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Vin Diesel celebrates ‘Riddick’ DVD sales by dancing for Facebook fans, singing Katy Perry, Beyoncé

Vin Diesel

By Greg Gilman
TheWrap

Vin Diesel is so excited that “Riddick” has topped the dvd sales charts that he decided to bust a move on Facebook for his massive online following.

The star and producer of the science fiction film, a sequel to “Pitch Black” and “The Chronicles of Riddick,” rocks out to Katy Perry’s “Dark Horse” for over three minutes without explanation in a video he posted on his Facebook page on Tuesday morning.

Also from TheWrap: Vin Diesel Shares 18 Minutes of Paul Walker Behind-the-Scenes Footage on Facebook

“Guys, I’m just excited, I’m happy. And I’m calling you guys, or shouting out to you guys, to say ‘Thank you.’ Universal just called me and told me that ‘Riddick’ is number one on the dvd charts. There’s no way in the world ‘Riddick’ would have been made without you guys,” Diesel eventually says. “Of course, Universal is also saying they want to develop the next one.”

Diesel also shares with his 63.6 million Facebook fans that he couldn’t go to the Grammys on Sunday because he was busy preparing for production to resume on “Fast and Furious 7.”

Cue the music.

Former Oscars boss and charity king Tom Sherak loses cancer battle

©WENN / Tom Sherak

WENN

Former Academy of Motion Picture Arts and Sciences President Tom Sherak has lost his battle with prostate cancer, aged 68.

The beloved movie executive, who served as President of the Academy from 2009 to 2012, died at his home in Calabasas, California on Tuesday, surrounded by family members, who confirmed the sad news in a statement.

It reads: “With broken hearts we want to share with you the news that Tom Sherak passed away today after a long 12 year battle with prostate cancer. He died at home surrounded by his family giving him hugs, kisses, and love.

“Tom is, was, and always will be, our loving husband, daddy, papa, brother, friend, and ‘Go to Guy’. He blessed this earth for 68 incredible years, and he will be missed every single day.

“Tom lived his life as an open book. He opened his heart and let the world in, and anyone who was lucky enough to know him knew first hand the power of his love. He gave everything he had to help others, regardless of whether or not he knew them. Tom is a true hero in our lives… We love him so very much.”

Last year, new Los Angeles Mayor Eric Garcetti appointed Sherak as the city’s first film czar and tasked him with trying to find a way to increase production in Hollywood.

That was to be his last post in the industry, 43 years after he began his career at paramount Studios.

He made his name at 20th Century Fox in the 1980s, rising to the post of chairman of 20th Century Fox Domestic Film Group. He oversaw hits like “Commando,” “Aliens,” “The Fly,” “Predator,” “Home Alone” and the first three “Die Hard” movies, as well as the “Star Wars” trilogy special edition and “Star Wars: Episode I – The Phantom Menace.”

Sherak was also a partner at Revolution Studios, where he helped bring films like “Black Hawk Down” and “Rocky Balboa” to the big screen.

Away from Hollywood, Sherak was chairman of the Will Rogers Motion Picture Pioneers Foundation and a board member for the Motion Picture and Television Fund. A charity kingpin in Los Angeles, Sherak also helped to raise millions for the Southern California Multiple Sclerosis Society among other favorite causes.

He was set to receive the Will Rogers Foundation’s 2014 Pioneer of the Year Award in March at CinemaCon in Las Vegas. The honor will now be presented posthumously.

‘Whiplash’ wins audience, jury awards at Sundance

©AP / Damien Chazelle, director of 'Whiplash'

PARK CITY, Utah (AP) — “Whiplash” is among the winners of the Sundance Film Festival.

The dramatic story of a jazz drummer aspiring to greatness won both audience and jury awards for U.S. dramatic films Saturday at the festival’s closing awards ceremony.

The musical drama by writer-director Damien Chazelle opened the independent film showcase last week and rode a wave of positive buzz throughout the 10-day event.

