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Pleasant Hill mom turns children’s bedroom into Harry Potter magic

When the COVID pandemic lockdown sent others scurrying to bake sourdough bread or plant victory gardens, Heidi Morales turned all her pent-up energy into alchemy, transforming her children’s bedroom into Harry Potter gold.

Morales, who lives in Pleasant Hill with her husband, son and daughter, had no real experience in carpentry, interior decorating or serious crafting, but when her then-5-year-old daughter asked for a Harry Potter bedroom, she pivoted from perfecting her cake decorating skills to something far grander.

“All my daughter wanted for her birthday was a Harry Potter bedroom,” Morales says, “and my son was so excited about it, too. So I decided to try.”

Morales’ daughter, Lily, who was named after her grandmother, not Harry’s mum, spent her first year in kindergarten attending Zoom classes. Her teacher, Lily soon discovered, was a big Potter fan, and Lily imagined attending her virtual school from a real Hogwarts’ locale.

Matthew Morales, 8, plays inside the Hogwarts-inspired bedroom his mother, Heidi, created. (Nhat V. Meyer/Bay Area News Group) 

Morales was a fan during her teen and college years, but it was her children’s love of the films — Lily and her brother, 8-year-old Matthew, often wear their Hogwarts robes around the house and break into wizarding duels, sometimes over the dinner table — that delighted her. Being able to share that connection with her children was special.

While some parents might have gotten some Harry Potter bedding, a few posters and toys and called it a day, Morales went all in. She enlisted two of her best friends, Destiny Andersen and Grace Gatpandan, to help. The duo had limited experience — as in none — in woodworking, but using the magic of YouTube, they learned to build some spectacular things, including a bookshelf that disguises a closet door.

As Lily and Matthew share the room, bunk beds seemed the obvious choice. Her sister-in-law conjured up a hand-me-down set, which Morales painted black, and added illuminated Golden Snitches and winged keys that she found at Pottery Barn to add some light to the dark, castle room. Morales transfigured the bunk beds’ drawers into luggage and trunks by covering them in suitcase-themed fabric and adding faux leather buckles and suitcase handles.

Heidi Morales and her son Matthew, 8, and daughter Lily, 6, strike a pose inside the Harry Potter-inspired bedroom. (Nhat V. Meyer/Bay Area News Group) 

The walls were covered with brick wallpaper and the ceiling with a night sky. Morales wanted to add a series of small windows to give the room that castlelike feel, but her husband, William, who didn’t really know half of what was going on in this remodel, had drawn the line at actual demolition.

Instead, Morales purchased inexpensive picture frames, painted them and added photos of Hogwarts’ landscapes — the Quidditch field, the courtyard and Hogwarts Express — behind plexiglass.

The broomstick curtain rod was almost her undoing, Morales says. She purchased a wooden clothes rod and stained it brown. Then she painstakingly — and painfully — cut and wired artificial twigs into a plastic foam base to form the brushy broom. Shaping each twig and wiring it into place took three weeks.

“My hands were all cut up,” Morales says, “and I almost gave up a few times, but I managed to finish it.”

Her attention to detail would impress even fastidious Hermione Granger. Small, filled “potion” bottles are labeled “Unicorn Blood” and “Floo Powder.” Remote controlled, battery-operated candles are strung from the ceiling to mimic the Great Hall’s floating candles.

Perhaps her most magical addition was made possible by Walgreens, of all places. The chain store offers lenticular printing, which gives images a 3-D appearance that seems to change as you move around the room. The finished photos have Lily, wearing a Gryffindor House robe, apparently levitating a feather with her wand, while Matthew, representing Slytherin (his choice, Morales says), holds a magical remembrall that suddenly glows red. Morales made the remembrall, the magical device that alerts the holder if he’s forgotten something, using a clear ball ornament and some red tulle.

