays William Tell, an ex-military interrogator-turned-gambler who makes it his personal mission to reform a troubled young man (Tye Sheridan) out for revenge against Major John Gordo (Willem Dafoe). With the backing of La Linda (Tiffany Haddish), Tell and his protege set out on the road with their sights set on winning the World Series of poker in Las Vegas. Having screened out of festivals, early word is that Schrader has once again delivered a gnarly human drama. Vulture critic Alison Wilmore wrote in her review:

William recognizes the puerility of Cirk’s dead-end mission, and without acknowledging the degree it’s also his, dedicates himself to helping the young man move on. The Card Counter takes place in a punishing world of windowless casinos, hotel ballrooms, and highways devoid of scenery — a vision of the America used to justify the actions that now so traumatize William, that is intentionally bereft of poetry until La Linda takes William to a park illuminated by Christmas lights. If it’s not a country worth losing your soul for, it’s also not one that will pay any mind to a life spent wallowing in angst over it, either.

In theaters on Sept. 10

Kate

Mary Elizabeth Winstead and Miku Martineau in Kate

Photo: Jasin Boland/Netflix

Mary Elizabeth Winstead stars in the Atomic Blonde-meets-Crank revenge action thriller Kate as a preternaturally gifted assassin who is poisoned by her employers and sets out on a 24-hour manhunt to exact revenge on those who betrayed her. As her body rapidly deteriorates under the effects of the poison, Kate forms an unlikely bond with Ani (Miku Patricia Martineau), the teenage daughter of one of her past targets. With nothing left to lose, Kate embarks on one last self-appointed mission of retribution.

Streaming on Netflix on Sept. 10

Malignant

sideways shot of Annabelle Wallis as Madison lit in red as a mysterious shadow hovers over her bed in Malignant

Image: Warner Bros.

Saw and Insidious director James Wan returns to the horror genre with Malignant, his latest psychological horror thriller starring Annabelle Wallis (Peaky Blinders). The film follows Madison (Wallis), a young woman inexplicably wracked by debilitating visions and nightmares of people being brutally murdered. Except … the visions are real. In order to stop the killer and save her own life, Madison delves into the long dormant secrets of her past and face her darkest fears. If this has anywhere close to the energy of Wan’s Insidious, audiences are sure to be in for a horror film that keep their hearts racing and make it just a whee bit harder to fall asleep at night.

In theaters and on HBO Max on Sept. 10

Nightbooks

WINSLOW FEGLEY as ALEX, LIDYA JEWETT as YASMIN in NIGHTBOOKS.

CHRISTOS KALOHORIDIS/Netflix

If you’re hungry for a retro-themed horror fantasy in the vein of 2019’s Scary Stories to Tell in the Dark or Leigh Janiak’s Fear Street trilogy, David Yarovesky’s Nightbooks should sate your appetite. Based on the J. A. White’s children’s book of the same name, the film stars Winsolw Fegley (Timmy Failure: Mistakes Were Made) as Alex, a precocious young boy with an obsession with scary stories who is abducted by a nefarious witch (Krysten Ritter) and imprisoned in her magical apartment. Forced to tell a scary story every night or face horrific consequences, Alex must team up with his fellow prisoner Yasmin (Lidya Jewett) to escape the witch’s grasp and safely return home.

Streaming on Netflix on Sept. 15

Everybody’s Talking About Jamie

Max Harwood in Everybody’s Talking About Jamie

Photo: Amazon Studios

In director Jonathan Butterell’s film adaptation of Dan Gillespie Sells and Tom MacRae’s award-winning coming-of-age stage musical, Max Harwood stars as Jamie New, a 16-year-old teenager from a blue collar English town who just doesn’t quite fit in. Spurned by his teachers and ostracized by his peers, Jamie nonetheless remains determined to pursue his dream of become a proud drag queen. With the support of his best friend Pritti (Lauren Patel), his mother (Sarah Lancashire), and his mentor Loco Chanelle (Richard E. Grant), Jamie defies his naysayers and inspires his community across several colorful music numbers in a story about remaining true to yourself even (and especially) when it’s hard.

Streaming on Amazon Prime Video on Sept. 17

Prisoners of the Ghostland

Nicolas Cage and Tak Sakaguchi face off in Prisoners of the Ghostland

Photo: Toshio Watanabe/ RLJE Films

Nicolas Cage (Mandy, Jiu Jitsu) stars in Japanese provocateur Sio Sono’s neo-noir western action film Prisoners of the Ghostland as Hero, a notorious criminal imprisoned in the treacherous frontier city of Samurai Town who is hired by a wealthy warlord known as The Governor (Bill Moseley) to rescue his adopted granddaughter Bernice (Sofia Boutella) in exchange for his freedom. Fitted with a set of explosive devices fitted to his neck, arms, and ahem other areas, Hero ventures into the dark parallel universe known as the Ghostland and break a terrible curse that imprisons both Bernice and countless others. We caught this wild movie out of this year’s Sundance Film Festival, so here’s a taste of what to expect:

Let’s not underestimate Cage. He rises to Sono’s level. Sporting strange sprayed-on Ken-doll makeup and Lee Marvin killer energy, Cage becomes a living action figure. He even has kung-fu grip! In a third-act sequence, Cage (or at least a spot-on body double in armor) goes toe-to-toe with the head samurai, delivering moves that keep up with the kinetic camerawork. If only Sono had found more for Boutella to do, Prisoners of the Ghostland might have achieved instant cult status. With action credits like Kingsman, Atomic Blonde, and Star Trek Beyond to her name, she’s more than capable of executing stunts and choreography. Sono loses her in Cage’s shadow, but again, she can really make that gatling gun sing.