Chazelle made his Sundance debut last year with a short version of “Whiplash” intended to gain financial support for the feature-length film. The feature stars 26-year-old Miles Teller as an aspiring jazz drummer in pursuit of excellence and veteran actor J.K. Simmons as his unforgiving instructor.

Chazelle thanked his actors “who really made this movie work.” The 28-year-old filmmaker drew on his personal experiences as a member of a high school jazz band as inspiration for the film.

The documentary “Rich Hill,” about a tiny town in Missouri, won the jury award for U.S. documentary. The American documentary about dementia and music, “Alive Inside,” won the audience award.

The Sundance Film Festival wraps Sunday.

___

Follow AP Entertainment Writer Sandy Cohen at www.twitter.com/APSandy .

Cuaron wins DGA for ‘Gravity,’ gains Oscar edge

©AP / 'Gravity'

LOS ANGELES (AP) — Alfonso Cuaron was awarded the top film honor from the Directors Guild of America for “Gravity” on Saturday night.

In the recent bustle of Hollywood shows, “Gravity,” David O. Russell’s con caper “American Hustle,” and Steve McQueen’s historical epic “12 Years a Slave” were competing in the tightest three-way Oscar race in years. But the win gives Cuaron’s lost-space-saga an edge on the journey to the Academy Awards.

With 10 Oscar nominations, Cuaron’s film is likely to gain the most Academy Awards this year. “American Hustle” also has 10 nominations, while “12 Years a Slave” has nine. The early momentum of “12 Years a Slave” has begun to deflate following this evening’s upset and the results of the Golden Globes. McQueen’s film was nominated for seven Globes, but only took home one — best motion picture, drama.

However, it is unlikely “12 Years a Slave” will go home empty-handed on Oscar night, as actress Lupita Nyong’o, who is nominated for the best supporting Oscar, is the likely favorite.

Guide to the 2014 Academy Awards

Earning the DGA award makes Cuaron a near shoo-in to win the best director Oscar on March 2. The Directors Guild recipient nearly always goes on to claim the same prize on Hollywood’s biggest night.

In the 65-year history of the DGA awards, the winner has failed to also take home the best director Oscar just seven times. Ben Affleck, who presented Cuaron with his guild award, won the same accolade last year for “Argo” but was denied a best director nomination at the Oscars. However, like many DGA winners, “Argo” went on to win the best-picture prize at the Oscars.

While accepting his trophy, Cuaron recalled looking at satellite images of earth from space.

“What you cannot see from up there is this bizarre experiment of nature that is the human experience,” said Cuaron, a first-time DGA winner. “That experiment is what directors try to sort out with our films. Thankfully, that experience is as diverse as the films as these filmmakers make.”

Cuaron also thanked his son and “Gravity” co-writer Jonas Cuaron.

Sandra Bullock, the star of “Gravity,” was on-hand to applaud Cuaron for his honor. While introducing the director for his nomination speech, Bullock joked that she could barely understand her director while shooting “Gravity.”

“I had no idea whether ice meant ice or ice,” she said, pointing to her eye. Later, Cuaron shot back at the actress, saying that actors feel that the universe revolves around them. When he looked over at Bullock, she pointed to her ear and mouthed, “I can’t understand you.”

Jehane Noujaim won the documentary prize for “The Square,” which was acquired by subscription service Netflix last year and depicts the tumult of the Egyptian Revolution beginning in 2011.

Each director gave a nomination speech before the biggest award of the evening was announced and the key stars of films gave their directors glowing introductions. Among them was Bradley Cooper of “American Hustle,” Rob Reiner of “The Wolf of Wall Street,” Tom Hanks of “Captain Phillips,” Sara Paulson of “12 Years a Slave.”

Receiving the loudest applause of the evening were diversity award recipients Shonda Rhimes and Betsy Beers.

“We are being given an award for something all of us should be doing anyway,” said Rhimes. “There is such a lack of lack of people hiring women and minorities that when someone does so on a regular basis they are given an award. There shouldn’t need to be an award. The lack of diversity in Hollywood is not because of the lack of talent. It’s because of the lack of access. People hire their friends. If it’s been a white boy’s club for 70 years, that’s a lot of white boys hiring one another. Rock some boats. Something original is what the public is starving for.”

