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Asia’s First Metaverse Wedding Reception: This Indian Couple Got Married in Metaverse

Amidst pandemic, this tech enthusiastic couple from Tamil Nadu, India decided to tie knots in a special way. And pandemic became the perfect reason to not miss it—a wedding in metaverse.

Recently, Dinesh Sivakumar Padmavathi (groom), 25, and Janaganandhini Ramaswamy (bride), 24, got married and hosted their reception in the metaverse which was attended by more than 6,000 people worldwide.

As cool as it sounds, it also took a month of planning on the back-end.

The legal wedding ceremony took place physically in front of close friends and relatives in Ramaswamy’s (bride) village in Tamil Nadu’s Krishnagiri district, about 170 miles from Chennai.

But afterwards, the couple logged on to join their reception, which costed 150,000 Indian rupees (~$2,000) to design, develop and host. The one-hour long event saw the newlyweds virtually address their guests, who were able to explore the castle and customize their avatars’ appearance and outfit.

Being Potterheads themselves, the theme of their marriage reception was set to Hogwarts and other elements from Harry Potter. (Omg! This is so romantic and fun and nostalgic!!!)

No, a woman didn’t win a $2.5 billion ‘Matrix’ lawsuit over copyright infringement

An old hoax that the lucrative “Matrix” and “Terminator” film franchises forked over billions of dollars to a woman who claims they ripped off her work has resurfaced online as the fourth “Matrix” movie, “The Matrix Resurrections” is set to debut in Dec. 2021. 

“Sophia Stewart wrote books in the 70s that were stolen from her by Warner Bros. (Terminator 1-4 The Matrix 1 2!)” a Sept. 29 Instagram post said. “Her lawsuit took 30 years but she won Hollywood’s biggest lawsuit, $2.5 Billion.”

The lawsuit is real, and Sophia Stewart, a writer and paralegal, continues to maintain that the films were based on her ideas. But her case was long ago dismissed, with no such $2.5 billion settlement — not in 2004 when the rumor was first shared, and not now.

The Instagram post was flagged as part of Facebook’s efforts to combat false news and misinformation on its News Feed. (Read more about our partnership with Facebook.)

On her website, where she describes herself as “The Mother of the Matrix,” Stewart claims that she answered a magazine ad in 1986 that said Andy and Larry Wachowski (who would go on to direct the Matrix films and now go by Lilly and Lana Wachowski) were seeking science fiction stories to be made into a comic book. She said she submitted her story “The Third Eye,” but never heard back and her manuscript wasn’t returned.  

After seeing “The Matrix” in 1999, Stewart claimed that she recognized themes and characters from her story and said the same of the “Terminator” films. She filed a lawsuit in 2003 against several defendants including the Wachowskis, “Terminator” director James Cameron, producers Gale Anne Hurd and Joel Silver, Warner Bros., and 20th Century Fox. She accused them all of copyright infringement and racketeering, and sought over $1 billion in damages.

The case was dismissed in June 2005 after the judge ruled that Stewart and her attorneys had failed to produce evidence to support her claims and did not demonstrate a striking similarity between her work and the films. 

She later filed another lawsuit, this time against her attorneys who represented her in the case, accusing them of breach of contract and malpractice, among other things. In 2014, the judge ordered that she was entitled to $316,280 stemming from the costs and attorneys fees in the copyright infringement suit. 

Featured Fact-check

By Samantha Putterman • January 12, 2022

Stewart responded and sent us court documents but we didn’t see anything that substantiated the claim.

The false rumors about the supposed settlement appear to stem from an October 2004 article by the Salt Lake Community College Globe newspaper. The story, titled “‘Mother of the Matrix’ Victorious,” mistakenly said that Stewart would recover damages from the films, receiving “one of the biggest payoffs in the history of Hollywood, as the gross receipts of both films and their sequels total over 2.5 billion dollars.”

