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‘Plebgate’ pair set for showdown

Plebgate costs setback for Mitchell

© Press Association 2013

Andrew Mitchell quit his role as Tory chief whip after the infamous plebgate row

Andrew Mitchell has suffered a major setback in his Plebgate legal battle after judges upheld a ruling that he will not be able to claim back more than £500,000 in costs even if he wins.

The ex-Cabinet minister has insisted he wants to push ahead with his libel case against The Sun and put Pc Toby Rowland in the witness box so both men have to swear on oath to their contradictory versions of the spat in Downing Street last year.

But the Court of Appeal this morning refused to overturn a ruling from High Court judge Master Victoria McCloud imposing the punishment after Mr Mitchell’s lawyers failed to submit a budget for £506,425 of costs on time.

It is unclear whether the MP, who was reported to be on a no-win no fee arrangement, will now need to meet the legal bill from his own pocket.

Mr Mitchell’s lawyers, Atkins Thomson, fell foul of a tough new regime intended to crack down on costs and time taken up by civil litigation.

The order, which limits his reclaimable costs to court fees, was upheld by a Court of Appeal made up of the Master of the Rolls, Lord Dyson, Lord Justice Richard and Lord Justice Elias.

The Crown Prosecution Service said yesterday that Pc Keith Wallis would be charged with misconduct in public office for allegedly sending an email to the deputy chief whip, John Randall, falsely claiming to have witnessed the spat after police stopped Mr Mitchell wheeling his bike through the Downing Street gates.

But there was insufficient evidence to bring any charges against Mr Rowland, who was manning the gate, or a fellow constable who leaked an email giving his account of what had happened.

“We have considered all of the evidence in this case, including previously unseen, unedited CCTV footage from Downing Street, not referred to by the media,” Director of Public Prosecutions Alison Saunders said.

“Taking it all into account, including the accounts of the officer at the gate of Downing Street and that of Andrew Mitchell MP before, during and after the incident, we have found that there is insufficient evidence to show that the officer at the gate lied in his account.

“The CPS has also found that there is insufficient evidence to show that Mr Mitchell was the victim of a conspiracy of misinformation.”

Deborah Glass, from watchdog the Independent Police Complaints Commission, agreed that the detail of the conversation in September last year could not be proved either way.

“The officer concerned says he was not familiar with the word ‘pleb’ prior to the incident. His record of the words used was contemporaneous.

“Mr Mitchell has denied using that word. I do not think this can be proven one way or another,” she said.

While Mr Rowland faces no action, four other colleagues will face gross misconduct proceedings over the row, meaning they could face the sack.

Two more will be subject to “local misconduct” proceedings for allegedly giving inaccurate statements or making inappropriate comments, while another has been recommended for management action for inappropriate comments.

Mr Rowland claims Mr Mitchell, then chief whip, used the words: “You should know your f****** place, you don’t run this f****** government, you’re f****** plebs.”

But the MP insists he said: “I thought you guys were supposed to f******help us”.

In a press conference and round of broadcast interviews last night, Mr Mitchell insisted he would continue his efforts to prove what really happened.

He said he hoped the officer would give evidence on oath as part of the libel proceedings against the Sun for its coverage.

“I have told the truth about this incident. The police did not. My reputation was destroyed. I was vilified, relentlessly,” he said.

Mr Mitchell told Channel 4 News: “What I do know is that I was stitched up; I was fitted up in Downing Street by armed police officers whose sole duty is to defend officials and to defend Downing Street.

“We believe that the CCTV shows that the account of Pc Toby Rowland is at very best inaccurate.

“I never said these phrases… no-one speaks like that these days. It’s like a Hooray Henry, a lout from a 1920s B-movie being sort of characterised.

“These phrases are completely untrue and the point is that I believe I’ve managed to show that there should be very grave doubt about the way that I was treated…

“What I am saying is I was stitched up by dishonest police officers in Downing Street last year. I lay the blame on the police.”

But Mr Rowland said: “This has now been thoroughly investigated and the Crown Prosecution Service (CPS) has confirmed there is insufficient evidence to take any criminal proceedings against me.

“In addition, neither am I subject to any disciplinary proceedings. I confirm that I am prepared to give evidence under oath if required.”

The Sun newspaper said in a statement: “The CPS today concluded that it was in the public interest for the events at the gate of Downing Street to be made public.

“The Sun will be defending Mr Mitchell’s libel action on the basis that our original story was true and published in the public interest.”