In theaters and on VOD on Sept. 17

The Many Saints of Newark

Photo: HBO Max

David Chase’s The Many Saints of Newark, a prequel to The Sopranos, follows a young Anthony “Tony” Soprano through his formative years as a young gangster working for his uncle Dickie Moltisanti (Alessandro Nivola). As rival crime families rise up to wrest apart the powerful DiMeo family’s stranglehold over the tumultuous race-torn city, Dickie’s actions and decisions in the face of these challenging times will leave a profound and lasting impression on his young nephew and play an inevitable role in shaping him into the ruthless crime boss he will one day become.

In theaters and streaming on HBO Max on Oct. 1

Titane

A young woman straddles atop a neon-painted car hood in Titane

Photo: Neon

Raw director Julia Ducournau returns with another raucous body horror-thriller in the form of her sophomore feature, Titane. The film stars Agathe Rouselle as a young girl who survives a horrific car crash and has a titanium plate fitted inside her skull. Featuring murder, sex, impregnation by vehicles, and love borne out of deception, with a premise that sounds like head-on collision between David Cronenberg’s Crash and 2012’s The Imposter, Titane won the Palme d’Or during its world premiere at the Cannes Film Festival this past July and seems all but poised to become this year’s most talked-about film.

In theaters on Oct. 1

Venom: Let There Be Carnage

The symbiote Carnage roars with tentacles drawn in Venom: Let There Be Carnage,

Image: Sony Pictures

Tom Hardy returns as the down on his luck reporter-turned-symbiote-infused-vigilante Venom in Venom: Let There Be Carnage. Directed by Andy Serkis (yes, that Andy Serkis), the film follows Eddie Brock (Hardy) as he attempts to reinvigorate his career by interviewing the notorious serial killer Cletus Kasady (Woody Harrelson). Still struggling to adjust to his life as the human host for the sentient symbiote Venom, Eddie will have to face off against a slobbering new nemesis, Carnage. The film was originally slated to premiere in September, but was delayed to October due to renewed concerns regarding the COVID-19 pandemic.

In theaters on Oct. 1

No Time To Die

Daniel Craig and Ana de Armas as James Bond and CIA agent Paloma in No Time to Die

Photo: MGM

Daniel Craig returns for his final outing as 007 in director Cary Joji Fukunaga’s No Time to Die, the 25th installment in the James Bond film series. Set five years after the events of 2015’s Spectre, the film follows the now-retired MI6 agent as he is enlisted in the search for a missing scientist named Valdo Obruchev. Bond’s search for answers thrusts him into the crosshairs of a dangerous new nemesis in the form of Lytusifer Safin (Rami Malek), as well as old friends and adversaries alike. Featuring returning performances by Léa Seydoux, Ben Whishaw, Naomie Harris, Jeffrey Wright, Christoph Waltz, Ralph Fiennes, as well as new appearances by Lashana Lynch and Ana de Armas, No Time to Die will finally see its long-awaited premiere in theaters this fall after being delayed twice due to the COVID-19 pandemic.

In theaters on Oct. 8

Lamb

Noomi Rapace holding a lamb-headed child in Lamb

Photo: A24

Noomi Rapace and Hilmir Snaer Gudnason play a childless couple, who discover a mysterious lamb-headed newborn in Valdimar Jóhannsson’s supernatural drama Lamb. Adopting the child and raising it as their own, the couple’s newfound happiness is nevertheless assailed from both within and outside their idyllic Icelandic farm. Like most A24 films, it looks impeccably well-shot and deeply sinister. I am absolutely terrified both for and of that child.

In theaters on Oct. 8

Halloween Kills

Halloween Kills: Michael Myers stands at the top of the stairs

Photo: Ryan Green/Universal Pictures

Jamie Lee Curtis reprises her role as Laurie Strode in Halloween Kills, the 12th installment in the long running Halloween horror franchise. Taking place directly after the events of 2018’s Halloween — that movie being a canon-scrubbing sequel to John Carpenter’s original 1978 film — Strode and her family must continue to fend off the relentless murder spree of Michael Myers with the help of the Haddonfield community. Will Michael finally, finally die this time? Probably not, because director David Gordon Green is rounding out his reboot/sequel series with a third movie Halloween Ends, but we bet this one’s a spooky time at the movies anyway.

In theaters on Oct. 15

The Last Duel

Jodie Comer as Marguerite de Thibouville in The Last Duel.

Photo: 20th Century Studios

Good Will Hunting duo Matt Damon and Ben Affleck have written another movie … and wisely hired Nicole Holofcener (Walking and Talking) to help them grapple with a challenging subject matter. Set in 14th-century France, The Last Duel follows the story of Marguerite de Thibouville (Jodie Comer), wife of knight Jean de Carrouges (Damon). After accusing de Carrouges’s best friend Jacques Le Gris (Adam Driver) of rape, the two men engage in trial by combat in the last legally sanctioned duel in France’s history. Directed by Ridley Scott with beautiful cinematography courtesy of Dariusz Wolski and supporting performances by Affleck and Alex Lawther as Count Pierre d’Alençon and King Charles VI respectively, The Last Duel by all appearances looks like a historical drama destined for award buzz.