The article was later found to be full of errors, with the student reporter mistaking Stewart’s successful counter of an early dismissal motion as her winning the case. The Globe issued a correction: 

“In reference to the recent article entitled ‘Mother of the Matrix Victorious,’ some information has been deemed misleading. Ms. Sophia Stewart has not yet won her case against Joel Silver, Time Warner and the Wachowski Bros. The decision on October 4th enabled Ms. Stewart to proceed with her case, as all attempts to have it dismissed were unsuccessful. Ms. Stewart’s case will proceed through the Central District Court of California.”

By then the story had already been picked up by other websites, and continues to be shared.

An Instagram post claims that Stewart won “Hollywood’s biggest lawsuit” over copyright infringement in the “Matrix” and “Terminator” film franchises and was awarded $2.5 billion.

This is inaccurate. The case was dismissed in 2005, with no money going to Stewart. 

We rate this claim False.

UPDATE, Oct. 6, 2021: This story has been updated to note that Stewart did respond to PolitiFact following initial publication.

Isabelle Fuhrman in Award-Winning Rowing Film ‘The Novice’ Trailer

Isabelle Fuhrman in Award-Winning Rowing Film ‘The Novice’ Trailer

by
November 18, 2021
Source: YouTube

“We can’t be psychotic like you, some of us have lives!” IFC Films has unveiled a trailer for The Novice, an intense rowing thriller marking the feature directorial debut of filmmaker Lauren Hadaway. She worked on Hollywood movies for years in various sound positions, including ADR editing. The film premiered at the 2021 Tribeca Film Festival this year, and won three top prizes: Best Actress, Best Cinematography, and Best Narrative Feature Film. A queer college freshman joins her university’s rowing team and soon undertakes an obsessive physical and psychological journey to make it to the top varsity boat, no matter the cost. “This unapologetic debut from Hadaway, based on her own personal experience as a competitive collegiate rower, heralds a bold new voice in storytelling. If you liked Whiplash, this one’s for you.” Isabelle Fuhrman stars as Alex, with a cast including Dilone, Amy Forsyth, Jonathan Cherry, Kate Drummond, Charlotte Ubben, Sage Irvine, Chantelle Bishop, Jeni Ross, and Nikki Duval. Oh yes this looks damn good! Very good! I’ve been looking forward to catching up ever since it won all those Tribeca awards. Bring it on.

Here’s the official trailer (+ poster) for Lauren Hadaway’s The Novice, direct from IFC’s YouTube:

Isabelle Fuhrman plays Alex Dall, a queer college freshman who joins her university’s rowing team and undertakes an obsessive physical and psychological journey to make it to the top varsity boat, no matter the cost. Intent on outperforming her teammates, Alex pushes herself to her limits—and beyond, alienating everyone around her in the name of success. Furhman’s fierce lead performance collides with Lauren Hadaway’s bold direction and dynamic editing, creating a visceral window into a cutthroat world. Stylish cinematography and a seductive soundtrack complete the experience, evoking the romance and danger of falling in love; the attraction, the drama and the fallout. The Novice is both written and directed by sound expert / filmmaker Lauren Hadaway, making her feature directorial debut after working for years as a sound editor and ADR editor in Hollywood. This initially premiered at the 2021 Tribeca Film Festival earlier this year, where it won three awards by the end of the fest. IFC Films will debut Hadaway’s The Novice in select US theaters + on VOD starting December 17th, 2021 coming soon this fall. Interested in watching?

Find more posts: Indies, To Watch, Trailer

Gandhi’s assassin and his association with the RSS revealed in a new book based on archival details

Such a line of argument would help protect not just Apte and Savarkar, but also Gopal. This line of argument also suited Godse’s self-image—by doing so, he could carry the glory all on his own.

In any case, the rectification was to be a mammoth exercise, involving a serious perusal of questions of law. It is unrealistic to expect that Godse, with his limited legal knowledge and command over the English language, managed these questions on his own. There is evidence that the statement he would read out in court was not entirely of his preparation.

Inamdar subsequently noted that Mehta, a prominent member of the group of lawyers defending the accused and a staunch Savarkarite, helped him draw up a calculated written statement. ‘In Nathuram’s case, it was primarily Jamnadas Mehta, Barrister-at-Law from Bombay, who assisted him in preparing the statement,’ Inamdar wrote. The ponderous statement that ran into 150 paragraphs took Godse five hours to read in the courtroom.