A “sorting hat,” magical books and an owl are among the fun details in the Hogwarts-inspired bedroom. (Nhat V. Meyer/Bay Area News Group) 

Not everything was homemade. Morales was able to find bits and bobs at Pottery Barn and on Etsy and eBay, and she took advantage her children’s passion for Legos’ Harry Potter-themed sets. She also borrowed from offshoots of the origin story, adding in some “Fantastic Beasts” characters, including Lily’s favorite, Pickett, a bowtruckle often spotted in Newt Scamander’s pocket. Morales carved plastic foam into a small tree to serve as Pickett’s home.

The transformation took about four months, with Morales working in the evenings after the kids had gone to sleep — in their parents’ bedroom. Morales had locked Lily and Matthew out of their own room for the duration of the remodel, partly to protect them from the construction and partly to keep things a surprise, despite the kids’ (unsuccessful) attempts to sneak peeks.

When it came time for the reveal, Morales pinned a poster on the door of the Fat Lady, the portrait that guards the entrance to Gryffindor Tower, and asked the children for the password. They, of course, knew it and burst into their room.

“They were speechless,” Morales says. “Then reality hit, and they started running around, playing with everything. It was a really happy moment for me.”

Morales’ hard work mirrored the constant theme from the Harry Potter books. All the aching muscles, bruised shins and injured hands were worth the effort, because Morales was motivated by love, and in the end, that’s what matters most.

Potion bottles add to the magical ambience. (Nhat V. Meyer/Bay Area News Group) 
Wands await their wizards’ commands in the Pleasant Hill bedroom. (Nhat V. Meyer/Bay Area News Group) 
Lily Morales, 6, left, and her brother Matthew, 8, wearing an “invisibility cloak,” play inside their Harry Potter-inspired room. (Nhat V. Meyer/Bay Area News Group) 
Matthew Morales, 8, right, and his sister Lily, 6, play under hanging candles in their magical room. (Nhat V. Meyer/Bay Area News Group) 

 


Entertainment News Roundup: Netflix to produce Mattel’s ‘Masters of the Universe’ movie; Spotify removing Neil Young’s music after his Joe Rogan ultimatum and more

Following is a summary of current entertainment news briefs.

Britain’s Cineworld hit by appeal in Cineplex legal battle

Cineworld Group said on Friday Canada’s Cineplex Inc filed an appeal against its plea challenging an order the British cinema operator pay C$1.23 billion ($965.92 million) in damages to Cineplex for abandoning a planned takeover. The London-listed company said it disagreed with the submissions made by Cineplex in its cross-appeal and will respond to it, adding Cineworld does not expect to pay any damages while the appeals are ongoing.

Spotify removing Neil Young’s music after his Joe Rogan ultimatum

Neil Young’s music is being removed from Spotify’s streaming service after the singer-songwriter objected to his songs playing on the same platform that offers Joe Rogan’s podcast, the company and the musician said on Wednesday. Earlier this week, Young had released a letter https://www.reuters.com/world/us/neil-young-spotify-either-remove-my-music-or-joe-rogan-podcast-2022-01-25 addressed to his manager and record label, Warner Music Group, demanding that Spotify no longer carry his music because he said Rogan spreads misinformation about COVID-19 vaccines.

Netflix to produce Mattel’s ‘Masters of the Universe’ movie

Mattel Inc and Netflix are developing “Masters of the Universe”, a franchise created by the toymaker in the 1980s, into a live-action motion picture with production slated to start in summer 2022. The project, which was formerly in development at Sony, will be directed by film making duo the Nee Brothers and star “West Side Story” actor Kyle Allen as Prince Adam, or He-Man, both companies said on Friday.

(With inputs from agencies.)

Harry Potter-themed New Year’s Eve celebration planned for downtown Farmington’s Riley Park Ice Rink

Melissa Andrade admits that she was a little nervous in the minutes leading up to the practice run for Farmington’s first ever New Year’s Eve ball drop. But as the “ball” — a surprise wrapped in plastic that won’t be revealed until the event itself — was successfully raised and lowered to the surface of the Riley Park Ice Rink, Andrade felt a wave of relief that was soon replaced with anticipation for this year’s big event.

