On March 31, Karnataka Home Minister Araga Jnanendra said the government has a limited role to play on the issue pertaining to ‘halal’, which is left to the wisdom of people.
Jnanendra said the ‘Boycott halal food’ campaign is not a law and order situation but something related to faith and sentiments, “which everyone knows.”
Recently some right-wing groups gave a call to boycott ‘halal meat’, ahead of ‘varshadodaku’, the day after Ugadi when many communities in the state have a non-vegetarian feast. Ugadi, which is the Hindu New Year festival, was observed on April 2.
This call comes close on the heels of ban on Muslim vendors around temples during the Hindu religious fairs in parts of Karnataka.
Udupi recently witnessed the hijab row first flaring up with a few Muslim students of the Government Girls Pre-University College alleging that they were denied entry to the college with the headscarf.
The Muslim students later approached the Karnataka High Court against the ban on Islamic headscarves inside classrooms. The court dismissed their petition saying that they have to abide by the school uniform rule.
Chaitra Navratri – which marks the beginning of the Hindu lunisolar calendar – is being used to polarize society in Madhya Pradesh and Rajasthan where elections will be held in 2023, Congress activists and leaders feel.
In Rajasthan, thousands of RSS activists thronged in Ajmer and chanted “objectionable” slogans. A bike rally was organized in the city to mark the beginning of the Hindu new year.
Similarly, in Karauli, after a bike-rally, a crowd comprising RSS activists and Hindus attacked a mosque and raised objectionable slogans which resulted in communal clashes.
Though the Ashok Gehlot-led Rajasthan government acted quickly and arrested many miscreants, tension prevailed and spiraled in neighboring areas. As per reports, at least 46 people were detained for stone pelting and arson. However, no FIR has been registered so far.
Meanwhile, Rajasthan Chief Minister Ashok Gehlot appealed to the public to remain calm and not indulge in violence. “I have spoken to DG police. Police and administration are present there. I appeal to the public to maintain peace and stay away from miscreants who are present in every religion,” he said.
Gehlot urged the PM to make an appeal to maintain peace, saying that strict instructions have been given to the police to identify the culprits at the earliest.
In Madhya Pradesh’s Jabalpur, RSS activists attacked municipality officials after they tried to remove RSS flags. Interestingly, the order to remove the flags was issued by the BJP-led state government.
In several districts in Madhya Pradesh, communally-charged songs are being played from loudspeakers and huge audio-decks.
MP Congress spokesman KK Mishra said that incidents in Rajasthan and Madhya Pradesh are “identical and part of a conspiracy to polarize the society ahead of next year’s assembly polls”.
“The nine-day festival which is celebrated to worship different forms of shakti is being used by the BJP as an opportunity to spread communal hatred and polarize society along religious lines,” said Mishra.
Referring to an incident that occurred in CM Shivraj Singh’s home district Vidisha, where two tribal men were killed after a riot broke out, Mishra said, “Even CM’s home district is burning but he pretends to be asleep.”
“They were trying to give it a major communal spin, but the Congress deployed its leaders and activists on the ground and a major communal riot was averted,” added Mishra.
It is worth noting that one person was killed and over 50 injured in a clash between Muslims and the tribal community in Khamaria village on March 19.
According to Congress leaders, two boys of the tribal community were shooting a video after playing sports. They had a dispute with a few people of the Muslim community. Elderly persons present there intervened in the matter and settled the issue.
However, after an hour or so, RSS-BJP activists allegedly tried to invoke the communal tension following which the two communities clashed, resulting in the death of two people. 50 people from both communities sustained injuries.
An FIR was registered against 16 persons. 13 persons have been arrested so far in connection with the incident.
Attacking the BJP government for failing to manage the law and order situation in the state, Mishra said that the Congress will fight to ensure justice for all and maintain communal harmony in the state.
One of the most memorable scenes in the new documentary American River is a chance encounter with a young man named Christian, who struggles with a neurological disorder but finds serenity living among the raccoons, in industrial ruins along the Passaic.
“And he’s the only one–he’s the one who totally gets the river: ‘This is the most peaceful place in Paterson.’ Bingo!” author and co-star Mary Bruno told an enthusiastic audience at a screening in Morristown’s Mayo Performing Arts Centerlast week.