Speaking quietly in English, he attempted at the very beginning to remove all traces of guilt from Apte, Savarkar and the other accomplices. ‘I say that there was no conspiracy of any kind whatsoever amongst the accused to commit any of the offences mentioned in the charge-sheet [sic],’ Godse read. ‘I may also state here that I have not abetted any of the other accused in the commission of the alleged offences.’

While giving an account of his past life, Godse also claimed that he had broken with the RSS long before he killed Gandhi. The claim ran contrary to what he had told the interrogators and what the documents seized from the RSS Nagpur headquarters had revealed.

Years later, Gopal, on seeing the RSS brazenly forsake Godse, sought to set the record straight. ‘He [Godse] said it because Golwalkar and the RSS were in a lot of trouble after the murder of Gandhi,’ Gopal declared. ‘But he [Godse] did not leave the RSS.’

Godse’s statement in the court showed his impeccable command over English, a language he supposedly did not know well.

In the group of lawyers defending the accused, Inamdar was the odd man out. While the others had been picked by L.B. Bhopatkar, who headed the team of advocates, Inamdar had joined them independently. He had been sent by Parchure’s wife from Gwalior as her husband’s counsel. In a way, therefore, both Inamdar and Godse shared the status of an outlier in their respective groups.

‘During the whole of the trial, I never saw Savarkar turning his head towards even Nathuram, who used to sit by him, in fact next to him, much less speak with him,’ Inamdar noted.

‘During the various talks I had with Nathuram, he told me that he was deeply hurt by this—Tatyarao’s calculated, demonstrative non-association with him either in court or in the Red Fort Jail during all the days of the Red Fort Trial. How Nathuram yearned for a touch of Tatyarao’s hand, a word of sympathy, or at least a look of compassion in the secluded confines of the cells! Nathuram referred to his hurt feelings in this regard even during my last meeting with him at the Simla High Court!’

The ‘Harry Potter’ reunion is just what 2022 needs

If I could Avada Kedavra every year since 2019, I would. Goodbye 2020, goodbye 2021, hello non-pandemic world where none of it ever happened.

To want to magic away Covid-19 is wishful thinking at its very worst, I know. But that impulse is a forgivable (and I think common) offense. And it is exactly why “Harry Potter 20th Anniversary: Return to Hogwarts” is what 2022 needs.

As if the producers knew we deserved it after another set of challenging holidays, the reunion special was released on HBO Max at midnight PST on Jan. 1. It stars over 20 actors and directors from the eight-movie series, reuniting to reminisce against the backdrop of various sets used in the movies. The Gryffindor and Slytherin common rooms, Dumbledore’s office, the Burrow, the Great Hall and more are just as much part of the reunion as the stars are. Like the actors seeing each other for the first time in years, we greet them as old friends we are excited to see again.

For “Harry Potter” fans, “Return to Hogwarts” is a journey home. Filled with nostalgia and comfort, it is a tear-jerker from the start.

For “Harry Potter” fans, “Return to Hogwarts” is a journey home. Filled with nostalgia and comfort, it is a tear-jerker from the start, with the iconic soundtrack soaring as actors find letters inviting them back to Hogwarts. But the reunion is more than just the franchise basking in its popularity; its new interviews and behind-the-scenes content manage to feel fresh and new—no small feat given the 20 years of media attention the movies have received since the release of “Harry Potter and the Sorcerer’s Stone” in 2001.

The special is a charming peek behind the curtain that is no less magical for showing how some of the movie magic was made: Helena Bonham Carter (Bellatrix) and Daniel Radcliffe (Harry) meet in the set for Gringotts Wizarding Bank, only to find animatronic goblins still stored behind their bank teller desks. Director Chris Columbus reminisces about when the late Richard Harris (Dumbledore in the first two movies) mistook the robotic Fawkes the phoenix for a live trained bird. Daniel Radcliffe (Harry), Emma Watson (Hermione) and Rupert Grint (Ron) recall real, lit candles falling from the ceiling during filming when they burned through the fishing line that made them appear to float.