“I’m really excited now. It’s been so much work through the holidays; we made the chocolate frogs ourselves. But the practice run for the ball drop made everything seem like it’s going to be okay,” says Andrade, Assistant to the City Manager for the City of Farmington.

“I want to reiterate that this event is a lot of work made possible by the time given by our volunteers. The people stepping up to help out during the holidays has been phenomenal.”

A surprise New Year’s Eve ball drop, chocolate frogs — downtown Farmington’s New Year’s Eve celebration is a themed-one, called Harry Potter and the Holiday Skate. The event started a few years ago and was typically held on the Saturday between Christmas and the New Year, but with New Year’s Eve falling on a Saturday this year, the decision was made to make it a full-blown New Year’s Eve celebration.

The first Harry Potter-themed event at Riley Park Ice Rink took place in 2018 and was an immediate success, Andrade says — although she’s quick to point out that the event itself was actually her daughter’s idea. Andrade expected 50 to 70 people to show up to the ice rink that inaugural night; the crowd would number in the hundreds.

After COVID-19 canceled its 2020 iteration, Harry Potter and the Holiday Skate returns bigger than ever. The event officially begins at 8 p.m. on Friday, Dec. 31, in downtown Farmington’s Riley Park Ice Rink. Planned activities include a Horcrux scavenger hunt, Quidditch toss, and a Harry Potter-themed costume contest. Professor Pemberton’s Wands Accoutrements, Clever Creations by Amy, The Cheese Lady, and Dearborn Music will also be on hand.

As for the ball drop, a kid-friendly one is scheduled for 9 p.m. in Riley Park. The main event will see the mystery New Year’s Eve ball dropped at the stroke of midnight, lowered from a Farmington fire truck’s extended ladder to the surface of Riley Park Ice Rink.

Hot cocoa, chocolate frogs, and butterbeer will be served, and since the ice rink is part of the Syndicate’s social district footprint, festival-goers will be allowed to purchase alcoholic beverages from participating bars and restaurants to bring into Riley Park itself.

The New Year’s Eve celebration should be one that appeals to both children and adults, a family-friendly event that ties in a well-loved story that is beginning to be passed from one generation to the next.

“Harry Potter is as popular as ever, both kids and adults love it,” Andrade says. “Those books came out twenty years ago and the kids that grew up reading it are now adults and there are new generations of kids that now love it, too.”

Harry Potter and the Holiday Skate is scheduled from 8 p.m. to midnight on New Year’s Eve in downtown Farmington’s Riley Park. Tickets for the event, $10 for individuals and $30 for families, are available online and in-person.

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Harry Potter™: The Exhibition – Tickets On Sale Now! For the World Premiere at The Franklin Institute

The groundbreaking exhibition spans thousands of square feet and features 10 distinct areas—from Hogwarts™ castle and The Great Hall to Hagrid’s Hut and The Forbidden Forest. Guests will transition into the exhibition from the iconic King’s Cross Station, entering through a spellbinding entry, selecting their house and wand and beginning their personalized journey. They will get an up-close look at authentic props and original costumes from the Harry Potter and Fantastic Beasts™ films, and an opportunity to engage with innovative, awe-inspiring, and magical environments and installations in ways never before experienced in a touring exhibition. Harry Potter: The Exhibition is the most comprehensive touring exhibition ever presented about the Wizarding World.

PRE-EXHIBITION SEEK THE GOLDEN SNITCH TOURING INSTALLATIONS
Fans will have a limited-time opportunity to experience the magic of the Wizarding World as they vie for a chance to become the first guest to visit the Harry Potter: The Exhibition through a series of interactive photo-op installations unveiled today for media, and slated to appear at locations across the northeast, beginning at The Franklin Institute.