In theaters on Oct. 15

Dune

Timothée Chalamet as Paul Atreides and Rebecca Furguson as Lady Jessica Atreides stand in the desert on the set of Denis Villenueve’s Dune.

Photo: Chiabella James for Vanity Fair

Set thousands of years in the future, Denis Villenueve’s adaptation of Frank Herbert’s celebrated sci-fi epic Dune stars Timothée Chalamet as Paul Atreides, son and heir to the powerful Duke Leto Atreides (Oscar Isaac), who is haunted by strange and vivid dreams related to some great, yet unknown destiny. Assuming stewardship of the desert planet Arrakis, colloquially known as Dune, the Atreides must contend with not only the challenges of their dangerous new terrain but the treachery of the Harkonnens, their centuries-long adversaries and Dune’s former stewards led by the villainous Baron Vladimir Harkonnen (Stellan Skarsgård). Can Villeneuve’s film succeed where David Lynch and Alejandro Jodorowsky’s efforts fell short and deliver an adaptation worthy of its source material? We got an early look at the film out of the Venice Film Festival and signs point to yes.

In theaters and streaming on HBO Max on Oct. 15

The French Dispatch

Bill Murray and other cast in The French Dispatch.

Image: Searchlight Pictures

Wes Anderson’s latest film is a self-described “A love letter to journalists,” inspired by the director’s love of The New Yorker and following the stories of American newspaper outpost based in the in the fictional French city of “Ennui-sur-Blasé.” Featuring performances by Benicio del Toro, Owen Wilson, Tilda Swinton, Willem Dafoe, Liev Schrieber, Timothée Chalamet, Frances McDormand, Léa Seydoux, Bill Murray, and many more, The French Dispatch (alternatively titled The French Dispatch of the Liberty, Kansas Evening Sun) sounds as be as offbeat, hilarious, and whimsically idiosyncratic as any of Anderson’s films at his best.

In theaters on Oct. 22

Last Night in Soho

Anya Taylor-Joy, lit in neon blue and terrified, in Last Night in Soho

Image: Focus Features

Thomasin McKenzie (Old) stars in Edgar Wright’s psychological horror thriller Last Night in Soho as Eloise, an aspiring fashion designer who finds herself miraculously transported to the 1960s where she vicariously inhabits the life of a dazzling lounge singer (Anya Taylor-Joy). It’s not long before Eloise’s lucid escapades morph into insidious sojourns into a dark and terrifying world of waking nightmares.

In theaters on Oct. 29

Antlers

Photo: Searchlight Pictures

Black Mass director Scott Cooper’s supernatural horror thriller Antlers stars Keri Russell and Jesse Plemons as Julia and Paul Meadows, a school teacher and sheriff of a small town in Oregon, who become embroiled in a desperate fight to protect a young child (Jeremy T. Thomas) who is secretly harboring a malevolent, ancestral creature inside his house. It looks terrifying, and Guillermo del Toro’s name as a producer goes a long way.

In theaters on Oct. 29

The Harder They Fall

DAVID LEE/Netflix © 2021

Starring an ensemble cast including Regina King, Delroy Linkdo, Idris Elba, LaKeith Stanfield and more, and produced by none other than Jay-Z, Jeymes Samuel’s (aka The Bullitts) feature length debut The Harder They Fall is a contemporary Black Western worth getting excited for. When outlaw Nat Love (Jonathan Majors) discovers his longtime nemesis Rufus Black (Elba) has escaped from prison, he’ll have to reunite his old gang in order enact revenge on Rufus and his cohorts. Expect a whole lot of shootouts, anachronisms, and impeccably sleek-looking leather dusters.

Streaming on Netflix on Nov. 3

Eternals

Salma Hayek,nbsp;Angelina Jolie,nbsp;Richard Madden,nbsp;Gemma Chan,nbsp;Ma Dong-seok,nbsp;Brian Tyree Henry,nbsp;Kumail Nanjiani,nbsp;Lauren Ridloff,nbsp;Barry Keoghan, andnbsp;Lia McHughnbsp;innbsp;Eternals (2021)

Image: Marvel Studios

Chloe Zhao’s Eternals introduces longtime MCU fans to its titular cast of interstellar guardians ( not to be confused of with the Guardians of the Galaxy, of course). Set after the events of Avengers: Endgame, an immortal alien race who have been living on Earth secretly for thousands of years rise up to defend the planet against a grave threat in the form of their immortal enemies, the Deviants. Starring Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh, Brian Tyree Henry, Lauren Ridloff, Don Lee, Salma Hayek, and Angelina Jolie, the film is sure to have major consequence in the lead up to Spider-Man: No Way Home and next year’s Doctor Strange in the Multiverse of Madness.

In theaters on Nov. 5

Finch

Finch (Tom Hanks) walks besides his robot Jeff (Caleb Landry Jones).

Photo: Apple TV Plus

Though science fiction isn’t something for which he’s particular well known for, Tom Hanks proved his skills as a dramatic performer could translate to the genre through his work on 2012’s Cloud Atlas. Finch, the feature debut of Game of Thrones director and soon-to-be House of the Dragon showrunner Miguel Sapochnik, sees Hanks once again dipping his toes back into sci-fi, this time as one of the last surviving men on the planet who invents a robot companion named Jeff (Caleb Landry Jones) before embarking on a journey across the country. There’s no footage released as of yet, but the look of Hanks’ funky shirt and his robot pal it seems like it’ll be fun, weird, and soul-stirring adventure.