But more than the behind-the-scenes look at production, the real gems of the special are the interactions between the actors as they reunite. “Return to Hogwarts” exudes warmth. Everyone remembers their time on set fondly, even while not shying away from discussing the pressure of the limelight or the occasional loneliness of being child and teenage actors.

Several of the interviews end in heartfelt “I love you’s”; to see that love reflected between the actors is powerfully uplifting, particularly in a time that has been dominated by isolation and social distance.

The love that the actors share for each other is obvious, whether laughing about casting auditions and co-star crushes or talking seriously about the lifelong impact of mentors on set. Much of the power of “Harry Potter” revolves around the series’s central focus on love. In the books and films, love is a powerful, protective, eternal force. The conflict between Harry and Voldemort ultimately boils down to one of love against hatred. In the reunion special, several of the interviews end in heartfelt “I love you’s”; to see that love reflected between the actors is powerfully uplifting, particularly in a time that has been dominated by isolation and social distance.

The pandemic has put us all through the collective wringer—mentally, physically and emotionally. When the clock struck midnight to ring in the new year, instead of feeling festive, I was struck by an overwhelming feeling of “I don’t want to go through this again.” It is hard to celebrate a new year when you know it’s going to hold much the same as the old: shutdowns, health scares, sickness, uncertainty. But “Harry Potter” has always been about finding goodness in troubled times. As the famous Dumbledore quote goes, “Happiness can be found even in the darkest of times, if one only remembers to turn on the light.” As someone who played on Loyola Chicago’s Lumos Quidditch team in college (yes, it’s a real sport!), I will readily admit my bias. But I think “Return to Hogwarts” is part of turning on that light.

Watching the “Harry Potter” reunion made me realize I have been trying to look the world right in its miserable eye without blinking. It felt like the right thing to do, like I owed it to the people who have died from the pandemic to understand how bad the situation is, how Covid-19 might never truly go away. But trying to stare down the suffering of the world without allowing myself a reprieve was harming my mental health, and it took the reunion special to even realize I had been doing it.

“Return to Hogwarts” gives us permission to put down what we are carrying and unabashedly engage with love, nostalgia, comfort and hope.

“Return to Hogwarts” made me feel like Dobby being given a sock and becoming a free elf. It gives us permission to put down what we are carrying and unabashedly engage with love, nostalgia, comfort and hope, all without an ounce of the cynicism so many of us have been clinging to try to protect ourselves from the inevitable disappointments and hurt of the pandemic.

It tells us it’s O.K. to reminisce about a favorite series, beloved friends we miss, moments of connection with strangers in a movie theater or book release line. It reminds us that the future can and will still hold these wonderful things, even if not right away.

While it is necessary to engage with the reality of the pandemic in a healthy and realistic way, it is equally important to allow ourselves some reprieve from it. Many of us grew up with the “Harry Potter” movies or books as a foundational part of our childhoods. For others, the books conjure up memories of reading with family, friends or kids of their own. “Return to Hogwarts” is a fun, touching, illuminative special, a joy and pleasure to watch for anyone who has loved “Harry Potter.” It’s a cure for new year blues, an antidote to cynicism and an intravenous infusion of love and nostalgia: in short, everything 2022 needs.

The special ends with a clip of perhaps the most resonant quote from the series. When Dumbledore asks Snape of his continued love for Lily Potter “after all this time?”, he may as well be asking fans about their enduring love of the series. The late Alan Rickman answers for all of us watching the 20th anniversary reunion when he responds, “Always.”

Sam Discovers Her Own Path in Life in ‘Samantha Rose’ Film Trailer

Sam Discovers Her Own Path in Life in ‘Samantha Rose’ Film Trailer

by
August 18, 2021
Source: YouTube

“You okay?” “It’s been a rough couple years.” Freestyle Digital Media has released an official trailer for an indie docu-drama film titled Samantha Rose, the latest from filmmaker Andrew Morgan. The film stars a real woman named Samantha Rose, known as Sam, who tries to leave her old life behind. Returning to her hometown in northern Oregon she reunites with a childhood friend and joins him and a group of misfits as they work the fall harvest on the surrounding vineyards. This unforgettable week leads her to see her life for what it really is: her own. In addition to Samantha, the film’s ensemble cast includes Marla Freeman, Matthew Danger Lippman, Nicholas Horiatis, Allison Berman, Vilém McKael, Natalia Ruiz-Heinsohn, and Johnny Dawson. “I don’t think it’s naive to think that there could be something better out there.” This looks like some low key goodness, the kind of film that finds you when you need it the most.