Designed as a photo-op to prepare fans for the magic to be found in Harry Potter: The Exhibition, a 13-foot-tall illuminated Hogwarts™ castle front and four accompanying Golden Snitch™ pedestal pieces will travel to popular events and locations through the exhibition’s opening. Each features a QR code that, when activated by a mobile device, launches an interactive “Seek the Golden Snitch” experience using AR technology.

Fans are challenged to catch the quick-moving Golden Snitch to be entered to win the grand prize—a two-night hotel stay in Philadelphia and four tickets to be the first to experience the world premiere of Harry Potter: The Exhibition. Plus, a $500 cash prize, Harry Potter: The Exhibition merchandise, and a family membership to The Franklin Institute ($4000 prize value).

Hogwarts™ Castle locations
The Franklin Institute: November 3-10

Upcoming Golden Snitch™ locations:
The Franklin Institute, Philadelphia, PA
Independence Visitor Center, Philadelphia, PA
The Promenade at Sagemore, Marlton, NJ
Peddler’s Village, New Hope, PA

Fans are encouraged to follow Harry Potter: The Exhibition on Facebook, Instagram, and Twitter, as well as all social media channels for The Franklin Institute. #HarryPotterExhibition

TICKET INFORMATION 
Daytime Tickets
Daily: 9:30am-5pm 
   
Adults $43.00    
   Seniors and Military $41.00 
   Children (ages 3-11) $39.00
   Daytime tickets include admission to The Franklin Institute and one Fels Planetarium show.

Evening Tickets
Thursday – Sunday: 5pm-8pm; last entry 6:30pm
   
Adults and Seniors $30.00
   Children (ages 3-11) $30.00
   Evening tickets include admission to Harry Potter: The Exhibition only. 
   
Other Museum areas close at 5 p.m.

VIP [Anytime] Ticket: $59
An immediate-access pass, exclusive exhibition lanyard, and a discount on an audio tour and photo op.
*Valid for any timeslot on the date indicated at the time of purchase.

Tickets are timed and dated, and advance ticket purchase is strongly recommended. For information on purchasing tickets, please visit www.fi.edu.

The Franklin Institute is proud to present and play host to the world premiere of Harry Potter: The Exhibition in the Nicholas and Athena Karabots Pavilion and the Mandell Center. PECO, the premier corporate partner of The Franklin Institute, is an associate sponsor of the exhibition.

Harry Potter: The Exhibition was created and developed by Imagine Exhibitions in partnership with Warner Bros. Themed Entertainment, and EMC Presents. The Exhibition is slated to tour globally to Latin America, the Asia-Pacific Region (APAC), Europe, the Middle East, and Africa (EMEA). Visit www.HarryPotterExhibition.com for the latest news on tour stops and ticket availability.

About Wizarding World
In the years since Harry Potter was whisked from King’s Cross Station onto Platform nine and three quarters, his incredible adventures have left a unique and lasting mark on popular culture. Eight Blockbuster Harry Potter films have brought the magical stories to life, and today, the Wizarding World is recognized as one of the world’s best-loved franchises.

Representing a vast interconnected universe, it also includes two epic Fantastic Beasts films (the third releasing in 2022), Harry Potter and The Cursed Child – the multi-award-winning stage-play, state-of-the-art video and mobile games from Portkey Games, innovative consumer products, thrilling live entertainment (including four theme park lands) and insightful exhibitions.

This expanding portfolio of Warner Bros. owned Wizarding World experiences also includes Harry Potter New York – a brand new flagship store, Warner Bros. Studio Tour London – The Making of Harry Potter, Warner Bros. Studio Tour Tokyo, and the Platform 9 3⁄4 retail shops.

The Wizarding World continues to evolve to provide Harry Potter fans with fresh and exciting ways to engage. For the worldwide fan community, and for generations to come, it welcomes everyone in to explore and discover the magic for themselves.