Streaming on Apple TV Plus on Nov. 5

Spencer

Kristen Stewart as Princess Diana in Spencer

Photo: Neon

Kristen Stewart is a far way away nowadays from her days as a Twilight starlet, having proven her chops as a dramatic actress with engrossing performances in films like 2016’s Personal Shopper and 2020’s Underwater. With Pablo Larraín’s biographical drama Spencer, Stewart takes on her most challenging and multifaceted role yet as Princess Diana in the midst of her impending divorce from Prince Charles. The cinematography in the film’s trailer, courtesy of Portrait of a Lady on Fire’s Claire Mathon, looks sumptuous and bathed in an ethereal glow of washed out hues, and Stewart’s resemblance to the late Princess of Wales in her heyday is uncanny. If Larraín’s work on 2016’s Jackie is any indication, Stewart could very well be set for a Oscar nomination for Best Actress.

In theaters on Nov. 5

Passing

Ruth Negga and Tessa Thompson in Passing

Photo: Netflix

Rebecca Hall’s adaptation of Nella Larsen’s 1929 novel Passing stars Tessa Thompson and Ruth Negga as Irene and Clare, two childhood friends from a mixed-race background who reunite in adulthood. While Irene openly identifies as a black woman, Clare as manage to live a life “passing” as a white woman in an attempt to circumvent the institutional prejudices of her time. Larsen’s novel is acclaimed for its nuanced portrayal of social malleability of race as a form of both performance and innate identity. Hall, miraculously, captures it with surgical precision and immaculate black and white photography. Passing was the big surprise of the 2021 Sundance Film Festival and shouldn’t be missed when it slips on to streaming later this year.

Streaming on Netflix on Nov. 10

Ghostbusters: Afterlife

Mckenna Grace wearing goggles and Finn Wolfhard firing a proton pack in Ghostbusters: Afterlife.

Photo: Columbia Pictures

When you’re (once again) trying to reboot the Ghostbusters movie franchise, who ya gonna call? Jason Reitman apparently, that’s who! Set 30 years after the events of Ghostbusters 2, Ghostbusters: Afterlife stars Carrie Coon as Callie, a single mother and daughter of the late Dr. Egon Spengler. After moving to her family’s decrepit farmhouse in Oklahoma, her daughter Phoebe (I, Tonya’s Mckenna Grace) and son Trevor (Stranger Things’ Finn Wolfhard) discover their grandfather’s legacy and set out to resolve a paranormal disturbance that threatens to endanger the entire world.

In theaters on Nov. 11

Red Notice

Ryan Reynolds, Gal Gadot, and Dwayne Johnson wearing formal attire in Red Notice

Photo: Netflix

Dwayne Johnson stars in yet another high-octane action thriller as a law enforcer working alongside a former (?) criminal to take down a mutual adversary, but this time wholly unrelated to the Fast and Furious franchise! Rawson Marshall Thurber’s Red Notice follows FBI Agent John Hartley on his mission to track down and apprehend Sarah Black (Gal Gadot) and Nolan Booth (Ryan Reynolds), two notorious criminals that vie to compete across several high-profile heists across the globe. The tone of the trailer feels similiar in the vein of The Hitman’s Bodyguard meets the aforementioned Hobbes Shaw, with Reynolds playing the comic relief foil to Johnson’s more steely by-the-books persona. This looks like a blast, especially with Gadot serving up some serious Carmen Sandiego vibes.

Streaming on Netflix on Nov. 12

Encanto

Mirabel Madrigal (Stephanie Beatriz) holding a colorful gift basket while surrounded by a group of children.

Photo: Walt Disney Pictures / Walt Disney Animation Studios

You know what it feels like to not feel special? Encanto’s Mirabel (Stephanie Beatriz) sure does. Set in a fantastical version of Colombia, Lilo Stitch director Byron Howard and Zootopia co-director Jared Bush’s musical fantasy comedy centers on the Madrigals, a family in which each member is gifted with a dazzling magical ability like super strength, shapeshifting, or the power to conjure rainbows — all except for Mirabel, the sole “ordinary” member of the family. Obviously, what makes a person “special” is more or less a subject of perception, and Mirabel’s journey to find her place among her siblings will most likely yield a powerful message that what makes one exceptional is not always what is seen on the outside. With original music by Hamilton’s Lin-Manuel Miranda and gorgeous visuals, Encanto looks like a dazzling feel-good animated film for the whole family.

In theaters on Nov. 24

House of Gucci

Adam Driver and Lady Gaga in House of Gucci

Photo: MGM/Scott Free Productions

Ridley Scott’s second feature film of 2021 — the filmmaker is 83, by the way — centers on the life and death of Maurizio Gucci (Adam Driver), the Italian businessman and namesake of the international fashion house Gucci. Playing opposite of Driver is Lady Gaga (A Star Is Born) in the role of Gucci’s ex-wife (and the chief conspirator behind his murder) Patrizia Reggiani. Jared Leto looks ridiculous as Maurizio’s cousin Paolo Gucci, and the picturesque villas and neon-lit nightclubs look appropriately luxurious and decadent. If the trailer is any indication, fans of Lady Gaga and similar fare like 2018’s The Assassination of Giani Versace are sure to love this one.