Asked if Mr Cameron had promised him a return to frontline politics, Mr Mitchell said: “Well, I don’t think I can really talk about that.

“But I am satisfied that I have an understanding with the Prime Minister on this point.”

Mr Mitchell is seeking up to £150,000 in damages over the Sun’s coverage of the spat. The newspaper has budgeted its own legal costs at £589,000.

Of Mr Mitchell’s hint that Mr Cameron had promised him a return to frontline politics, t he premier’s spokesman said: “I think this is in the context of the meeting and discussions that the Prime Minister and Mr Mitchell do have from time to time.

“But those are private discussions.”

A Channel 4 investigation earlier this year had cast doubt on the officers’ account when it broadcast CCTV footage which showed there was not a large group of tourists outside the main gate at the time as had originally been claimed.

The CPS said yesterday the footage had been edited but today told the channel it had not suggested that it had been responsible for cutting down the video.

A Channel 4 / ITN spokesman said: ” We welcome the clarification and acknowledgement received today from the CPS that the footage broadcast on Channel 4 News on 18th December 2012 was not edited by the production team to change or alter the sequence of events.

“In an email today to the executive producer of the Channel 4 News item and Dispatches programme the Crown Prosecution Service Chief Press Officer said: ‘ Please be aware that the CPS has not maintained that you or Channel Four/ITV [sic] edited the footage yourselves, indeed we have not ever said that but the footage you showed is an edited version. That is that people were obscured so movement, head turns and head angles as well as any visible reactions cannot be seen, and the start and finish points were later and earlier respectively than the footage we have been shown and so it did not include footage of members of the public coming into view from the right hand side as you look out to Whitehall immediately after the incident who may have been visible from the pedestrian gate at the relevant time. In addition there are other cameras which are helpful.’

” In addition we have had sight of an email sent today from the Director General, Propriety and Ethics, Cabinet Office, Sue Gray to Andrew Mitchell MP which states: ‘ Further to our telephone conversation, I can confirm that the Cabinet Office provided you with a copy of the relevant CCTV footage unedited for the incident and time period in question. The pixilation was undertaken by another government department on our behalf.'”

A CPS spokeswoman said: “Our statement yesterday referred to the fact that the CCTV footage which has been broadcast had clearly been edited. That remains the case.

“The CPS does not know, and has not said, who did the editing as it is not relevant to our decision making. We understand Channel Four wanting to clarify their position, but our position has not changed.”

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Google Now update adds RSS-style Cards, Waze traffic reports, and more

When Google announced Android 4.4 KitKat in October, the company said improvements were also on the way for Google Now. The search giant recently made good on those promises late Wednesday, with rolling out a Google Now update bundled within a larger Google Search for Android refresh. The update packs some nice new Cards (hi Waze!), and tweaks to some existing features.

Let’s dig in.

OK, RSS

Google Reader may be gone, but if your favorite blog or Website gets updated, Google Now can alert you with a new Website update card. There’s also a revamped News topic card that Google says “brings you fresh articles from the Web on topics you care about.”

The new News, What to Watch, and Website update Cards. (Click to enlarge.)

Google Now already does this to a certain extent by showing you articles related to a news story you were reading earlier, or a topic you were searching for. It sounds like this new feature expands on that initial offering by showing stories related to broader topic categories.

Google’s also muscling in on Netflix’s territory a bit, adding movie and TV recommendations to Google Now with a new “What to watch” card. The search giant didn’t mention how this card works or what will trigger it, but screenshots indicate that you’ll see it whenever you’re at home and call up Google Now during evening primetime.

Waze traffic incident reports are also coming to Google Now following Waze’s integration with Google Maps in August.

Google Now reminders can now be set to repeat, a feature we’ve been looking for since reminders came to Google Now in May.

Finally, anyone who was already using Google Now to track their packages can now get alerts when a package is ready for in-store pick-up. That’s a handy feature if your local couriers like to “deliver” packages by not knocking on the door or ringing the doorbell.

Last tango in Swindon…

Last tango in Swindon…

By Barry Leighton

When the golden age of cinema is in full bloom from the Thirties to the Fifties Swindon has nine cinemas, including The Palladium in Jennings Street, Rodbourne

NOT for the first time – but certainly the last – protesters are brandishing banners and chanting slogans outside a cinema in the middle of Swindon. Like their heroes John Wayne and Clint Eastwood they have a cause worth fighting for.