About Warner Bros. Themed Entertainment
Warner Bros. Themed Entertainment (WBTE), part of WarnerMedia Global Brands and Experiences, is a worldwide leader in the creation, development, and licensing of location-based entertainment, live events, exhibits, and theme park experiences based on WarnerMedia’s iconic characters, stories, and brands. WBTE is home to the groundbreaking global locations of The Wizarding World of Harry Potter, Warner Bros. World Abu Dhabi, WB Movie World Australia, and countless other experiences inspired by DC, Looney Tunes, Scooby, Game of Thrones, Friends and more. With best-in-class partners, WBTE allows fans worldwide to physically immerse themselves inside their favorite brands and franchises.

WIZARDING WORLD and all related trademarks, characters, names, and indicia are © ™ Warner Bros. Entertainment Inc. Publishing Rights © JKR. (s21)

About Imagine Exhibitions
A world leader in narrative-driven, immersive experiences, Imagine Exhibitions, Inc., creates, markets, and operates sophisticated, high-quality experiences for museums, brands, venues, and integrated resorts across the globe. From ideation to operation, Imagine’s team of industry pioneers draws upon decades of success in the fields of immersive design, awareness, and entertainment to consistently create and implement memorable and thought-provoking environments. The company’s custom experiences deliver focused messaging and serve to increase attendance wherever they are presented. Imagine Exhibitions, Inc., a global pioneer in traveling entertainment responsible for many internationally recognized exhibitions such as Titanic: The Exhibition, The Hunger Games: The Exhibition, Angry Birds: The Art Science Behind a Global Phenomenon, Jurassic World: The Exhibition, and Downton Abbey: The Exhibition.

Imagine Exhibitions is currently presenting and operating more than 40 unique exhibitions in museums, science centers, aquariums, integrated resorts, and non-traditional venues worldwide. The Company also continues to design, open, and operate its own venues, along with creating and implementing permanent and semi-permanent museum, brand, and entertainment properties. For more information, visit www.ImagineExhibitions.com or find us on Facebook. 

About EMC Presents
EMC Presents is a partnership between CTS Eventim, one of the leading international providers of ticketing services and live entertainment, and award-winning tour promoter and producer Michael Cohl, creating one of the strongest global networks of promoters and venues. The partnership provides a comprehensive worldwide live entertainment platform, creating extraordinary shows and experiences, from concept creation to production and promotion. Michael Cohl’s career spans over 45 years as a Producer and Promoter for iconic entertainers, having worked with the world’s most recognized artists including Barbra Streisand, Oprah Winfrey, The Rolling Stones, Pink Floyd, U2, Michael Jackson, Frank Sinatra and many more. Michael’s strategies are credited with revolutionizing the touring industry worldwide. Besides his storied history in the music industry, Cohl has promoted multiple successful exhibitions including the original King Tut exhibit, “John Lennon: The New York City Years,” Bodies: The Exhibition, Jurassic World: The Exhibition, and Pink Floyd: Their Mortal Remains. Cohl, previously the chairman of Live Nation, was inducted into the Canadian Rock n Roll/Music Hall of Fame and has received a star on Canada’s Walk of Fame. Among his many other awards, Cohl has also been honored with an Emmy, the Billboard Legend of Live Award, the TJ Martell Foundation Man of the Year Award, a Peabody Award, and a JUNO Award for Special Achievement.

About The Franklin Institute
Located in the heart of Philadelphia, The Franklin Institute is a renowned and innovative leader in the field of science and technology learning, as well as a dynamic center of activity. As Pennsylvania’s most visited museum, it is dedicated to creating a passion for learning about science by offering access to hands-on science education. For more information, visit www.fi.edu.

SOURCE The Franklin Institute

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Watch the Trailer for Jordan Peele’s New Film Nope

Jordan Peele has announced his new film called Nope. Peele’s latest entry in the horror genre arrives July 22, and stars Get Out lead Daniel Kaluuya, Keke Palmer (Hustlers, Alice), Michael Wincott (Hitchcock, Westworld), and Brandon Perea (The OA). Peele wrote and directed the movie, which seems to take place on a desolate film set subjected to a mysterious, supernatural invasion. Universal Pictures describes Nope as an “expansive horror epic” that ponders the question: “What’s a bad miracle?” Check out the trailer below.