In theaters on Nov. 24

Resident Evil: Welcome to Raccoon City

Claire Redfield and Leon S. Kennedy from the Resident Evil: Welcome to Raccoon City movie

Image: Sony Pictures

Director Johannes Roberts’ (47 Meters Down) reboot of the Resident Evil film franchise draws more explicitly from the source material of Capcom’s long-running horror series than Paul W. S. Anderson’s 7-film saga. Based on the first two installments in the videogame franchise (and inspired by John Carpenter’s Assult on Precint 13), Resident Evil: Welcome to Raccoon City follows the origin stories of Claire (Kaya Scodelario) and Chris Redfield (Robbie Amell), Jill Valentine (Hannah John-Kamen), and Leon Kennedy (Avan Jogia) as they attempt to survive in the aftermath of a horrific zombie infestation brought about by the machinations of the mysterious Umbrella Corporation.

In theaters on Nov. 24

Harry Potter-themed New Year’s Eve celebration planned for downtown Farmington’s Riley Park Ice Rink

Melissa Andrade admits that she was a little nervous in the minutes leading up to the practice run for Farmington’s first ever New Year’s Eve ball drop. But as the “ball” — a surprise wrapped in plastic that won’t be revealed until the event itself — was successfully raised and lowered to the surface of the Riley Park Ice Rink, Andrade felt a wave of relief that was soon replaced with anticipation for this year’s big event.

“I’m really excited now. It’s been so much work through the holidays; we made the chocolate frogs ourselves. But the practice run for the ball drop made everything seem like it’s going to be okay,” says Andrade, Assistant to the City Manager for the City of Farmington.

“I want to reiterate that this event is a lot of work made possible by the time given by our volunteers. The people stepping up to help out during the holidays has been phenomenal.”

A surprise New Year’s Eve ball drop, chocolate frogs — downtown Farmington’s New Year’s Eve celebration is a themed-one, called Harry Potter and the Holiday Skate. The event started a few years ago and was typically held on the Saturday between Christmas and the New Year, but with New Year’s Eve falling on a Saturday this year, the decision was made to make it a full-blown New Year’s Eve celebration.

The first Harry Potter-themed event at Riley Park Ice Rink took place in 2018 and was an immediate success, Andrade says — although she’s quick to point out that the event itself was actually her daughter’s idea. Andrade expected 50 to 70 people to show up to the ice rink that inaugural night; the crowd would number in the hundreds.

After COVID-19 canceled its 2020 iteration, Harry Potter and the Holiday Skate returns bigger than ever. The event officially begins at 8 p.m. on Friday, Dec. 31, in downtown Farmington’s Riley Park Ice Rink. Planned activities include a Horcrux scavenger hunt, Quidditch toss, and a Harry Potter-themed costume contest. Professor Pemberton’s Wands Accoutrements, Clever Creations by Amy, The Cheese Lady, and Dearborn Music will also be on hand.

As for the ball drop, a kid-friendly one is scheduled for 9 p.m. in Riley Park. The main event will see the mystery New Year’s Eve ball dropped at the stroke of midnight, lowered from a Farmington fire truck’s extended ladder to the surface of Riley Park Ice Rink.

Hot cocoa, chocolate frogs, and butterbeer will be served, and since the ice rink is part of the Syndicate’s social district footprint, festival-goers will be allowed to purchase alcoholic beverages from participating bars and restaurants to bring into Riley Park itself.

The New Year’s Eve celebration should be one that appeals to both children and adults, a family-friendly event that ties in a well-loved story that is beginning to be passed from one generation to the next.

“Harry Potter is as popular as ever, both kids and adults love it,” Andrade says. “Those books came out twenty years ago and the kids that grew up reading it are now adults and there are new generations of kids that now love it, too.”

Harry Potter and the Holiday Skate is scheduled from 8 p.m. to midnight on New Year’s Eve in downtown Farmington’s Riley Park. Tickets for the event, $10 for individuals and $30 for families, are available online and in-person.

Ligue 1 2022-23: PSG Held By Reims Despite Sergio Ramos Sent Off

Ten-man Paris Saint-Germain extended its lead of the French league to three points and stayed undefeated after drawing with Reims 0-0 on Saturday. (More Football News)

The defending champion was short-handed from the 41st minute after Sergio Ramos was sent off for dissent.

“I will talk with the players because a lot of games are coming up and we need the maximum number of players,” PSG coach Christophe Galtier said. “Missing games because of stupid suspensions and stupid bookings, we must fix that.”

PSG looked disjointed and pedestrian after making five changes to the side that drew with Benfica in the Champions League on Wednesday. Neymar, Vitinha and Achraf Hakimi were reserves while Lionel Messi was rested after a calf knock against Benfica.

Reims created problems by pressing high up the pitch and had the better chances in the first half. Zimbabwe midfielder Marshall Munetsi forced goalkeeper Gianluigi Donnarumma into a diving save with a shot on the turn in the 35th.

Kosovo winger Arber Zeneli was a thorn in the side of PSG. He made a cross for Alexis Flips, whose sliding effort was blocked by Danilo in the ninth minute. Zeneli nutmegged Fabian Ruiz to fire an angled strike that Donnarumma parried in the 52nd.