Author Mary Bruno and restoration ecologist Carl Alderson, stars of ‘American River,’ MPAC, March 31, 2022. Photo by Kevin Coughlin
Directed by Scott Morris with backing from Dillard Kirby, the 86-minute film was inspired by Bruno’s 2012 book, An American River: From Paradise to Superfund, and re-creates her four-day kayak trip with environmentalist Carl Alderson.
The documentary asks why this river, which zig-zags for nearly 90 miles from its pristine headwaters in Mendham to toxic Newark Bay, has been abused, loathed and ignored for so long by so many, and whether we as a society have the will to save it.
Slideshow photos by Kevin Coughlin. Click/hover on images for captions:
Before starting this project, Producer Kelly Sheehan only knew the Passaic as “where The Sopranos dumped all the bodies.”
Bruno grew up in North Arlington, where park benches turn their backs on the river.
“For all my life,” she says in the film, “I thought of the Passaic River as a monster. It wasn’t. It was a victim.”
Morris has lived near the river in Chatham for decades. He never thought twice about it, he admitted, until hearing Bruno give a book talk.
American River is unusual, Morris contends, because it’s neither “hopeless and dark” nor rose-tinted.
Director Scott Morris fields a question after ‘American River’ screening at MPAC, March 31, 2022. Photo by Kevin Coughlin
“I really want people to see all sides of it. It’s not just one or the other,” the director said.
It was a daunting undertaking, stretching from 2018 through the pandemic.
Morris previously teamed with Kirby on another David-vs-Goliath film, Saving the Great Swamp, Battle to Defeat the Jetport. This time, he oversaw a 15-person crew and a dozen cameras, including drones and kayak-mounted Go Pro’s.
They recorded 150 hours of video and 32 hours of audio — more footage than Peter Jackson sifted for his epic eight-hour Beatles doc, Get Back.
Video: ‘American River’ trailer:
Although Morris used Bruno’s book as a template, American River still held surprises.
“You don’t always know what you’re doing until you get there,” Morris explained. It took three tries to find the precise source of the river, for one of the most stunning shots of the picture.
There are historians, and accidental tourists, and river denizens such as Millington resident JoAnn Behr, who moved to the water’s edge in the 1980s to raise goats. At Thursday’s reception she fondly recalled tubing adventures and midnight canoe rides.
Rays of hope are limned by activists and low-income residents of Newark’s Ironbound neighborhood.
Molly Riley, who works for an environmental nonprofit, speaks at screening of ‘American River,’ MPAC, March 31, 2022. Photo by Kevin Coughlin
They fought powerful chemical companies that dumped dioxin, a deadly leftover from Vietnam-era Agent Orange production, and other hazardous wastes into the Passaic.
The government finally outlined plans last year for a $1.8 billion cleanup of the river’s lower 17 miles, described in the film as the nation’s largest Superfund site.
Other encouraging developments, said Bruno, who jetted from Seattle for the screening, are a national park at Paterson’s magnificent Great Falls and Riverfront Park, along a Newark stretch once filthy with flotsam.
And there is the example of the late Robert Perkins Jr., a visionary who preserved thousands of wild acres—including Great Piece Meadows and Troy Meadows–by strategically acquiring a patchwork of parcels to thwart developers.
ONE STORY, MANY RIVERS
As the title suggests, American River could be the saga of the Detroit River, the Charles in Boston, the Anacostia in Washington D.C., and numerous other polluted waterways, according to Alderson, Bruno’s guide and companion on both of her Passaic kayak trips.
On their second pass, Alderson was disturbed by the profusion of downed trees and dead animals. He blames climate change for increasingly severe storms such as Hurricane Ida.
Alderson spends his spare time guiding tours of urban rivers such as the Hackensack and Raritan. His day job is restoring habitats. Can the Passaic be restored to health?
“Yeah, if I live to be 300, I could get it done,” he cracked before the MPAC screening.
During the Q A session someone asked him what’s next. Getting a big laugh, Alderson said he’s working on American River: The Musical.
Executive Producer Dillard Kirby at ‘American River’ screening at MPAC, March 31, 2022. Photo by Kevin Coughlin
In another light moment, Dillard Kirby, who bankrolled the movie as executive producer, said his wife told him to lay off the jokes during his introduction.
“Someone might come up and slap me,” deadpanned the retired president of the F.M. Kirby Foundation. He referred to the Slap Heard Round the World at last week’s Oscar Awards.
