“This movie is going to make the world forget about all their problems.”Netflix has revealed the full-length official trailer for The Bubble, the latest Judd Apatow comedy creation landing on Netflix starting on April Fool’s Day next month. The movie is about a cast crew making a movie that get stuck in a “pandemic bubble” in a hotel during the middle of production. Throughout this past week, Netflix has been teasing the movie that is being made – a dumb sequel called Cliff Beasts 6: The Battle For Everest, a ridiculously cheesy Hollywood Blockbuster about, uh, flying dinosaurs. The cast features Pedro Pascal, Karen Gillan, Leslie Mann, Iris Apatow, David Duchovny, Keegan-Michael Key, and Guz Khan. The rest of the stars of The Bubble include Fred Armisen as the film’s director, Maria Bakalova, Peter Serafinowicz, Rob Delaney, Galen Hopper, Samson Kayo, Vir Das, Nick Kocher, and Ross Lee. This looks hilarious. Apatow making fun of the movie industry?! I’m all for it! Looks like things get out of hand as they continue.
Here’s the full trailer (+ new poster) for Judd Apatow’s The Bubble, direct from Netflix’s YouTube:
A comedy about a group of actors and actresses stuck inside a pandemic bubble at a hotel attempting to complete a sequel to an action franchise film about flying dinosaurs. Cliff Beasts 6 logline: “Humankind is threatened once again by a dinosaur species: Cliff Beasts. The team must reunite again, after five long years, to battle the Cliff Beasts – but this time on Mount Everest.”Cliff Beasts 6: The Battle For Everest is the latest movie in the ongoing Cliff Beasts franchise, which originally kicked off in 2009 with the very first Cliff Beasts movie. The Bubble is both written and directed by American comedy filmmaker Judd Apatow, director of the comedy movies The 40-Year-Old Virgin, Knocked Up, Funny People, This Is 40, Trainwreck, and The King of Staten Island previously. The screenplay is also co-written by Pam Brady. It’s produced by Judd Apatow. Netflix will debut Apatow’s The Bubble, with a special sneak peek at the new Cliff Beasts 6: The Battle For Everest, streaming on Netflix starting April 1st, 2022 this spring. Who’s excited for this?
If you are the sort of person who gets goosebumps thinking about how Sirius Black’s mom burned his name off the family tree wallpaper, or how the Nargles may have made off with Luna Lovegood’s sneakers, there’s no better place for you in the months ahead than the Franklin Institute in Philadelphia.
“Harry Potter: The Exhibition’’ is now open at the museum on the Ben Franklin Parkway.
Philadelphia is the first stop for the 20,000-square-foot, behind-the-scenes exhibition, which invites fans into the magical world of “Harry Potter,’’ and the expanding worlds of J.K. Rowling’s ”Fantastic Beasts’’ and “Harry Potter and the Cursed Child.’’ It will run through Sept. 18 before embarking on a world tour. (Future host cities have not yet been revealed.)
Filled with props, costumes, immersive environments and interactive fun, the “Harry Potter’’ experience can be personalized — upon arrival guests use a touchscreen to select a favorite character. Using a scannable wristband, their choice will make the visitor’s experience extra special.
‘Harry Potter: The Exhibition’ tickets are now on sale for Philadelphia premiere
What is the exhibit like?
I toured a preview of the exhibition (as Hermione Granger, of course) just before it opened on Friday.
Here, according to this big fan, are the 12 coolest things you will encounter – saving best for last —if you and your favorite Muggles attend the show:
1. Gain points for your house by getting a Quaffle through a ring at the Quidditch match. If you ever wished you were a chaser like Ginny Weasley, this is your big chance.
2. Repot a screeching Mandrake in Professor Sprout’s Herbology Class. It may leave your ears ringing, but it’s worth it. (This is perhaps the coolest classroom).
3. As is often the case at major exhibitions anywhere, guests will exit through the gift shop. Sometimes that is annoying but in this case it’s quite fun. Have some extra gold stored in your vault at Gringotts? Stock up on Harry Potter swag and gifts in the shop, which offers everything from chocolate frogs to Daily Prophet tote bags to Dobby plush dolls.
4. Conjure something Riddikulus to fend off the shape shifting Boggarts (your greatest fears) in your Defense Against the Dark Arts Class.
5. Get ready to feel a full range of human emotion as you check out many costumes from the “Harry Potter’’ film series and a few from ‘‘Fantastic Beasts’’ and the Broadway show “Harry Potter and the Cursed Child.’’ It’s particularly fun to see Luna Lovegood’s outfit, and sad to view the robes Cedric Diggory wore when he met his fate. You’ll likely get chills when you spy Bellatrix LeStrange’s black gown or the Dark Lord’s (we don’t dare utter his name) wand. But that’s not as scary as when you approach the unmistakably Pepto Bismol pink suit of Dolores Umbridge.
6. If you always wanted to cast your Patronus, now is your chance. Since I was Hermione, I got to conjure an otter and banish those joy-sucking Dementors.