In 2020, Peele cast Sky Ferreira in Peele’s reboot of the The Twilight Zone and announced he would be co-producing a new film called Sinkhole with Issa Rae. Peele won the 2018 Best Original Screenplay Oscar for his film Get Out. In 2017, Chance the Rapper famously rented out an entire theatre to screen the film for free.

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Fantastic Beasts 3 Trailer: Teaser Celebrates Harry Potter Franchise

Harry Potter fans across the world are waiting with anticipation for the release of the full trailer for Fantastic Beasts 3, which is due for release in 2022.

Ahead of the trailer release, a teaser trailer has been published with fans able to relive many of the highlights of Harry Potter’s story to date.

Watch Fantastic Beasts 3 trailer teaser

The teaser trailer features clips and a look across all of Harry Potter‘s success, from the original books and movies right through to theme parks and Broadway productions.

We see famous clips from the film series and even a very brief glimpse of Gellert Grindelwald, to build excitement ahead of the full trailer launch.

When will the Fantastic Beasts 3 trailer be released?

The full trailer will be released on Monday, December 13, 2021, to give us our first glimpse of what the movie will tell us.

We already know that Newt Scamander and Albus Dumbledore are in for some trouble as Gellert Grindelwald looks to take power, but scant details have been revealed about the plot to date.

Who will star in Fantastic Beasts 3?

The headline news is that Johnny Depp will not be returning as Grindelwald following his resignation from the role, though he had filmed one scene in character before that.

Mads Mikkelsen will take over the role, having starred in films such as Doctor Strange and Hannibal.

Returning cast include Eddie Redmayne as Newt Scamander. Katherine Waterston as Tina Goldstein, Jude Law as Albus Dumbledore, Dan Fogler as Jacob Kowalski and Alison Sudol as Queenie Goldstein.

When will Fantastic Beasts 3 be released?

Fantastic Beasts 3 will be released in the United Kingdom on April 8, 2022, with a US release date a week later, on April 15, 2022.

The film was originally set for release in November 2021, but the pandemic caused delays to filming which pushed back the release date.

Johnny Depp‘s resignation led to Warner Bros initially pushing the launch back even further, to July 2022, but they have since brought it forward to April 2022.

Do Hallmark and Netflix make money on Christmas movies? : It’s Been a Minute with Sam Sanders

Vanessa Hudgens, Vanessa Hudgens, and Vanessa Hudgens starring in The Princess Switch 3: Romancing the Star.

Mark Mainz/Netflix © 2021/Mark Mainz/Netflix © 2021


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Mark Mainz/Netflix © 2021/Mark Mainz/Netflix © 2021

Vanessa Hudgens, Vanessa Hudgens, and Vanessa Hudgens starring in The Princess Switch 3: Romancing the Star.

Mark Mainz/Netflix © 2021/Mark Mainz/Netflix © 2021

Do holiday movies actually make money for networks like Hallmark and Netflix? How many Vanessa Hudgens characters is too many Vanessa Hudgens characters? Sam is joined by Pop Culture Happy Hour co-host Linda Holmes and author Kat Chow to discuss the best and worst 2021 holiday movies on TV and talk about the business behind them.

This episode of ‘It’s Been a Minute’ was produced by Anjuli Sastry and Audrey Nguyen. It was edited by Jordana Hochman. You can follow us on Twitter @NPRItsBeenAMin and email us at samsanders@npr.org.

Paul Thomas Anderson on What Makes a Movie Great

Slowly, cautiously, vaccinated to the nines, we are returning to some of the basic pleasures of ordinary life. A few nights ago, my wife and I went to our local movie theatre, a multiplex with huge screens and blaring sound systems. I love all of it: the coming attractions for horror flicks I’ll never see and for spy films I wouldn’t miss; the chattering crowd; the Brobdingnagian snacks; the adhesive floors. Our choice for the night was Paul Thomas Anderson’s “Licorice Pizza,” a film set in the San Fernando Valley of the nineteen-seventies. It’s about the strangeness of being young, the experience of becoming a human being and shaping a self. The fractured narrative is wised-up and sly, but also winningly sincere. It’s been a long pandemic, and this was an exhilarating reminder of what joy is like.