American River persuaded Kirby to paddle the Passaic last fall.
Morris’ next act is a ways off. He’s hitting the film festival circuit, and hopes to pitch American River to Netflix, Hulu and other streaming platforms. He ducked out of Thursday’s screening for a virtual Q A with a Yale fest.
You can catch the documentary in person and online at this week’s Princeton Environmental Film Festival. In June, American River will be featured in Washington D.C. at an international conference of the Waterkeeper Alliance, for a training workshop as a “tool for advocacy,” Morris said.
‘PEOPLE MATTER’
The documentary resonated with many at the Mayo Performing Arts Center.
Aspiring filmmaker Darren Gong, a 2017 graduate of Morristown High, said American River was his introduction to the Passaic River.
“I want to kayak it now,” he said.
Lee Goldberg of Morris Township grew up around the Passaic—in his youth he watched Philippe Petit traverse the Great Falls on a tightrope. Yet American River was an eye-opener.
“I’m blown away but what I just saw,” Goldberg said.
Everyone who lives within five miles of the Passaic should see the film, added Mendham Councilwoman Amalia Duarte.
Singer and activist Kathy Moser suggested a hip-hop songwriting contest to raise awareness about the Passaic. Newark native Ned Waldman, 90, shared river memories of people swimming and boating and eating hot dogs at East Side Park during the Depression.
Newark native Ned Waldman, 90, remembers seeing people swimming in the Passaic. He shared his memories after ‘American River’ screening at MPAC, March 31, 2022. Photo by Kevin Coughlin
Molly Riley, who works for an environmental nonprofit, said she enjoyed the film, but wished it dove deeper into the polluters and their impact on persons of color.
“It’s hard to get people to care about pollution unless they know the people it’s affecting,” Riley said.
Karol Ruiz of the Wind of the Spirit Immigration Resource Center said American River’s portrayal of the Ironbound battle inspired her to push to clean the Rockaway River, near a Superfund site in Dover.
For Mary Bruno, that is the takeaway.
“People matter. When we pay attention, David wins,” said the writer and paddler behind American River. “Goliath wins when we’re asleep, and we’re not paying attention. So let’s wake up. Let’s stay awake.”
Following a six-month delay, it launched in 15 markets on February 11 and generated $21.5 million in its opening weekend, including $6.4 million in the UK, $4.5 million in Russia and $3.5 million in Spain, Variety reports.
The opening puts it ahead of pandemic-era Blockbusters like Eternals (up 12%), Black Widow (up 18%) and Shang-Chi and the Legend of the Ten Rings (up 21%) based on how those films performed at similar points in their theatrical lifecycles.
The Uncharted film, which had a $120 million budget, will open on February 18 in the US, Canada, Australia, Brazil, France, Germany, Italy, Japan, Mexico and South Korea.
Rather than following the plot of the PlayStation games, the Uncharted film tells a prequel story featuring Nathan Drake (Tom Holland) as a young treasure hunter learning from his mentor Victor Sullivan (Mark Wahlberg).
Film director Ruben Fleischer (Venom, Zombieland) has said he “made the movie for both hardcore fans of the game and those who are not yet familiar with the franchise and believe[s] that both will be equally entertained by this incredibly fun and action-packed film”.
Related
While the movie has gone down well at the box office so far, it has received middling reviews. It currently has a 50% score on review-aggregation website Rotten Tomatoes based on 26 reviews.
“Show them the best parts and mislead them to create interest.” GKids US has released a teaser trailer for the Japanese anime film known as Pompo the Cinephile, which opened in Japan last summer. It’s finally getting a theatrical release in the US starting at the end of April this year. Pompo the Cinephile (originally 映画大好きポンポさん) is a rollicking, exuberant ode to the power of the movies, and the joys and heartbreak of the creative process, as a new director and his team devote their lives to the pursuit of a “masterpiece.” Fueled by the excitement from the film’s domestic release in Japan, a crowdfunding campaign to create a 35mm print of the feature achieved its fundraising goals of ¥10,000,000 in just eleven days. Featuring the voices of Konomi Kohara, Hiroya Shimizu, and Akio Ôtsuka. It is a bit of a challenge for most anime to find a bigger audience in the US (unless it’s Ghibli or Ponoc or Shinkai or Hosoda) but this kind of story about making movies is exactly the kind that can break out here. This is a very fun and clever 15-sec teaser.