Despite a mediocre performance, PSG nearly won.

Kylian Mbappe curled a shot that goalkeeper Yehvann Diouf saved by making himself big in the 33rd. Mbappe and Neymar lost their nerve in stoppage time when they were booked for fouls.

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Meanwhile, Dimitri Payet’s milestone goal couldn’t stop Marseille losing its unbeaten record in the league to lowly Ajaccio by 2-1. The French playmaker notched his 100th league goal with the opener from the penalty spot in the 15th after Ajaccio defender Cedric Avinel handled the ball.

Payet celebrated the milestone by displaying a shirt that read “You are my 100. I love you Marseille” with a pun on the number 100 which sounds like blood in French.

In his long career, Payet has found the net in Ligue 1 previously with Nantes, Saint-Etienne and Lille. He also became the first current player to have at least 100 goals and 100 assists in the league.

But Ajaccio ruined Payet’s party. Congo forward Bevic Moussiti-Oko equalized in the 25th with a low drive from the edge of the box. Ajaccio’s winner came from an own goal by Leonardo Balerdi, who diverted a cross into his own net in the 47th.

“I’m angry,” Marseille coach Igor Tudor said. “We played just 15 minutes. After 15 minutes, we were not there on the pitch.”

In last place before kickoff, Ajaccio moved into 18th but remained in the relegation zone.

Marseille coach Igor Tudor rotated to rest some key players ahead of the Champions League game at Sporting Lisbon next Wednesday.

Unhappy with his team’s lackluster performance, Tudor replaced Pape Gueye with Jordan Veretout at halftime and sent on Luis Suarez, Cengiz Under and Amine Harit for Alexis Sanchez, Payet and Gerson in the 57th. Yet, those substitutions made no difference.

Cassie celebrated her eldest – Image 67 from Porsha Williams …

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Being a Harry Potter super fan can be more costly than Star Wars fandom

Fans can go behind the scenes of the “Harry Potter” franchise by visiting the “Warner Bros. Studio Tour London – The Making of Harry Potter,” in Leavesden, United Kingdom. Image: ETX Daily Up/Sabrina Alili

A study looking at the most expensive movie franchises for fans has found that being a super fan of the Harry Potter franchise can be more costly than Star Wars fandom. So which are the top 10 most expensive and most affordable movie franchises for fans?

Evidently, the magic comes at a cost for fans of the Wizarding World. As the latest installment of Fantastic Beasts spin-off series hits theaters April 15, the movie franchise based on J.K. Rowling’s books has been named the most expensive for super fans, according to Money.co.uk.

The British price comparison website has selected 39 movie franchises, among the most popular worldwide, consisting of at least three films, to determine the average cost of box sets and fan merchandise on eBay. The study puts the Harry Potter franchise at the top of the table as the most expensive franchise for fans, with a total of £467.98 (about P32,050).

To determine this top 20, the site compared the average price of a full box set of movies, an action figure, a t-shirt, a costume and a signed movie poster. The first Harry Potter movie, “Harry Potter and the Philosopher’s Stone” was released in 2001. Since then, seven other movies have been released, making the franchise a particularly prolific business.

In second place comes the “Godfather” franchise. Although with only three films, the franchise directed by Francis Ford Coppola comes at a cost of £448.62 (about P30,720) to fans. Unlike “Harry Potter,” while the average price of the box set is cheaper, the signed poster reaches £382 (about P26,160) compared with £306 (about P20,910) for the boy wizard. Next in the top three comes “Back to the Future” costing £355.84 (about P24,340).

As for the most affordable franchises, “Star Wars” is in sixth place at a cost of just £109.17 (about P7,500) to fans. But the top prize goes to “Shrek,” with a total of only £60.46 (about P4,100) for the box set and all the merchandise. The “Die Hard” saga and “Twilight” complete the top three most affordable franchises for movie fans, according to Money.co.uk.

Top 20 most expensive movie franchises for super fans

  1. Harry Potter – £467.98 (about P32,050)
  2. The Godfather – £448.62 (about P30,720)
  3. Back to the Future – £355.84 (about P24,340)
  4. Superman – £263.11 (about P18,020)
  5. Lord of the Rings – £250.51 (about P17,160)
  6. The Hobbit – £243.22 (about P16,660)
  7. Dark Knight Trilogy – £232.80 (about P15,940)
  8. Rambo – £228.81 (about P15,670)
  9. James Bond – £221.63 (about P15,180)
  10. Guardians of the Galaxy – £218.07 (about P14,930)
  11. Batman – £215.58 (about P14,760)
  12. Jurassic Park – £214.22 (about P14,670)
  13. Avengers – £211.15 (about P14,460)
  14. Hulk – £203.45 (about P13,930)
  15. Matrix – £202.52 (about P13,870)
  16. Godzilla – £199.54 (about P13,660)
  17. Transformers – £198.61 (about P13,600)
  18. Karate Kid – £198.10 (about P13,570)
  19. Star Trek – £196.01 (about P13,420)
  20. Indiana Jones – £189.17 (about P12,950)