Jehane Noujaim won the documentary prize for “The Square,” which was acquired by subscription service Netflix last year and depicts the tumult of the Egyptian Revolution beginning in 2011.

“I’m very humbled and very grateful,” said Noujaim, whose previous documentaries include “Startup.com” and “Control Room.” ”This film is the most deeply personal film I’ve made, watching my country change before me when I never thought change was possible. It redefined my understanding of what was possible.”

Steven Soderbergh, the “sex, lies, and videotape” and “Ocean’s Twelve” filmmaker, won the TV movie and miniseries prize for HBO’s “Behind the Candelabra,” which recounted the relationship of Liberace and his lover Scott Thorson.

Soderbergh, who once served as a DGA first vice president, was also honored with the Robert B. Aldrich Award for his service to the guild.

“Sometimes you feel empty, and you’re just overwhelmed and you look and see how willing your team is to carry you forward, and you get an extra burst of energy, and you keep going,” said Soderbergh while accepting his first-ever DGA award.

“Breaking Bad” mastermind Vince Gilligan was also honored with his first DGA award for directing the series finale of the AMC drama.

Other winners included:

— Comedy series: Beth McCarthy-Miller, “30 Rock.”

— Reality: Neil P. DeGroot, “72 Hours.”

— Variety special: Glenn Weiss, 67th annual Tony Awards.

— Children’s program: Amy Schatz, “An Apology to Elephants.”

— Variety series: Don Roy King, “Saturday Night Live.”

— Commercial: Martin de Thurah, Hennessy VS and Acura MDX 2014.

Other than the Writer’s Guild Awards on Feb. 1, there are no major awards before the Oscars. Hollywood’s high season goes quiet for a few weeks as several thousand members of the motion picture academy have the last word with their balloting.

Jane Lynch hosted Saturday night’s untelevised DGA awards with presenters including Sandra Bullock, Tom Hanks, Ben Affleck, Don Cheadle, Kerry Washington and Steve Coogan.

Guide to the 2014 Academy Awards

‘Ride Along’ does Monster Mash on ‘I, Frankenstein’ at box office

©AP / 'Ride Along'

By Todd Cunningham
TheWrap

The Kevin Hart-Ice Cube comedy “Ride Along” cruised to a repeat win at the weekend box office, rolling up just over $21 million in its second lap.

In the process, it blew the doors off the weekend’s only wide opener, “I, Frankenstein,” the special effects-heavy remake of Mary Shelley’s horror classic starring Aaron Eckhart, which finished sixth with a weak $8.2 million three-day total.

The runner-up movie was the Afghan War drama “Lone Survivor” with $12.6 million, giving Universal Pictures the top two movies for the second week in a row and its third straight weekend win. It marks the first time a studio’s films have achieved that in nearly two decades, when Warner Bros. had “On Deadly Ground” and “Ace Ventura” in the first and second positions for two weeks in February 1994.

Also read: SNL: Leonardo DiCaprio Crashes Jonah Hill’s Monologue – And They Do the Flying Scene From ‘Titanic’!

“Ride Along” upped its domestic total to $75 million and the Mark Wahlberg battle saga has taken in nearly $94 million since opening at No. 1 three weeks ago.

The animated family film “The Nut Job” wasn’t far behind in third, with a $12.3 million three-day total that raised its domestic haul to over $40 million after two weeks for Open Road.

“I, Frankenstein” is distributed by Lionsgate and was produced for $65 million by Lakeshore Entertainment, the company behind the “Underworld” movies. Those all opened over $20 million, but analysts had projected that “Frankenstein” would do about half that, and it did. Audiences – 62 percent male and 60 percent over 25 years of age – gave it a “B” CinemaScore. About 60 percent of its grosses came from 3D.

“Jack Ryan: Shadow Recruit” and Disney’s Blockbuster “Frozen” were close for fourth, with just under $9 million.
That was good news for “Frozen,” which is showing incredible staying power – it was off just 19 percent from last week despite dropping 212 theaters – and has raised its domestic total to $347 million after 10 weeks in release.