Here’s the first US teaser trailer for Takayuki Hirao’s Pompo the Cinephile, direct from GKids’ YouTube:
“Pompo” (the nickname for Joelle Davidovich Pomponette) is a talented, gutsy producer in “Nyallywood,” the movie-making capital of the world. Although she’s known for B-movies, one day Pompo tells her movie-loving but apprehensive assistant Gene that he will direct her next script: a delicate drama about a tormented artistic genius, starring the legendary and Brando-esque actor Martin Braddock, and a young actress seeking her first break. But when the production heads towards chaos, can Gene rise to Pompo’s challenge, and succeed as a first-time director?Pompo the Cinephile, originally known as 映画大好きポンポさん or Eiga Daisuki Pompo-san in Japanese, is directed by the veteran animator Takayuki Hirao (The Garden of Sinners: The Hollow Shrine Paradox Spiral, Magical Sisters Yoyo and Nene, “God Eater”, “Attack on Titan”) and produced by brand-new animation studio CLAP. This already opened in Japan last summer. GKids will debut Pompo the Cinephile in select US theaters starting April 29th, 2022. There will also be preview events April 27th + 28th with a special intro. For more info, visit the film’s official US site.
When Jessica Brockway saw CODA, it brought her to tears. It marked the first time she’d ever seen her life — something she thought was uniquely hers — portrayed in mass media.
“It’s the first time ever we’ve had a CODA culture on screen,” said Brockway of London, Ont. “All of us CODAs ended up calling each other: ‘Have you seen this movie?’ Because it brought me to tears.'”
CODA follows teenage singer Ruby Rossi (played by Emilia Jones), the only hearing person in a tight-knit family of four, as she develops a passion for music and plans to attend university to study it. Jones’s family is played by deaf actors Marlee Matlin, a previous Oscar winner, Troy Kotsur, who ended up winning the best-actor Academy Award, and Daniel Durant.
There’s also a Canadian connection to the film: Toronto-based Anselmo DeSousa, an American Sign Language (ASL) tutor who worked with Jones to prepare her for her role.
Brockway, 29, learned sign language before English. It may be a Baby Einstein trend now, she said, but in her family, American Sign Language (ASL) was their mother tongue.
WATCH | Jessica Brockway of London, Ont., on growing up with two deaf parents
Note: This video is closed captioned with simultaneous ASL interpretation by Billie-Anne Lecky.
Jessica Brockway is a child of deaf adults or a CODA. She shared her experience of being a CODA during a discussion about the film by the same name winning Best Picture at the Oscars, interpreted to ASL by Billie-Ann Lecky. 0:40
“I kind of grew up with one foot in the deaf culture and one foot in the hearing culture,” Brockway told CBC’s London Morning.
“Society — whether it’s right or wrong — pities deaf people, generally. And growing up, I got pitied,” she said. “[CODA] never get to talk about it, or get to complain — because of course, when it comes to our parents, they have it ‘worse off.’ They have to access the world in a much more difficult way. They’re much more misunderstood.
“We’re over here, kind of as this tool that gets used. We’re never asked how we feel about the situation.”
Jessica Brockway is shown wearing her mother’s shoes while signing ‘I love you’ to her parents, and signing with her father, Ken. Jessica says her first language was sign language. (Submitted by: Jessica Brockway)
Brockway doesn’t resent her role. She said growing up a CODA isn’t so different from the experiences she’s heard from children of first-generation Canadians. In both cases, children often end up a vital link between their parents and the rest of the world; translating everything from interactions at the grocery store to medical appointments.
The pull between duty to one’s family and following your own passions is a central plot point in CODA, as Ruby is torn between being an interpreter between her family and the people in her small fishing village, and her dreams of going to school for music.
CODA careers: interpreter or teacher
Brockway said CODA often end up in one of two professions: ASL interpreter or teaching; that’s where she landed — at the Robarts School for the Deaf in London, Ont.
“I remember when I was younger, wanting to be a singer or a dancer, and immediately dismissing it. My parents would have been absolutely supportive, but I just dismissed it because it was something my parents wouldn’t have been able to participate in.”