Here’s the official trailer (+ poster) for Andrew Morgan’s Samantha Rose, direct from YouTube:

Sam (Samantha Rose) is lost, working a dead-end job, afraid to pursue a real life of her own. Returning to her hometown in northern Oregon she reunites with a childhood friend and joins him and a group of misfits as they work the fall harvest on the surrounding vineyards. This ragtag family of runaways are fearless and free, leading Sam on a journey of both discovery and healing. There are motorcycle rides and homemade wine, midnight swims and bonfires, horses, camping, and a love story that unfolds as Sam comes to see her life for what it really is: her own. Samantha Rose is written and directed by filmmaker Andrew Morgan, director of the film Long Gone By previously, plus the docs After the End, The True Cost, and The Heretic as well. From a story by Emily Morgan and Andrew Morgan. Freestyle Digital Media will debut Samantha Rose direct-to-VOD starting on September 7th, 2021 coming up. Who’s interested?

Find more posts: Indies, To Watch, Trailer

Teaser for ‘Juice WRLD: Into the Abyss’ Doc About the Hip Hop Star

Teaser for ‘Juice WRLD: Into the Abyss’ Doc About the Hip Hop Star

by
November 14, 2021
Source: YouTube

“A voice of that generation.” HBO has unveiled an official trailer for the music documentary Juice WRLD: Into the Abyss, another one of the films featured in the Music Box selection from producer Bill Simmons. This is premiering at the 2021 AFI Fest this month, hence the first trailer now before it arrives on HBO in December. Formerly known as The Party Never End, this music history doc film provides an “intimate” look at the life of gone-too-soon hip hop star known as “Juice WRLD”, whose real name was Jarad A. Higgins. A dynamic, real-time account of the Chicago native who was already heading for superstardom and streaming supremacy by the time he was 18 courtesy of his breakout hit “Lucid Dreams”. He tragically passed away from a drug overdose in 2019 at the age of 21. This “Music Box” series on HBO has been delivering some of the best music docs in the past year, each one is as intriguing and worth watching as the other. Take a look.

Official trailer (+ poster) for Tommy Oliver’s doc Juice WRLD: Into the Abyss, direct from YouTube:

HBO’s documentary Juice WRLD: Into the Abyss is an intimate and often eye-opening exploration of the life and all-too-short career of wunderkind rapper Juice WRLD, told primarily though verité, his prolific music making, and his freestyles. A dynamic, real-time account of the Chicago native who was already heading for superstardom and streaming supremacy by the time he was 18 courtesy of his breakout hit, “Lucid Dreams,” the film includes a wealth of never-before-seen footage, unreleased music, and dozens of industry interviews as it details Juice WRLD’s struggles to navigate his meteoric rise to fame, his drug use, and mental health issues. Juice WRLD: Into the Abyss is directed by the American filmmaker Tommy Oliver, director of the doc 40 Years a Prisoner previously, as well as a producer and cinematographer. This is part of Bill Simmons’ Music Box doc series for HBO. The film is premiering at the 2021 AFI Fest this fall. HBO will then debut Juice WRLD: Into the Abyss streaming on HBO Max starting December 16th, 2021.

Find more posts: Documentaries, To Watch, Trailer

Ryan Reynolds and Younger Ryan Reynolds Make a Power Team in The Adam Project

“After accidentally crash-landing in 2022, time-traveling fighter pilot Adam Reed teams up with his 12-year-old self on a mission to save the future.” That’s the logline on Netflix’s The Adam Project, which doesn’t give you much until you find out that it’s from the same director-star team that made the enormously popular Free Guy: Shawn Levy and Ryan Reynolds. And now a whimsical, action-packed new trailer has appeared.