But it wasn’t so good for “Shadow Recruit.” paramount had hoped to reboot its franchise based on Tom Clancy’s novels with Chris Pine as the lead, but its failure to break out, so-so second week and $30 million domestic total make that a long shot.

Three Oscar contenders followed.

David O. Russell’s Best Picture nominee “American Hustle” was the top grosser. The con-man comedy took in just under $7 million to claim the seventh spot and raise its domestic total to nearly $127 million in its seventh week. “Silver Linings Playbook,” Russell’s 2012 Oscar contender, took in $135 million over its entire run.

“The Wolf of Wall Street,” Martin Scorsese’s black comedy starring Leonardo DiCaprio, was next with just over $5 million. The R-rated take on the sex-and-drugs excess of the 1980s stock market boom, also a Best Picture nominee, will cross the $100 million mark at the domestic box office in the next day or two.

Also read: Alfonso Cuaron Wins Directors Guild Award for ‘Gravity’

“August: Osage County” was just behind it, with a little under $5 million. The Weinstein Company’s dysfunctional family comedy starring Meryl Streep and Julie Roberts, both Oscar nominees, is up to $26 million after five weeks.

Focus Features’ Matthew McConaughey-Jared Leto AIDS drama “Dallas Buyers Club” was in 1,110 theaters, its widest release so far. It brought in a little over $2 million for the weekend to cross the $20 million mark in its 13th week.
After two months in limited release, paramount went wide with “Nebraska” this weekend. The black-and-white drama starring Bruce Dern brought in a quiet $1.4 million from 968 theaters to up its total to $11.6 million in 11 weeks domestically.

Two frontrunners in the Best Picture race, “12 Year a Slave” and “Gravity” both added theaters to their re-releases this week seeking to cash in on awards momentum.
Director Steve McQueen slavery saga took in $1.9 million from 1,231 locations and lifted its overall domestic total over $43 million after 15 weeks.

Director Guild Award winner Alfonso Cuaron’s space epic brought in $1.8 million from 1,260 theaters to up its domestic haul to $261 million after 17 weeks. The Sandra Bullock-George Clooney 3D thriller should get another boost next weekend, when it returns to Imax theaters.

The top ten:
“Ride Along,” $21.2M;
“Lone Survivor,” $12.6M;
“The Nut Job,” $12.3M;
“Frozen,” $9M;
“Jack Ryan: Shadow Recruit,” $8.8M;
“I, Frankenstein,” $8.2M;
“American Hustle,” $7.1M;
“The Wolf of Wall Street,” $5M;
“August: Osage County,” $4.9M;
“Devil’s Due,” $2.7M

Also read: Justin Bieber’s Arrest Sparks Twitter Explosion

Real ‘Wolf of Wall Street’ giving film profits to millionaires he conned

©WENN / Jordan Belfort

WENN

The real “Wolf of Wall Street” is making sure the investors he swindled at the height of his broker days are benefiting from the success of the film — all the profits from the movie are going to them.

Jordan Belfort, who is portrayed by Leonardo DiCaprio in the Oscar-nominated Martin Scorsese film, served 22 months behind bars for his con-man crimes and now he’s hoping the success of his biopic helps the millionaires he duped hate him a little less.

He tells Entertainment Tonight, “They’re (victims) getting 100 per cent of any royalties that come from the movie… When I first sold the rights, I made money, but (I’ll get) nothing going forward.”

As part of his sentence, Belfort was ordered to pay back $110.4 million.

He adds, “If there’s one thing I’d wanna say to the victims is, ‘I hope you get a lot of checks over the next five or 10 years from this movie’.”

Cameron Diaz thanks ‘Charlie’s Angels’ role for health kick

©Getty / Cameron Diaz

Cameron Diaz will always have a special place in her heart for “Charlie’s Angels” – because the film kickstarted a health drive that has now become her way of life.