WATCH | Anselmo DeSousa talks about the signicance of CODA winning at the Oscars:
Note: This video is closed captioned with simultaneously ASL interpretation by Laura Henry:
Anselmo DeSousa, ASL coach to Emilia Jones, talks about what the Oscar win for CODA means for the deaf community. ASL interpretation is by Laura Henry from CHS Learning Exchange. 0:54
Having a film address the realities of being a CODA while also sharing the joy of deaf culture is thrilling, said Brockway.
“To showcase deaf people just being deaf people, and being proud, and being in their culture and in their environment is really — in my mind — what’s always been normal for me. So it’s exciting to see that on the big screen.”
DeSousa, who worked with Jones for four months, said the actor was shooting Locke Key in Toronto when CODA producers went searching for an ASL tutor based in the city.
Influx in interest in ASL
“I’ve worked with many actors, young to older, and I’ve been in this industry for over 30 years. I’ve never seen someone who really wanted it [like Jones],” DeSousa said through interpreter Laura Henry, referring to Jones’s hunger to learn sign language.
At the time, he said, Jones was just 17, but her dedication showed a maturity beyond her years.
Anselmo DeSousa, a Toronto-based ASL tutor, taught actor Emilia Jones sign language to prepare her for her role of Ruby Rossi in the Academy Award-winning film CODA. (Anselmo.desousaofficial/Instagram)
“Her level of motivation! During the week, she was filming with Locke Key. How can you not be exhausted? You’re on the set for 14 hours a day, and she was looking forward to meeting me every week,” DeSousa said.
Troy Kotsur, who plays Jones’s father, took home the Oscar for best supporting actor, and the film also won for best adapted screenplay.
DeSousa said it was hard to believe Jones wasn’t nominated, but noted she did earn a nomination for a BAFTA (British Academy of Film and Television Arts) award, and won the breakthrough-performer honour at the Gotham Independent Film Awards.
But the big win, say DeSousa and Brockway, is deaf culture finally has its place in the spotlight.
“Hearing people are looking at this and they’re wanting to learn sign language — we’re having an influx of people wanting to learn sign language,” said DeSousa.
“They want to communicate with deaf people. And that’s another impact from this film: it’s going to build even bigger bridges as people learn to communicate and come together through hearing, deaf, disability and CODA worlds.”
WATCH | Full-length interviews with closed captioning and simultaneous ASL interpretation:
Jessica Brockway is a child of deaf adults, also known as a CODA. She’s also a teacher at the Robart’s School for the Deaf in London, Ont. Jessica joined the CBC’s Jackie Sharkey to talk about the significance of the film CODA winning Best Picture at the Oscars, along with ASL interpreter Billie-Ann Lecky. 8:53Anselmo DeSousa, ASL coach to Emilia Jones, talks about his experience working with the CODA star and why the deaf community is so excited to see their culture in the spotlight. ASL interpretation is by Laura Henry from CHS Learning Exchange. 20:28
Jammu, Apr 2 (PTI) RSS leader Indresh Kumar on Saturday said that political parties that criticised ‘The Kashmir Files’, a movie based on the exodus of Kashmiri pandits, should have instead condemned Pakistan-sponsored terrorism which brought death and destruction to the Kashmir valley.He also appealed to the people to maintain age-old communal harmony and brotherhood. “The National Conference, PDP, Congress and (Delhi Chief Minister Arvind) Kejriwal should have unequivocally condemned the terror which was responsible for death and destruction in the valley and displacement of Kashmiri pandits,” Kumar told reporters on the sidelines of a function organised by Muslim Rashtriya Manch here.Responding to a question about the ‘Kashmir Files’ movie, he said the film was not made by any government but by some “non-political people” and is based on reality.“When nearly 80,000 people have lost their lives, there are a lot of tragic stories…a few Kashmiri Muslims at the behest of Pakistan unleashed the reign of terror and defamed Kashmiriyat and Islam. The Kashmiris should come forward and condemn those involved in the terror instead of maintaining silence,” he said.The RSS leader said he is personally against the displacement of anyone, whether in India, Pakistan or Bangladesh. “There should be no oppression on anyone and everyone should live in peace everywhere.” Kumar said he had set up the J K Sahara Samiti for the welfare of the displaced people, irrespective of their religion. Referring to the conference organised by Muslim Rashtriya Manch, an RSS-linked outfit, he said members of various communities, including Gujjars, Bakerwals, Pahari-speaking people, Dogras and Kashmiris, attended the function. “It was organised to send a message across the country that we are all Indians, irrespective of our religion, region, caste, creed and language. The specialty of our country is that it connects people of all faiths and everyone lives respectfully,” he said. Greeting the people on the commencement of the Navratri festival and the fasting month of Ramzan, Kumar said, “We have to join hands and stay away from rioting and hooliganism to make India and Jammu and Kashmir an abode of peace and progress.” He lauded the Modi government for its successful handling of the COVID-19 pandemic and for helping other nations. PTI TAS TAS RT RT
Attacking the Bharatiya Janata Party (BJP) over The Kashmir Files movie, the monthly newsletter of the Peoples Democratic Party (PDP) on Saturday alleged that the BJP-Rashtriya Swayamsevak Sangh (RSS) ideology largely relies on the Nazi playbook.
