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‘Thor: The Dark World’ Thunders to $45M, Pushes Disney to Overseas Box-Office Record

By Todd Cunningham
TheWrap

“Thor: The Dark World” has thundered to $45 million in its first three days at the overseas box office, and pushed Disney’s 2013 foreign box office total to a new record.

The early returns from the Marvel superhero sequel have pushed the studio past its previous all-time international record of $2.302 billion, set in 2010.

Also read:  ‘Ender’s Game’ Blasts Through Box-Office Boycott for $10M Friday, Eyes $27M Weekend

“The Dark World” is running well ahead of the totals of the original film as it rolls out in 36 foreign markets this weekend. The studio estimates that the $45.2 million taken in through Friday puts its overseas grosses at $2.314 billion, marking the fourth consecutive year Disney has surpassed the $2 billion benchmark overseas.

More to come …

Ewan McGregor to star on Broadway next year in Tom Stoppard’s ‘The Real Thing’

Ewan McGregor

NEW YORK (AP) — “Star Wars” and “Trainspotting” star Ewan McGregor will make his Broadway debut next year in a revival of Tom Stoppard’s “The Real Thing.”

Roundabout Theatre Company said Thursday that McGregor will play the unhappily married Henry in the play under the direction of Sam Gold. Previews begin next October at the American Airlines Theatre.

Bing: ‘Star Wars’ spin-off for Ewan McGregor?

McGregor was last seen on the stage in 2008 in London starring as Iago opposite Chiwetel Ejiofor’s Othello at the Donmar Warehouse. He also starred alongside Jane Krakowski, Douglas Hodge and Jenna Russell in the original Donmar Warehouse production of “Guys and Dolls” at the Piccadilly Theatre in London.

McGregor will be seen next in John Wells’ film adaptation of Tracy Letts’ Pulitzer- and Tony-winning play “August: Osage County” opposite Meryl Streep and Julia Roberts.

Woody Allen pens rare open letter to support casting director pal

Woody Allen

WENN

Filmmaker Woody Allen has penned a rare open letter in a bid to persuade Oscars bosses to add a new category for casting agents to the Academy Awards. The “Midnight in Paris” is urging the Oscars rule makers to recognize the art of finding film talent by saluting his own “Blue Jasmine” casting director Juliet Taylor.

Bing: ‘Blue Jasmine’ Oscar hopes

In an article Allen has written for The Hollywood Reporter, he muses, “In my case certainly, the casting director plays a vital part in the making of the movie. My history shows that my films are full of wonderful performances by actors and actresses I had never heard of and were not only introduced to me by my casting director, Juliet Taylor, but, in any number of cases, pushed on me against my own resistance. People like Jeff Daniels, Mary Beth Hurt, Patricia Clarkson and others, who are people I was unfamiliar with. A number of discoveries and careers have been launched by the energies and resourcefulness of my casting director. Not only did I use Meryl Streep for a small part in ‘Manhattan’ when she was a relative unknown, but at the best my casting director helped start the film career of Mariel Hemingway and Dianne Wiest, a stage actress completely unknown to me but known by Juliet Taylor.”

Allen adds, “I’m particularly difficult in the casting area because the whole process bores and embarrasses me. If it were up to me we would use the same half dozen people in all my pictures, whether they fit or not. Despite my recalcitrance, Juliet has forced me to meet and to watch the work of many new people and to hire people on nothing more then her strong recommendation. Because my films are not special effects films and are about human beings, proper casting is absolutely essential. I owe a big part of the success of my films to this scrupulous casting process which I must say if left to my own devices would never have happened.”

Appeals court upholds dismissal of Sam Moore’s lawsuit challenging title, use of music in ‘Soul Men’

Sam Moore may be “The Legendary Soul Man,” but a federal appeals court says he doesn’t have sole use of the title.

The U.S. 6th Circuit Court of Appeals on Thursday upheld the dismissal of Moore’s suit against the Weinstein Company and MGM studios over the 2008 film “Soul Men” and its soundtrack and promotions.

Moore sued the companies, saying the movie, starring the late actor Bernie Mac and Samuel L. Jackson, bore too much of a resemblance to himself and one-time singing partner, Dave Prater Jr.

Moore and Prater, who died in 1988, performed together for two decades, sometimes billed as “Double Dynamite.” Their hits include “Soul Man,” ”Hold On, I’m Comin'” and “When Something is Wrong with My Baby.”

Kristen Stewart, Nicholas Hoult to star in ‘Equals’

Kristen StewartBy Jeff Sneider
TheWrap

Kristen Stewart and Nicholas Hoult are attached to star in Drake Doremus’ next film “Equals,” an individual familiar with the project has told TheWrap.