The actress admits she was a smoker who ate terribly just before she started training for the action film, aged 27, and she seriously suffered when she started getting into shape.

Diaz tells Self magazine, “I literally quit smoking a month before (the film). I was like, ‘Ugh, I’ve got to do this training. I guess I should stop smoking now.’

“We trained eight hours a day, seven days a week for three months, and I was dying. Crying every day… I wondered, ‘How am I ever going to do this?’ But soon enough, I had a six-pack. At 27, I wasn’t consciously saying, ‘I’m doing this for when I’m 41’. But, at 41, I’m saying, ‘Thank God I started at 27’.”

Diaz has opened up about her healthy dietary, nutritional and lifestyle choices in new tome “The Body Book.”

Jonah Hill spent hours on the phone to store staff in character for ‘Wolf’

Jonah Hill

Actor Jonah Hill prank called staff at top U.S. retailers in character as Long Island, New York swindler Donnie Azoff to get used to the fake teeth he had to wear in “The Wolf Of Wall Street.”

The “Moneyball” star admits he struggled to speak clearly when he first adopted his look for the Martin Scorsese film and an on-set accent coach suggested he spend two hours a day talking with his teeth in place.

Hill says, “I had this really difficult accent and lisp and I had these big fake teeth and I couldn’t talk. … You couldn’t understand what I was saying, so, for a month and a half beforehand, our accent coach was like, ‘You’ve got to talk with these things in for two hours every day.’

“No one from my life is gonna sit with me (to do this), so I would call Target and Best Buy as Donnie, and just talk about different products for an hour and a half every day.”

Photos: ‘The Wolf of Wall Street’ movie stills

Theater cancels opening show after Judge Reinhold quits

©Rex Features / Judge Reinhold

OVERLAND PARK, Kan. (AP) — A suburban Kansas City dinner theater had to cancel its opening night of the play “Harvey” after a disgruntled Judge Reinhold resigned from the production.

New Theatre co-owner Richard Carrothers told The Kansas City Star the “Fast Times at Ridgemont High” and “Beverly Hills Cop” star had appeared increasingly unhappy with everything related to the production.

The Overland Park theater canceled its opening-night show on Wednesday after Reinhold’s abrupt departure. “Harvey” was instead opening Thursday after an afternoon matinee.

Kansas City-based actor Craig Benton was assuming the lead role in the whimsical 1944 comedy through Jan. 29, after which Los Angeles-based British actor Charles Shaughnessy takes over.

Reinhold said in an emailed statement that the theater provides “wonderful entertainment” and this production wouldn’t be an exception, even without him.

Nicole Kidman’s ‘Grace of Monaco’ pulled from release schedule

©WENN / Nicole Kidman as Grace Kelly

By Todd Cunningham
TheWrap

Grace of Monaco,” the Princess Grace biopic starring Nicole Kidman, has been pulled from the Weinstein Company’s release schedule, the studio said Thursday.

TWC had originally set a Nov. 27 limited release to qualify it for this year’s Academy Awards, but the story of Grace Kelly’s transition from actress to princess has been pushed to this year to allow for the film’s completion.  A final version has yet to be delivered, the studio said, so TWC instead will release the British dramedy “One Chance” on that weekend.

“Grace of Monaco” is directed by Olivier Dahan (“La Vie en Rose”) and co-stars Tim Roth, Parker Posey, Paz Vega, Frank Langella and Derek Jacobi.

Also on TheWrap:  ‘Ant-Man’ Moving Up Into Date Vacated by Superman-Batman Movie

Dahan blasted TWC’ chief Harvey Weinstein after the film was initially pushed last year, saying that the cuts he suggested were solely to make the film more commercial, and the latest development suggests there is a standoff.

“There are two versions of the film for now: mine and his … ” the director told the French newspaper Liberation at that time, “which I find catastrophic.”

Shot in France, Italy and Monaco last Autumn, the film focuses on a period in 1962 when De Gaulle established an economic blockade on the small principality over its status as a tax haven.

‘Ant-Man’ Moving Up Into Date Vacated by Superman-Batman Movie

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