“For the BJP, the real victims are and will always be the Hindus beyond Kashmiri Pandits, which is a funny coincidence because the Germans viewed themselves as victims and the Jews as the perpetrators. After all, the BJP-RSS ideology largely relies on the Nazi playbook,” the newsletter editorial said.
Referring to the film, the PDP mouthpiece said that the issue of Kashmiri Pandits, who were targeted by militants and forced to flee from the valley in early 1990, was being used as a stepping stone to aid of the BJP’s “more sinister plans”.
“The country is being ruled by the proponents of Hindutva that, after having put every Indian minority in danger, want you to believe that ‘Hindu khatre mein hain” (Hindus are in danger),” it said.
The PDP newsletter said it was shameful and appalling to minimise the pain of Kashmiri Pandits. “There can be no Kashmiriyat without Kashmiri Pandits,” it said.
Meanwhile, PDP president Mehbooba Mufti on Saturday alleged that the government was hellbent on the economic disempowerment of Jammu and Kashmir.
“On the one hand, the administration is hounding Jammu Kashmir’s business community through the ED (Enforcement Directorate), CBI (Central Bureau of Investigation) and NIA (National Investigation Agency), and on the other, it continues to facilitate crony capitalists to grab up everything at cheap prices in the distressed economy. The entire JK has been put on sale for the people from outside. They want to target our self-sufficiency,” Ms. Mufti said.
She met a delegation of office-bearers of the Kashmir Distributors Association (KDA) and discussed the government’s move to facilitate the opening of ‘Reliance Jio marts’ across the Kashmir valley.
“Competing with behemoths like Reliance having deep pockets, logistical advantages and facilitation by the system is simply not possible for us and will eventually destroy us. If our market share is destroyed, we will default and these corporations will act as ‘vulture capitalists’ and devour us,” the delegation said.
“What if I told the police where you buried Barcelo?”Netflix has revealed the official trailer for a French action-thriller titled Restless, also known as Sans répit, arriving on Netflix later this month. Another of these French films about a sketchy cop getting into trouble. After going to extremes to cover up an accident, a corrupt cop’s life spirals out of control when he starts receiving threats from a mysterious witness. When the investigation of the missing person is given to one of his colleagues, and an anonymous witness tries to blackmail him, things start to get really out of hand. Franck Gastambide stars, with Simon Abkarian, Michael Abiteboul, Tracy Gotoas, Jemima West, Serge Hazanavicius. Damn this looks intense! When the French want to go big on action, they go all out with all kinds of explosive action. Check this out.
Here’s the official US trailer (+ poster) for Régis Blondeau’s Restless, direct from Netflix’s YouTube:
As he is under investigation for corruption, Lieutenant Thomas Blin (Franck Gastambide) has to go to his mother’s funeral in the middle of the night. While trying to avoid a dog on the road, he accidentally hits a man and kills him on the spot. Panicked, he decides to hide the body. Believing to be off the hook, he finds himself embarking on a downward spiral, when the investigation of the missing individual is entrusted to one of his colleagues, and a mysterious witness tries to blackmail him…Restless, also known as Sans répit in French, is written directed by French filmmaker Régis Blondeau, an experienced cinematographer making his feature directorial debut with this film. This hasn’t premiered at any festivals or elsewhere, as far as we know. Netflix will debut Restless streaming on Netflix starting February 25th, 2022. Who’s down?