Top 15 most affordable movie franchises for super fans

  1. Shrek – £60.46 (about P4,100)
  2. Die Hard – £75.30 (about P5,100)
  3. Twilight – £78.99 (about P5,400)
  4. Ghostbusters – £100.58 (about P6,900)
  5. Iron Man – £101.21 (about P6,930)
  6. Star Wars – £109.17 (about P7,500)
  7. Captain America – £112.24 (about P7,700)
  8. Rocky – £114.98 (about P7,900)
  9. Austin Powers – £122.57 (about P8,400)
  10. John Wick – £123.46 (about P8,500)
  11. Men in Black – £135.87 (about P9,300)
  12. Wonder Woman – £159.70 (about P10,900)
  13. Hunger Games – £164.49 (about P11,300)
  14. Toy Story – £166.39 (about P11,400)
  15. Pirates of the Caribbean – £174.71 (about P12,000) DC

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From Trishul To Rising Sun, Team Thackeray’s Picks For Shiv Sena’s New Symbol

Sitting among the elite film buffs of Kolkata in a dark room with a non-working air conditioner that further legitimises the intellectual craving of the city’s Left-leaning intellectuals, for the first time I saw Iranian director Marzieh Meshkini’s film The Day I became a Woman. For me, it was an otherworldly experience — seemingly a crusade against all those patriarchal and masculine metaphors of the societies.  

Anthology of three short stories interwoven through the narrative of struggles a woman pursues in different stages of her life to get rid of the structural patriarchy, the film was a successful intervention. However, metaphorically the strongest part was the moment Hava, a nine-year-old girl, was made to wear a hijab and was told by her mother that she would no more be able to play with her little male friend as she had become a woman. 

I can still smell the silence of the room, packed with sobbing tears empathetic to Hava and her lost friendship. The major metaphor of patriarchy as emerged was nothing but the hijab — a black veil that upholds the embedded patriarchy in Islam, the Marxist liberals who gathered at the show said in desperation.  

I will not say that I was of any different opinion until I chanced upon an article by Lila Abu Logodh titled Do Muslim Woman need Saving? The very idea about ‘Islamic Patriarchy’ as has been portrayed in different Iranian films by progressive directors of post-Khomeini era like Abbas Kiarostami, Mohsen Makhmalbaf, Sameera Makhmalbaf, and Jafar Panahi someway or other blinded us to any other aspect of the most-discussed hijab question.  

From The Day I Became A Woman to Jafar Panahi’s masterpiece Offside, what we all learnt about is the perennial oppression that the Muslim women have been subjected to. From imposed hijab to the denial of permission to watch football match in the stadium shaped our understanding of the Iranian Society.  

In this context when Mahsa Amini was killed in custody of the Iranian morality police for not wearing hijab ‘properly’ and millions of Iranian women came affront ignoring the prowess of the state, several liberals like us rightly celebrated the moment. A few even referred to it as continuation of the underground film movement that people like Panahi or Kiarostami led throughout the period of oppression.  

Whatever way may it be perceived, the voluntary sacrifice of the lives of Iranian women for the cause of choosing to not wear hijab the way the state wants them to do and closer home the fight of several Muslim women in the southern state of Karnataka to wear hijab against the command of the state to not do so represents nothing more than the state of an absolute power that orders and determines every moment of existence, that imposes subservience and homogenise the diversity.  

Hijab in the hands of imperialists  

In the post 9/11 fiasco that the United States never expected to happen in their land being secluded throughout the first and second world wars, the flames of which engulfed Asia, Europe, and Africa, the attack on Afghanistan was inevitable. However, besides the geopolitical strategic advantage that the war was about to offer to the United States, there was another subtle reason —less cited but a poignant one— at least to gain the global empathy. This was reflected in the address of Laura Bush, the First Lady of the United States in 2002.  

When the US military progress in Afghanistan became formidably strong enough to bomb the innocent civilians, Laura said, “Because of our recent military gains in much of Afghanistan, women are no longer imprisoned in their homes. They can listen to music and teach their daughters without fear of punishment. The fight against terrorism is also a fight for the rights and dignity of women.” 

This justification of the war through the women’s independence shows what noted philosopher Gayatri Chakravorty Spivak refers to as the ‘white men saving brown women from the brown men’.  

The statement of the US First Lady clearly shows what Lugodh rightly points out as ‘colonial feminism’. There have been several instances from the colonies across the world to show how the women question had been utilised by the colonial masters to justify their colonies. The intervention of the British against Sati, child marriages, and other practices categorically helped them to sustain as a ‘civilisational project’ concealing the brutal aspects of their economic and political subjugations.  

Sociologist Marnia Lazreg notes how on May 16, 1958, just four days before the liberation of Algeria from the French colonisers, the French generals in Algeria arranged a march along with thousands of men and a few women without hijab just to show to their bosses back in Paris that Algerians have faith in French nobility. The symbolic presence of the women without hijab represented nothing except what Lazreg says the ‘obsession’ of the French colonisers with the Algerian women.  

She also described the skits that used to be performed in the Muslim girls’ schools in Algeria in the mid-19th century. One of the skits reads, “Oh! Protective France: Oh! Hospitable France! Noble land, where I felt free Under Christian skies to pray to our God…God bless you for the happiness you bring us! And you, adoptive mother, who taught us that we have a share of this world, we will cherish you forever!”  

So, unveiled Muslim women have always been used as an instrument to justify invasions, colonisation, and wars. Hijab is not merely a cloth that the colonial feminists don’t like or think that limits the agency of Muslim women. It is rather a piece of cloth that they use to justify their colonial greed.  