They want to stop the curtain coming down, if you’ll excuse the pun, on a tradition that harks back almost a century. They are calling for public support and gain the sympathetic backing from many passers-by.

Over the years similar stunts have been witnessed on the doorsteps of our picture houses.

Placards bearing the mantra “This is Evil” are in 1972 displayed by demonstrators who feel they have the right to determine what films fellow Swindonians should see.

The object of their ire is Bernardo Bertolucci’s sexually frank Last Tango In Paris, with Marlon Brando. Anyone perverse enough to make up their own mind by actually watching the film must be warned off, they decree.

Six years later, armed with banners and leaflets, protesters inform cinemagoers that by watching the action movie Wild Geese, starring Roger Moore and Richard Burton, they will in fact be supporting South Africa’s apartheid regime. One family takes note and sees Grease instead.

There is strife on the streets of Old Town in 1981 when a film banned by the BBC, The War Game – depicting the horrors of nuclear conflict – is screened at the Arts Centre.

Police are drafted in as hundreds are locked out – many waving CND placards. The film is shown again immediately afterwards, but still 60 or 70 are left outside, their anti-nuke chants fading into the cold February night Those picketing the Cannon cinema on a Saturday afternoon in March 1991 have no political or moral axe to grind.

They just want to carry on watching films in Swindon town centre as they have done since they were kids, as did their parents and grandparents. They are railing against the money men who are turning the heart of Swindon into a movie-free zone.

Outside the three-screen Cannon in Regent Street and surrounded by banners proclaiming “Save Our Cinema” and “No To The Closure of Our Cinema” avid film fan-turned-protester Lesley Walters says, with some justification: “We don’t own this cinema but we consider it ours.

“It is a facility which has been provided in the town centre for more than 50 years and now they are taking it away.” Take it away they do, despite these spirited protestations.

Swindon town centre, for the first time since gasps of amazement and wonder are uttered as The County Electric Pavilion flickers silently though magically to life in 1910, is without a permanent cinema.

Instead, Swindon’s only picture house – an ultra-modern establishment – is now based in the new West Swindon leisure zone of Shaw Ridge.

Closing the Cannon and opening the MGM, the Pathe News group – which owns them both – ushers in a new era for film fans. Now, some 23 years after the last picture show at The Cannon, the movies are on their way back to the heart of Swindon… courtesy of a £50 million development across the road from the old cinema (now the Savoy pub.) The structure emerging with commendable rapidity on the former college site will include a six screen Cineworld movie house that will continue a tradition of showing films in the town centre that begins when Queen Victoria is still breathing.

Moving pictures arrive in Swindon in the late 1890s when entrepreneurially minded locals show newsreels on crude equipment in their front rooms, charging customers a penny each.

A shop in Bridge Street and the Mechanics Institute become occasional fleapits for this captivating new phenomenon.

Similar cinematic thrills are provided by H Dee’s Bioscope at the Corn Exchange in Old Town enabling Swindon people to watch with their very own eyes weighty events such as Queen Victoria’s funeral and King Edward’s coronation. A London company in 1906 hires the Milton Road Baths to show silent screen adventures such as Rescued by Rover (an early incarnation of Lassie) and Stolen by Gipsies. The films are often accompanied by talking and singing from gramophone records courtesy of the Gaumont Chronophone System. But the synchronisation is more often than not woefully off kilter.

“Swindon is going to the devil fast,” huff church-folk as the town’s first permanent cinema, the aforementioned County Electric Pavilion opens in 1910 on the Regent Street site later occupied by Woolworth.

Mouths are agape as local footage shows men engulfed in steam and grime at the GWR Works. “Look, there’s our Bert.”

Scenes shot from the top of a Swindon tramcar provoke a similar sense of bewilderment.

According to the Adver’s critique the main feature, A Corner of Wheat boasts, “lovely scenes of the Rhine with bear-hunting.”

The Electric has a fancy sliding roof which opens to let out the cigarette smoke. This bastion of the modernity is hailed “an acme of comfort.”

Picture palaces spring up thick and fast and there is real-life drama at The Central which opens in Fleet Street in 1911. Seven children slump unconscious in their seats due a fault in the gas lighting.

They are dragged out, propped against the wall and revived with fresh air.

The Savoy – Swindon’s only art-deco picture house – opens on Monday, January 15, 1937, with Captain January starring nine year-old poppet Shirley Temple, all curls and dimples.