Bing: New ‘X-Men’ teaser trailer

Nathan Parker (“Moon”) wrote “Equals,” which marks a departure for Doremus as it’s a sci-fi love story. The duo have spent the past year developing the project, which Steven Rales’ Indian Paintbrush is planning to put into production early next year.

Doremus is coming off the infidelity drama “Breathe In,” which stars Guy Pearce, Felicity Jones, Amy Ryan and Mackenzie Davis. He has a strong rapport with Indian Paintbrush, which produced and financed his breakout film “Like Crazy.”

“Twilight” sensation Stewart next stars in the indies “Camp X-Ray” and “Sils Maria.” She’s repped by Gersh and McKuin Frankel Whitehead.

Hoult, who reprises the role of Beast in Bryan Singer’s “X-Men: Days of Future Past,” recently wrapped George Miller’s “Mad Max: Fury Road” and the indie thriller “Dark Places.” He’s repped by UTA, 42 and attorney Fred Toczek.

The news was first reported by Deadline.

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Jim Carrey on his debut children’s book: ‘We need more joy. Roland’s like a joy-gasm’

Jim Carrey

By Mikey Glazer
TheWrap

There’s nothing “dumb” about Jim Carrey’s newest project.

Making his authorial debut, Carrey wrote and recently released a children’s book “How Roland Rolls,” the story of a wave who is afraid to crash on the beach out of a fear of dying.

Bing: First look at ‘Dumb and Dumber To’

Beyond the color-drenched pages, Roland’s surprise ending delivers an existential suggestion about spirituality and the afterlife that runs… deep. It’s not “Goodnight Moon.”

With about a month left of shooting “Dumb and Dumber To” in Georgia, Carrey returned to Los Angeles to read for a packed floor of kids at The Grove’s Barnes and Nobles on Saturday afternoon.

As the line for autographed copies snaked throughout three levels of the store, and tons of kids sat on the floor waiting for story time, TheWrap spent some time with Carrey in a back stock room discussing how winning awards as an author is different from film, his enterprising use of Skype, and the “insanity” of the “Dumb and Dumber To” shoot.

TheWrap: You’ve said that your inspiration for writing “How Roland Rolls” is family. Can you explain that?
Jim Carrey:
There’s little things you leave for your family. The things that are actually tangible things. It’s a tangible thing. Something they can actually hold in their hands.

My grandfather left me this little picture that he sketched, of a little river and a cabin. I remember when I was a little kid going “Wow, my grandfather’s talented. Maybe I’m talented too.”

That’s all it needs is that little spark.

I watched my dad be creative and insane and when I was doing the music for (the e-book edition of) this with my daughter, my grandson was sitting there watching me be insane. I could see that look in his eye like “Ooooh, this might be a cool option.”

You worked with illustrator Rob Nason over Skype. What were those Skype sessions like?
Skype is amazing. You have to be careful about falling in love on Skype. It’s dangerous. Dangerous.

We were back and forth all the time because I wasn’t doing a film at the time. I was making all my mad little doodles and stuff like that all over the place, sending him pictures, and acting stuff out.  I would say “We need more joy. Roland’s like a joy-gasm.”

How does receiving Gelett Burgess honors (for Children’s Book of the Year) compare to other accolades you’ve received in your career?
It’s a new field. It’s always great to be welcome and recognized right out of the chute. It’s a thrill. It’s absolutely wonderful.

I have lots of new ideas and other things I want to do. I have an autobiography that’s coming out in the next year or so, and it’s really different.

Are you nervous that any of your youngest fans, maybe those that were too young to even see you in “The Grinch” (2000) or “Horton” (2008) might know you only as Jim Carrey, the author?
(Laughing) That would be hilarious.  No, no, I’m not worried about that.

Somehow, I tripped in to the right magical zone in my life where the work that I do seems to be reintroducing itself to new generations all the time. It’s a great feeling, it really is.

The book is an excuse for families to be together. I get people all the time that say “We watch ‘Dumb and Dumber’ – the youngest of us, the oldest of us, we all laugh.” That’s a cool feeling.

Has anyone given you any good advice on how to get  your hand through these marathon signing sessions?
It’s weird because it’s an exercise in being present with people. It can be super super draining if you look at it like work and you’re just going to power through a bunch of these things and get out of here.

But, if I look forward to each person that comes up and have a moment and just connect, it actually energizes you. It’s not bad. I keep my hand on my wallet though.  It’s a lot of folks, lot of folks. I’m going to be using some wipees later.

How have you adjusted to life in Georgia? (Where “Dumb and Dumber To” is currently shooting)
(Mocking and joking) I have a hat that’s made out of a duck.

To me it’s not places, right, it’s people. We’re having a great time, a wonderful time. Just putting the old costume back on and having a blast with Jeff (Daniels). It’s totally insane. Worse than the first one.