Anderson is fifty-one, and he has been making movies since he was an adolescent. He is a Valley kid, and he’s never really left those suburban streets. His first features—“Hard Eight” and “Boogie Nights”—came out when he was in his mid-twenties, and, ever since, he has been the sort of artist whose new work is always an event. Philip Seymour Hoffman, Daniel Day-Lewis, Tom Cruise, Melora Walters, Julianne Moore, and Joaquin Phoenix are among the veteran actors who have appeared in his best films, which include “Punch-Drunk Love,” “Magnolia,” “There Will Be Blood,” “The Master,” and “Phantom Thread.”

Anderson rarely speaks to reporters. I was reminded of that when I got on a Zoom call with him the day after seeing his movie. His square was not indicated by his name but, rather, “Mason Dixon,” a sign of his admiration for the reclusive novelist Thomas Pynchon. (Anderson made a film of Pynchon’s novel “Inherent Vice.”) I spoke with Anderson for The New Yorker Radio Hour; our conversation has been edited for length and clarity. He was speaking from his home in the Valley. And, since he has set “Boogie Nights,” “Magnolia,” and, now, “Licorice Pizza” in that territory, I began the conversation by asking him why the place resonates so deeply for him.


I love it. It’s as simple as that: it sort of begins and ends there. I can remember being a kid and thinking at a certain point, probably in my teen-age years, I’ve got to get out of here. “Out of here” being over the hill, not in the San Fernando Valley. Maybe that’s L.A., maybe that’s New York, maybe that’s London, maybe it’s Shanghai—whatever it is, I have to get out of here.

But I’m one of those people who loves to get away for twenty-four hours and then I start getting itchy and thinking about home. I just want to come back home. I’m one of those homebody-type people. I’m comfortable here. My family’s here, my friends are here. It’s a place I keep returning to. Whatever ambition you have to spread your wings, I always find myself returning here. After London, when we were making “Phantom Thread”—it was a dream of mine to be able to work there—but when I got back home, I was just so thrilled. The Valley is not the prettiest place in the world, it’s not the most cultured place in the world, I understand that, but it’s home.

When I was a kid, I’d listen to late-night radio and watch late-night television, and everybody from California would make jokes about the Valley. I didn’t know what that was. What was the joke? What is the Valley in a spiritual sense and in terms of the landscape of your youth?

It’s funny—I wonder if Johnny Carson might’ve contributed to that because he would always say, “Beautiful downtown Burbank!” It may not be beautiful. And there is no real downtown. . . .

I mean, the San Fernando Valley—what is it? It’s a flat space between the San Gabriel Mountains and the Santa Monica Mountains. Its primary reason for existing, at one time, was farmland. And, famously, there’s the story from “Chinatown” of how water was diverted from the Valley.

It’s a suburb. And the suburbs seemed to always come in for a beating. I’m not quite sure why. When I was first writing “Boogie Nights” when I was a teen-ager, there was a terrific story in my own back yard. I didn’t have to go far. I didn’t have to make things up. I could do the research, learning more about these people in this industry, but it was familiar to me. At some point, I probably read that I should “Write what you know.” That’s a good place to start. This work is hard enough. So why am I struggling to try to learn something that’s beyond my grasp or that doesn’t speak to me?

“Licorice Pizza” centers on two characters. One is Gary Valentine, played by Cooper Hoffman, a teen-age guy who is incredibly charismatic for his age. He’s a small-time actor. He starts a water-bed business and then a pinball palace. His patter, his bravado, is amazing for somebody fifteen years old. He falls for a girl, Alana Kane, played by Alana Haim. She’s much older than he is. She’s in her mid-twenties, with a thwarted life but an inner intelligence that’s also magnetic. How is that rooted in your experience? If you’re writing what you know, what’s the germ of the story of “Licorice Pizza” for you?