As the “talkies” herald the golden age of cinema, Swindon – still a comparatively small town – boasts nine picture houses.

Competition is fierce. A prairie wagon rumbles through our streets complete with cowboys and “redskins” advertising the latest must-see western But TV kills the cinema star, and as television emerges in the Sixties these once-packed palaces of fun, laughter, tears and drama flicker and die.

“Exotic striptease, live onstage,” is offered to members of the Tatler Cinema Club but that is not enough to save its home, The Palace in Gorse Hill.

Built on the site of The Picture House – one of Swindon’s first cinemas – The Odeon in Regent Circus opens under various monikers from the 1920s only to end up somewhat ignominiously as a bingo hall in 1974.

By the Eighties The Cannon – originally the Savoy, then the ABC – is last man standing.

There are red faces at Swindon Town Hall in 1981 when a movie called Hardcore is screened as part of its occasional cinematic presentations.

It is supposed to be a drama starring George C Scott but another film also called Hardcore is shown instead.

Only this one is a “bluey.” Boobs are flying everywhere. Romping is rife.

After several minutes the horrified projectionist, realising the error, stops the movie.

The show, insists manager Terry Court, must not go on. Customers file out. They are disappointed, one way or another.

 

The Arcadia in Regent Street at one stage specialises exclusively in cartoons, briefly becoming The Classic Cartoon In 1969 a special colour edition of Pathe News is shown in Swindon – to commemorate Town‘s 3-1 League Cup Final victory over Arsenal at Wembley.

The ABC takes delivery of 6,000 Polaroid glasses in May 1983 for Friday the 13th Part III – the first 3D movie shown in Swindon since The House of Wax more than 20 years earlier Some 50,000 people – equivalent to more than half of Swindon’s population at the time – see ET at the ABC in 1983.

Its curtains for Saturday morning flicks after 36 years in 1982 – despite the Swindon ABC regularly attracting around 200 teenies. Another institution draws to an end when smoking is stubbed out at the ABC in 1985.

A 22 year-old man from Rodbourne is the victim of unprovoked attack in 1996 when he is bitten on the neck while leaving the Virgin complex at Shaw Ridge where a new Dracula film is actually showing.

In 2000 Swindon is deemed the Cinema capital of England because it has more movie seats per person (35) than anywhere else in the country, largely due to its multiplex theatres at Shaw and Greenbridge.

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Santa delivers a starring role for Blackburn school girl

Santa delivers a starring role for Blackburn school girl

Claudia Lewis was delighted to star in the film

A BLACKBURN schoolgirl is set to become a Christmas star at film festivals around the world.

Eight-year-old Claudia Lewis was delighted when she won the starring role of Amy in the short film The Santa Lie earlier this year.

Now the independent film is set to go global after being officially selected to be screened at the 2013 Adelaide Kids Film Festival later this month.

The makers behind the movie have now been beset with requests for copies of the film starring the Ewood youngster.

Claudia, who attends Redeemer CE PrimarySchool, was chosen to take part in the film from a host of modelling agency hopefuls.

Claudia has modelled for supermarket Morrisons before but this was her debut movie role.

Mum Nicky said she was initially concerned about the film’s title but was reassured after reading the script.

She said: “Claudia is a big fan of Father Christmas and we were a bit worried about the film’s message.

“However, when we read the script we were quite reassured because it has a lovely, Christmassy ending.

“She had a brilliant time taking part in it and it is amazing that it is getting such a good reception now.”

The film tells the story of a little girl who confronts her parents about the truth about Santa early one Christmas morning.

Writer and director Darren Langlands said: “The Adelaide festival received a record number of entries this year so to be selected is a massive achievement. Now we have had requests from all over Europe.

“Claudia is easily one of most professional actors I’ve ever worked with and she’s just terrific in our film.

” Claudia said: “I really liked the story and I had fun playing the part of Amy. My favourite part of the Santa Lie is what happens at the end.”

To find out more about the Santa Lie visit www.altanglefilms.co.uk

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Huncoat’s Diana Vickers poses for FHM

Huncoat’s Diana Vickers poses for FHM

SINGER-SONGWRITER Diana Vickers has posed for a series of racy pictures for a popular lads’ mag.

The former Blackburn Westholme School student was labelled a ‘little hippie’ by X Factor judge Louise Walsh when she appeared on the talent show in 2008.

But the 22-year-old star looks to have shed that image after posing seductively in a pair of blue knickers, a white crop top emblazoned with the words ‘lost my mind’, and very little else.