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Johnny Knoxville’s raunchy ‘Bad Grandpa’ knocks off ‘Gravity’ at box office

©<a href='http://www.movierental.com/link/paramount'>paramount</a> / 'Jackass Presents: Bad Grandpa'

By Todd Cunningham
TheWrap

Audiences chose “Jackass Presents: Bad Grandpa” over Oscar hopefuls this weekend, and Johnny Knoxville’s raunchy comedy laughed its way to an opening estimated at $32 million.

The R-rated road-trip romp from MTV Films and paramount took the 3D space epic “Gravity” and Tom Hanks’ “Captain Phillips” down a peg in the process. The mature-skewing awards contenders had finished 1-2 for the past two weekends, and “Gravity” had won the last three. But driven by young audiences, Knoxville’s sleazy geezer tale –- the first broad comedy in theaters since summer’s “We’re the Millers” –- stole the show.

Bing: Is ‘Gravity’ Oscar bound?

Warner Bros.’ Sandra Bullock-George Clooney space saga -– still in a market-high 3,707 theaters, mostly 3D and Imax — continued to impress in its fourth week, rolling up $20 million over the three days and upping its domestic total to $200 million. Its weekend grosses were off just 33 percent from last week’s. “Captain Phillips” also held strongly, losing just 28 percent of its second-week audience to finish third with $11.8 million in its third week.

And another Oscar frontrunner, “12 Years a Slave,” broke into the top ten as Fox Searchlight expanded its slavery drama from 19 to 123 theaters and it brought in just over $2 million. It averaged $17,480 per-screen, by far the best of any wide release.

The weekend’s other wide opener, the star-studded Ridley Scott legal thriller “The Counselor,” finished a disappointing fourth with $8 million for Fox.

Comedy-craving audiences were ready for hidden-cameras high jinks of “Bad Grandpa,” which stars Knoxville as 86-year-old Irving Zisman, who takes his eight-year-old grandson Billy (Jackson Nicoll) on a “Borat”-like journey across America.

It doesn’t match the $50 million opening of “Jackass 3D” in 2010, but the three-day total for “Bad Grandpa” doubles its production budget. The “Jackass” franchise, drawn from creator and star Knoxville’s 2000-2001 MTV show, has been a goldmine for paramount. The first three movies, also produced on the relative cheap, have brought in $335 million.

Most of Knoxville’s posse from the TV show and earlier films sat this one out, though Oscar-nominated director Spike Jonze returned and is a producer, along with Knoxville, director Johnny Tremaine and Derek Freda.

The “Jackass” movies typically played young and proudly dumb, but this one attracted an audience that was 63 percent over the age of 25 and 44 percent female. By contrast, “Jackass 3D” drew a first-weekend crowd that was 67 percent under 25 and just 39 percent women.

“Jackass” movies typically dropped off significantly from Friday to Saturday, but with the $1.4 million from Thursday midnight showings subtracted, “Bad Grandpa” actually improved its number on Saturday, so word of mouth helped. The critics were OK with it — it has a 63 percent positive rating on Rotten Tomatoes — and as audiences gave it a “B” CinemaScore.

Also on TheWrap: 40 Actresses Over 40 Who Are Still Conquering Hollywood (Photos)

“I think what you have is movie that played more like a regular comedy than a ‘Jackass’ movie,” paramount distribution chief Don Harris told TheWrap. “You had the branding, but this wasn’t ‘Jackass 4’ — it was a spin-off that played older and more female than those movies. We got the young audience you would presume would turn out, but it played more broadly, and that bodes well for the next few weeks.

Star power didn’t help “The Counselor,” which has a cast that includes Michael Fassbender, Cameron Diaz, Brad Pitt and Javier Bardem, and a screenplay by Cormac McCarthy (“No Country for Old Men”). It played to an older audience — 85 percent was over 25 — and was plainly hurt by the mature-skewing competition.

Fox had hoped to hit $10 million with the thriller, which was produced for a modest $25 million. But weak reviews – it’s at 36 percent positive on Rotten Tomatoes –- and an unusually poor “D” CinemaScore were too much to overcome.

It’s the seventh wide release that has failed to hit $10 million in the last five weeks. “Don Jon,” “Baggage Claim,” “Runner Runner,” “Machete Kills,” “The Fifth Estate” and “Escape Plan” all came up short.

Sony movies -– “Cloudy With a Chance of Meatballs 2” and the horror remake “Carrie” — were fifth and sixth. “Cloudy,” the only family comedy currently in theaters, took in $6.1 million and crossed $100 million domestically after five weeks. “Carrie,” from MGM and Screen Gems, was next with $5.9 million and has taken in $26 million in two weeks. The studio had hoped for more from the chiller starring Chloe Grace-Moretz, especially around Halloween.