In The Adam Project, Adam in 2050 will have to get Adam in 2022 to help him repair that crash-landed ship—a key part of his crucial mission to save the future—an idea that’s met with some resistance at first. Of course, he knows best how to convince himself to do something he doesn’t want to do. “The humor that Adam uses in the movie echoes certain aspects of my own life, which is that it’s a defense mechanism,” Reynolds told Vanity Fair recently. “It’s a defense mechanism from allowing anything in and trying to deflect. And of course part of the journey that he’s on is to lower that shield.”

And just because Levy and Reynolds worked together on Free Guy doesn’t mean The Adam Project will be anything like that film. “This character is night-and-day different from the character Ryan played for me in our last movie,” Levy told the magazine. “[Free Guy’s] Blue Shirt Guy is a deeply innocent, naive boy in a man’s body. Whereas Adam Reed in The Adam Project is bruised by life and consequently deeply cynical.”

The Adam Project stars Reynolds as Adam and Walker Scobell as young Adam. The rest of the cast includes Mark Ruffalo as Adam’s father (a time-travel scientist who dies at some point prior to the events in 2022) and Jennifer Garner as Adam’s mother (yes, that is an official 13 Going on 30 reunion happening), plus a badass Zoe Saldaña and a not-appearing-in-this-trailer Catherine Keener.

The Adam Project hits Netflix on March 11.


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Get this little cartography fan of a vacuum cleaner
Mapping robots are nice to have. They don’t take an hour to clean a room, rolling over the same patches repeatedly. They know where their home base is, so they can find it every time.

Harry Potter reunion: Alan Rickman knew Snape’s story ‘very early’

  • Alan Rickman knew Snape’s future during early “Harry Potter” filming, Daniel Radcliffe said.
  • Not even director Chris Columbus knew what was going to happen, Radcliffe said. 
  • When asked about acting choices tied to Snape’s fate, Rickman would say “I’ll tell you later.”

Alan Rickman was one of the only people to know what laid ahead for his “Harry Potter” character Severus Snape, Daniel Radcliffe said.

During a conversation with Gary Oldman, who played Sirius Black, in the “Return to Hogwarts” 20th anniversary reunion special on HBO Max, Radcliffe said that Rickman had the “inside line” into Snape’s future during the filming of the first two “Harry Potter” films.

While Snape spends much of the series as an antagonist who Harry and his friends constantly suspect of colluding with Voldemort, he reveals himself later to have been a double agent who helped protect Harry out of love for his mother, Lily.

Oldman said that he wished he would have had the “full picture” while filming, and asked if Radcliffe had a deeper understanding than other actors given that he played the series’ titular character. According to Radcliffe, only Rickman did, with regards to his character.

“He very very early said to [J.K. Rowling], ‘I think I need to know what happens,'” the actor said. 

Radcliffe said that Rickman didn’t tell anyone on set, including “Sorcerer’s Stone” and “Chamber of Secrets” director Chris Columbus. When Columbus asked Rickman about an acting choice, Radcliffe recalled, Rickman would say, “I’ll tell you later.”

In 2011, Rickman said in an interview with the Los Angeles Times that he knew that Snape was a “double agent… and a very good one at that” from the start, despite the fact that Rowling had only written three of the books at the time “Sorcerer’s Stone,” the first film in the series was released.

In 2016, Rowling clarified on Twitter what she had told Rickman in order to give him a more nuanced understanding of his character: the meaning of the word “always,” which Snape says after Dumbledore asks him if he still loves Lily Potter “after all this time.” The special paid subtle tribute to Rickman, who died in 2016 at age 69, by ending on that line.

Johor polls not linked to court cluster – Umno info chief

Umno information chief Shahril Hamdan has dismissed claims that the upcoming Johor state election was linked to attempts by Umno leaders with pending corruption charges to bolster their positions through alleged judicial interference.

Shahril (above), in a statement, said to link the Johor polls with the ‘court cluster’ is clearly off the mark.

“It has nothing to do with the…