She told her 370,000 followers on social networking site Twitter: “So I did an FHM cover shoot for this month’s issue… Eek!”

Speaking to the magazine, Diana, from Huncoat, said she was ‘scared about taking her clothes off in front of everyone’ and she doesn’t see herself as a sex symbol.

She said: “I know it’s part of my job to be sexy. I just don’t really think of myself as that.”

Diana has returned to the UK, and the music scene, recently after she moved to South Africa to shoot a movie with Clint Eastwood’s son, Scott.

Her second album, Music to Make Boys Cry, was released in September to rave reviews.

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Rare playing cards depicting Watford sell for £15k at auction

Rare playing cards depicting Watford sell for £15k at Sotheby’s in London

By Frazer Ansell

Watford is featured on the Hertfordshire card, which was issued as the eight of hearts.

A rare deck of 337-year-old playing cards, including one of the first playing cards to mention Watford, sold for £15,000, more than three times its estimate, at Sotheby’s in London this morning.

The 53 cards, an explanatory card and 52 suit cards, were produced by cartographer and publisher, Robert Morden in 1676.

Each card depicts a different English or Welsh county and a map of that county, which features its principal towns and roads. The card also gives the length, width and circumference of the county and its distance from London. Watford is featured on the Hertfordshire card, which was issued as the eight of hearts.

The court cards have the King depicted as King Charles II – in whose reign the cards were produced – the Queen, his wife, Catherine of Braganza and the Jack, various male heads.

A spokesperson for Sotheby’s said: “For many counties, the Morden playing card is the earliest separate printed county map to show any roads.”

Catherine Slowther, maps and atlases expert at Sotheby’s, said: “The first set of playing cards bearing maps of English and Welsh counties was thought to have been produced by William Bowes in 1590.

“Robert Morden, the cartographer and publisher, produced a fine set of playing cards in 1676.

“This first edition has the maps in a square panel in the centre. In the top section, are the names of the county with the number of the card on the left in small Arabic numerals and on the right in large Roman numerals.

“The court card bears a head in the circle on the right.

“The third section of each card gives statistical information concerning the county mentioned.

“Despite the novel purpose of these maps, many of them in this series were the first to show roads and are taken from Ogilby’s Britannia in 1675.

“As playing cards were normally a gambling device, one might not expect to find them adapted to educational uses.

“The output of playing cards was seriously curtailed during Cromwellian times, when both cards and play were regarded as sinful. This puritanical attitude resulted in the wholesale destruction of many fine sets of cards.

“They were replaced by packs of an instructional and educational nature, embracing geography, history and similar subjects.”

The playing cards have been put up for sale following the death in January, of the man who owned them, Jaime “Jimmy” Ortiz-atino, who created the Valderrama golf course in Spain.

He was also president of the World Bridge Federation between 1976 and 1986 and owned one of the greatest collections of early playing cards.

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South Coast date for Susan Boyle

South Coast date for Susan Boyle

By Lorelei Reddin, Entertainments Editor

Susan Boyle

GLOBAL singing sensation Susan Boyle has a South Coast stop on her very first nationwide live tour next year.

Tickets go on sale this morning for the Bournemouth Pavilion Theatre date on April 15.

Susan will perform a contemporary repertoire of iconic album tracks and never heard before classics including I Dreamed A Dream, Wild Horses and Somewhere Over the Rainbow as well as River Deep, Mountain High.

She told the Daily Echo: “I’ve always wanted to do my own show and after the reception I received in Scotland I cannot wait to get back on stage. I’ve chosen some of my favourite songs from past albums and also new songs that not only have I wanted to perform for years but resonate with me and I hope my fans will love.

“I’m really very excited, I’m wishing the months away!”

2013 has seen Susan in her first movie role in The Christmas Candle, release her fifth album in four years Home For Christmas and become the first Brit to be allowed to duet with Elvis posthumously.

Tickets are available from 10am this morning. Click here

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Filmmaker’s Christmas movie disappointment

Clacton: Filmmaker’s Christmas movie disappointment

Filmmaker’s Christmas movie disappointment

A FILMMAKER has been left disappointed after his footage of the Christmas Day swim in Clacton missed the cut for a major motion picture.

Richard Nettleingham created a short film of the famous sea-swim event last year.

And the footage was set to be used as part of a new film called Christmas in a Day, which has been created by Ridley Scott’s production company, RSA Films, and acclaimed director Kevin MacDonald.