I was the second of four [children], so I had an older sister and she had older friends. She is a good two, three, four years older than me. And a buddy of mine had an older sister. So, we just sort of happened to fall in the cracks so that, when we were fourteen, fifteen, these were girls that were around us—our sisters’ friends—were eighteen, nineteen. And they had cars! So, every waking hour was devoted to trying to get them to drive us somewhere! And behind it was trying to flirt with them or hang out with them or get noticed by them in some way that was more than just being an irritating little brother.

I can remember having a couple of friendships with some of those girls who I met along the way. They were just friendships, but they were fantastic. They were fantastic just because they were just friendships, you know? To have a friendship with a just slightly older woman, who wasn’t your sister—I had a toe in a version of the adult world or what started to feel adult just because of the transportation that they had.

Maybe the greatest assertion of power and age difference in the movie is not the erotic one but the driving one. At one point, Alana is driving not a car but a truck, and she’s driving it at one point backward at full speed down a hill, down into the center of town. [Gary is her terrified and thrilled passenger.] This is high drama. It’s better than Grace Kelly driving at top speed along a mountain road in the South of France with Cary Grant.

That sequence that you’re referring to is a catchall for any number of episodes that were either that dangerous or slightly less dangerous. And they happened particularly in Southern California because it’s such a driving community. We are slaves to our cars. We love them. Especially at that age—your whole life was dedicated to getting a car somehow. And the kind of trouble that you found yourself in as a result was usually vast; you look back and think, I cannot believe I made it out alive. So, that sequence taps into those episodes. At the time, you just think it was just hilarious fun, but with a little bit of distance you realize it was really life-or-death.

We see on the screen a title card. And it announces that this production is by Ghoulardi Film Company [Anderson’s production company]. This name is something with incredibly deep meaning for you and your family, and it’s rooted at home, in the San Fernando Valley.

My father—his name is Ernie Anderson, and he was originally from Boston. After the war, he came back and was a radio d.j. in Vermont, and he ended up in Cleveland, Ohio. He was on the ground floor of some television programming that was happening there. He created and was the host of one of those classic late-night horror shows. And his character’s name was Ghoulardi. [The show ran on WJW on Friday nights, from 1963 to 1966, and was an influence on everyone from Drew Carey to the Cramps.] He wore a fake Van Dyke beard and sunglasses with one lens popped out. His job was to introduce these horror films and show the kids a good time. Ghoulardi was an incredibly popular character locally in Cleveland. [My father] eventually came to Southern California, to the San Fernando Valley, and worked as a voice-over announcer with ABC, he did lots of different commercials. He became the booth announcer for “The Carol Burnett Show.” But Ghoulardi always kind of followed him around for anybody who was in Cleveland at the time. The list is surprisingly long—there were amazing people who were children in Ohio at the time, from Chrissie Hynde to Jim Jarmusch.

The Best Horror, Sci-Fi, and Fantasy Streaming in March 2022

What’s available on Peacock on March 1?

17 Again

The A-Team (2010)

Being John Malkovich

The Birds (1963)

Cape Fear (1991)

Cats (2019)

Crank

The Darkest Hour

Eternal Sunshine of the Spotless Mind

Hancock

How to Train Your Dragon

Howard the Duck

Leprechaun

Leprechaun II

Leprechaun III

Leprechaun 4: Lost in Space

Leprechaun V: In the Hood

Leprechaun VI: Back 2 Tha Hood

The Man Who Know Too Much

Psycho (1960)

The Punisher (2004)

Rear Window

Rope

Seven

Shadow of a Doubt

Silent Running

Sinister

Twelve Monkeys

Underworld

Underworld Awakening

Underworld: Blood Wars

Van Helsing

Vertigo

Zombieland

What’s available on Peacock on March 31?

The Last Exorcism


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