From Iran to Karnataka — It’s uniformity stupid

On one hand, presence and absence of hijab is a matter of colonial and imperial anxiety, on the other, it is the instrument for the state to impose uniformity. French philosopher Michel Foucault, while examining the power dimensions of the 18th and 19th century Europe, observed the emergence of a new kind of power —known as biopower— that tried to, as the philosopher notes in his seminal lecture The Will to Knowledge, “administer, optimise, and multiply it, subjecting it to precise controls and comprehensive regulations.”  

The game is here all about the regulation and uniformity. In the case of Iran, Amini suffered because she didn’t comply with the diktat of wearing hijab in a uniformed manner. In Karnataka, the students who wanted to wear hijab denied the impositions of school level uniformity that made them strip of their individual identity. The state machineries always rule through the collectives. If one opposes the herd-behaviour, the state becomes paranoid.  

If we look at the most of the judicial discussions over the hijab issue in India, it roams around primarily within the periphery of uniform and uniformity. Sociologist Sundar Sarukkai in his Economic and Political Weekly paper titled Uniformity or Equality? rightly notes, “Uniforms as a dress code in educational institutions are not symbols of equality as much as they are symbols of ‘order’, ‘discipline’, and ‘control’ (like in prison uniforms).”  

This understanding of uniformity is what has been challenged by the Muslim women of both Iran and India. Hijab here turns out to be not merely a piece of cloth or a ploy in the hands of either the imperialists or the Taliban. It is rather an assertion, a voice against the imposed uniformity.  

Through the slogans of ‘Zan, Zindagi, Azadi’, women in Tehran come out against the imposition of veils and girl students of Udupi scream out for their choice. Any of them can be the possible future of Hava — but not the one Meshkini showed in her film. They can be Hoora, the elderly woman in the anthology who bought everything she desired for in her youth and floated away in a ship leaving all the impositions behind while choosing to choose ‘How to Become a Woman’.  

Showtimes for Quincy WA US

Vikram Vedha
(2017)

Not Rated
|
147 min
|

Action, Crime, Drama

Vikram, a no-nonsense police officer, accompanied by Simon, his partner, is on the hunt to capture Vedha, a smuggler and a murderer. Vedha tries to change Vikram’s life, which leads to a conflict.

Directors:
Gayatri,
Pushkar,
Gowtham Selvaraj
|
Stars:
Madhavan,
Vijay Sethupathi,
Shraddha Srinath,
Kathir

Votes:
43,445

The Vera Bradley Harry Potter Collection Is Available NOW

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Are you still waiting on your Hogwarts letter?

Hogwarts

Well, even if it hasn’t arrived yet, you may have visited Universal Orlando’s Wizarding World of Harry Potter, collected Harry Potter merchandise, like wands and mugs, or just watched allll the Harry Potter movies multiple times! Well, can now get some NEW Harry Potter items to bring a sense of that magic home.

Vera Bradley just released a NEW Harry Potter collection, and it will feature two designs focused on some of Harry Potter’s friends, like Hedwig, Dobby, Cerberus, Fawkes, and more! The Friends of Hogwarts design will also feature the Hogwarts crest.

©Vera Bradley

Another design, the Friends of Hogwarts Ditsy has a fun pattern with Crookshanks, Dobby, Professor McGonagall AS A CAT(!), a Time Turner, and more!

©Vera Bradley

This Small Vera Tote comes in the Friends at Hogwarts Ditsy print. It comes with lots of pockets for easy organization and it’s made with recycled cotton.

©Vera Bradley

Get it for $105!

Click here to order the Harry Potter Small Vera Tote!

The Harry Potter Campus Backpack comes in two different prints, both the Friends at Hogwarts print and the Ditsy print. This backpack is made with recycled cotton and it features a laptop compartment along with plenty of internal organization and space for all your things.

©Vera Bradley

Get either print for $150.

Order the Harry Potter Campus Backpack here!

If you’re looking for a travel bag, this Harry Potter Weekender Travel Bag is available in the Ditsy print, with a detachable strap and five mesh pockets inside.

©Vera Bradley

You can order this bag for $160!

Click here to order the Harry Potter Weekender Travel Bag!

Bags aren’t the only thing included in this release! There are also home, apparel, and gift items available, like this Harry Potter Hooded Fleece Robe, made with lightweight fleece and raglan sleeves.

©Vera Bradley

Get it now for $75!

Get the Harry Potter Hooded Fleece Robe here!

And this Harry Potter Throw Blanket features the Hogwarts Crest, but you can also get it in the Ditsy print. It’s a pretty big size at 50 inches wide by 80 inches long.

©Vera Bradley

You can cuddle under this blanket for $75.

Click here to order the Harry Potter Plush Throw Blanket!

You can check out the whole Harry Potter Vera Bradley Collection now, but don’t wait too long to place your order!

Check out the Harry Potter Vera Bradley Collection here!

Need even MORE Harry Potter in your life? You might want to check out the interactive Forbidden Forest Experience, which is coming to the U.S. soon!

Interested in everything at the Wizarding World of Harry Potter in Universal Orlando? We’ve ranked EVERYTHING — and if you want to do everything there in one day, here’s an itinerary! Stay tuned for more Harry Potter news.

Join the AllEars.net Newsletter to get the free list ranking the Harry Potter Must-dos at Universal Orlando! Click here to get started!

Will you be grabbing a Vera Bradley Harry Potter bag? Let us know in the comments!