It brings together clips of Christmas moments submitted by people across the country.

Producers asked Richard if they could use his Christmas Day swim footage after spotting it on YouTube.

But after sending the forms and footage off he was told it was too late for it to make the cut for the film.

Richard said: “In the end the film company told me it had all been submitted too late. It is bitterly disappointing.

“It would have been amazing to see it in the big screen as part of the film.”

The sea-swim footage features hoards of brave swimmers dashing out of the freezing sea in slow motion.

While it has not made it into the actual film, the Christmas swim footage will be used in the trailer to promote Christmas in a Day.

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Bridget Jones film director Beeban Kidron: closure of Cambridge’s Arts …

A leading film director has called on the Government to help save Cambridge’s closure-threatened Arts Picturehouse cinema.

Baroness Kidron, who directed the second Bridget Jones movie, said it was crucial to keep cinemas outside London open to rebalance the growing divide in arts spending between the capital and the rest of the country.

Cineworld has said it will sell the St Andrew’s Street cinema or its self-branded screens at Cambridge Leisure Park following a Competition Commission ruling.

The commission’s decision came after Cineworld’s £47 million purchase of art-house chain City Screen’s 21 cinemas.

In the House of Lords, independent crossbench peer the Earl of Clancarty said the ruling that Cineworld should sell one of its cinemas in Cambridge, Bury St Edmunds and Aberdeen was “misguided and culturally insensitive”.

He said it put at risk the Cambridge Arts Picturehouse, which hosted the Cambridge Film Festival and has been called an “exemplary regional art-house cinema” by the British Film Institute (BFI).

He urged the Department for Culture, Media and Sport (DCMS) to “use all its influence to intervene to have this ruling overturned”.

Lady Kidron, an independent crossbench peer who, as Beeban Kidron, also directed the acclaimed BBC adaptation of Jeanette Winterson’s Oranges Are Not the Only Fruit, said there had been a 
growing imbalance between arts funding in London and the rest of the country over recent decades.

She told peers at question time: “If we are to address this cultural imbalance we need to build on the success of existing art venues such as the excellent art-house cinema in Cambridge that does so much more than show films.”

She asked Government spokesman Lord Gardiner of Kimble: “Could the DCMS through the relationship with the BFI find a way of distinguishing between commercial screens and the added culture value that art-house cinema provides?”

For Labour, Lord Stevenson of Balmacara said it was a “grievous and terrible thing to contemplate the loss of three such Picturehouses” and urged the Government to act.

Lord Gardiner told peers: “I entirely understand and indeed sympathise with your concerns.”

But he said the responsibility for regulating mergers falls to “independent competition authorities”.

He added: “I know that the BFI have already communicated their concerns to the Competition Commission and it is open to concerned parties to apply for a review of the decision.”

A petition opposing the closure of the Arts Picturehouse was signed by more than 14,000 people and the battle could go to court.

The commission says it is “confident” a buyer can be found and does not believe the future of any movie houses will be “jeopardised”.

iPad Air Goes Nuclear in Australian Mobile Phone Store, Busts Into Flames

Initial reports suggest a brand new iPad Air suddenly caught fire in an Australian mobile phone store, prompting the brick-and-mortar establishment to summon the fire brigade. The new iPad Air was being used as a demo model when it started sparking and ultimately burst into flames, filling the store with smoke and forcing an evacuation.

So goes the story as reported by the U.K. Daily Mail, however the folks at Forbes say sources in Australia are now unclear on which specific model of iPad did its best Nicholas Cage impression from the movie Ghost Rider.

iPad Fire

It’s said that sparks flew out from the charging port. A similar incident involving an iPhone 5 led to the death of a 23-year-old woman from China back in July. Ma Ailun, a flight attendant with China Southern Airlines, was electrocuted when taking a call on her iPhone 5 that was plugged in and charging. It was later reported that she was using a third-party charger.

If you go back to 2009, there’s a report of an iPod touch exploding in a 15-year-old boy’s pocket. According to his account, he heard a loud pop and immediately felt a burning sensation on his leg. He stood up and realized his pants were on fire.

There are several incidents of gadgets overheating and catching fire. Sometimes they involve shoddy third-party peripherals and in other cases, they could be due to locations with unstable power, usually overseas. These incidents aren’t specific to Apple, either. A Samsung Galaxy Note caught fire in 2011 and burned the leg of a South Korean man.

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