Awards frontrunner “12 Years a Slave,” directed by Steve McQueen and written by John Ridley, continued to build momentum in its second week. It played well in art house theaters and to African-American audiences and has taken in $3.4 million in 10 days. Fox Searchlight plans to add 45 cities and up raise the theater count to more than 400 next weekend.

It finished in eighth place, just behind the Sly Stallone-Arnold Schwarzenegger prison break movie “Escape Plan,” and ahead of the romantic comedy “Enough Said” and the kidnap thriller “Prisoners.”

The top 10:

“Jackass Presents: Bad Grandpa,” $32M;
“Gravity,” $20M;
“Captain Phillips,” $11.8M;
“The Counselor,” $8M;
“Cloudy With a Chance of Meatballs 2,” $6.1M;
“Carrie,” $5.9M;
“Escape Plan,” $4.3M;
“12 Years a Slave,” $2.1M;
“Enough Said,” $1.5M;
“Prisoners,” $1M

Related articles on TheWrap:

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Mrs. Krabappel Will Be Retired After Marcia Wallace’s Death, ‘Simpsons’ Producer Says

40 Actresses Over 40 Who Are Still Conquering Hollywood (Photos)

Wachowskis hope to surprise with next film, ‘Jupiter Ascending’

Lana Wachowski and Andy Wachowski

LOS ANGELES (AP) — The Wachowski siblings say they’re hoping to again surprise audiences with the science-fiction movie “Jupiter Ascending,” starring Channing Tatum and Mila Kunis.

Andy and Lana Wachowski said in an interview Thursday night that they were overseeing editing and special effects for the movie set for release next summer.

Bing: Channing Tatum produces TV show

“It’s a science-fiction space opera,” Lana Wachowski said outside an Australians in Film awards dinner. “It has a lot of things from a lot of genres that we love. It’s got a lot of original action, it’s got a lot of romance.”

Andy Wachowski, 45, said editing “Jupiter Ascending,” which the siblings wrote and are directing together, has been smoother than last year’s ambitious, multi-layered book adaptation “Cloud Atlas,” though he called the new film’s visual effects “way more complicated.”

“We seem not to be very good at making small things. We keep saying ‘Let’s go make a small movie.’ But then they always end up being enormously complex,” said Lana Wachowski, 48. “We want to somehow always find something that is different or that no one has tried.”

“The Matrix” directors said that while “Cloud Atlas” and their previous film, 2008’s “Speed Racer,” were considered box office flops, both seemed to have struck a chord with fans.

“People come up to us and just break into tears talking about (‘Cloud Atlas’),” Lana Wachowski said. “Even ‘Speed Racer,’ we get people that come up and say it was their favorite movie of all time. We’ve been very lucky that way. We have great fans. … And we keep trying to keep surprising them.”

The writer-directors say they’ll begin pre-production in January on the Netflix sci-fi series “Sense8.” And if all goes well, Lana Wachowski said, laughing: “Then we’re going to take a sabbatical.”

Stuntman and ‘Smokey’ director Hal Needham dies

©AP / Hal Needham

LOS ANGELES (AP) — Hal Needham, a top Hollywood stuntman who turned to directing rousing action films including “Smokey and the Bandit” and “The Cannonball Run,” has died. He was 82.

His business managers tell the Los Angeles Times that Needham died Friday in Los Angeles.

A former paratrooper, Needham appeared in thousands of TV episodes and hundreds of movies, performing and designing stunts and new equipment to execute them.

Bing: More on Hal Needham

Needham jumped from planes, was dragged by horses and wrecked cars — breaking 56 bones in the process.

His best-known directing efforts involved 1970s Burt Reynolds action comedies, including “Smokey,” ”Cannonball Run” and “Stroker Ace.” He also directed Arnold Schwarzenegger in “The Villain.”

In a Twitter posting, Schwarzenegger calls Needham an icon.

Needham received an honorary Oscar last year.

Cory Monteith/WENN

British director Antonia Bird dies at 54

©WireImage.com / Antonia Bird

LONDON (AP) — British director Antonia Bird, known for films such as “Face,” ”Priest” and “Mad Love,” has died. She was 54.

The BBC, citing Bird’s agent, said Saturday the director had been suffering from anaplastic thyroid cancer and had died in her sleep.

Bing: More on Antonia Bird

Bird worked for several years at the Royal Court Theater before switching to TV in the mid-1980s. She racked up a string of credits on shows such as “Spooks” and “EastEnders.”

Actor Robert Carlyle, who appeared in a number of Bird’s films, tweeted Saturday that it’s “such a sad day… farewell to my beautiful friend.”

“Priest,” Bird’s 1994 debut feature about a traditional Catholic who begins questioning the church’s values, won awards at the Toronto, Berlin and Edinburgh film festivals.

Cory Monteith/WENN

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