7. Do watching the movie scenes in Hogwarts make you crave Cornish Pasties and Pumpkin Juice? Visit the Great Hall. While you cannot dine exactly, you will get to see those amazing, suspended candles over the mammoth tables.
8. We already know Professor Trelawney didn’t think much of Hermione’s talent for Divination, but that doesn’t mean you can’t seek your own prophesy in her class. Just gaze into her crystal ball …
9. There is no more powerful theme in all of the Harry Potter canon than the importance of friendship. So bring along your besties and take a selfie in Harry’s room beneath the stairs, behind Professor Umbridge’s desk or in a giant chair inside Hagrid’s Hut.
10. Not to brag or anything, but I earned 10 points for Gryffindor by brewing some Felix Felicis, or liquid luck, just by guessing (apparently, I don’t need any more luck!) in my Advanced Potions Class.
11. Hands down, one of the coolest things in “Harry Potter: The Exhibition’’ is near the entrance, where a giant Marauder’s Map is projected onto three walls. I will not ruin the surprise but definitely scan your wristband everywhere you are asked to do so to get the most out of this show, and take your time in this room and every room, even if it means Argus Filch catches you out of bed.
12. My favorite part of the exhibit was traveling by portkey. Again, I’m not going to ruin the fun for you. Just remember to bring your wand, your friends and your imagination.
There are many more things to do and see throughout the Wizarding World, though I would say you need at least some working knowledge of either the books or the films to make the most of it.
My overall impression?
To paraphrase Hermione Granger, it’s pure “pleasure.’’
Go: “Harry Potter: The Exhibition’’ is open daily from 9:30 a.m. to 8 p.m. and requires special timed tickets; advance reservations are strongly recommended.
Daytime Tickets: 9:30 am. to 5 p.m., adult $43; child $39 and includes admission to The Franklin Institute. Evening ticket are: 5 to 8 pm, adult $30; child $30.
Visitors are encouraged to follow Harry Potter: The Exhibition on Facebook, Instagram, and Twitter, as well as all social media channels for The Franklin Institute. #HarryPotterExhibition
Toasting the Wizarding World
If you’re over 21 and can’t get enough of Harry Potter, this beer’s for you. Rather, beers.
Evil Genius Beer Company, the Fishtown and Philadelphia-based brewing company, celebrates “Harry Potter: The Exhibition” and the return of in-person events with a special new exclusive beer, cocktails, a new running club, a drag brunch and a block party.
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Tammy Paolino is Features Editor for the Atlantic South region of the USA Today Network. She’s an award-winning reporter and editor who loves to cover trends, diversity, the arts, food and drink. Reach her at tpaolino@gannett.com or 856-486-2477 or on Twitter @CP_TammyPaolino. Help support local journalism with a digital subscription.
A love story set in a North Wales chicken factory has been filming in the Flint and Mostyn area this week.
And what a beautiful day it is today in Flint 😍😎 ! #springhassprung UK chicken factory musical ‘Chuck Chuck Baby’ starts shooting in Wales (exclusive) | News | Screen https://t.co/R4qTlwQPBR
It says: “Smoke rising from factory chimneys blurs a landscape of washing lines.
“Forgotten communities are the rowdy witnesses of a warm-hearted love story that’s fuelled by music and humour, exuberantly celebrating female working-class voices, friendships and love in all its forms.
“Written and directed by Janis Pugh, former Screen International Star of Tomorrow.
“Starring Louise Brealey and Annabel Scholey. Supported by BFI, BBC and Ffilm Cymru Wales.
“It’s present day in the evocative, industrial landscape of North Wales. Helen (Brealey) is stuck in her life.
“Her world takes an unexpected turn with the return of Joanne (Scholey) after years away. They were the objects of the other’s unspoken teenage passions. For the first time in a long while, Helen starts to feel alive.
“A relationship starts to develop between them, but they lack the courage to commit.
“Eventually they find a way to put their troubled pasts behind them and to allow love in.”
SELF-PUBLICITY KLAXON #1
When I was starting out I was a film journalist visiting indie film sets and trying not to listen to my heart. So to be cast as the lead in a BFI film in my 40s is a pretty magic thing to happen. https://t.co/pZozyuiIj9
It’s difficult to talk about Harry Potterwithout talking about J.K. Rowling. By now, Rowling’s welfare-assisted origin story is so well known, her personal lore feels as instrumental to this franchise as her explanations on horcruxes. In spite of Rowling’s recent minefield of controversies, Harry Potter 20th Anniversary: Return to Hogwarts manages to do the near impossible by paying homage to its creator without unjustly glorifying her. It’s an approach that’s far from perfect. But hey, it’s a WarnerMedia-produced reunion for HBO Max. What did you expect?
Rowling first became a source of public controversy in 2019 when she tweeted her support of Maya Forstater, a British woman who lost her job due to her comments about transgender people. That tweet was eventually followed by a 3,600-word anti-trans essay from Rowling, defending her views. It’s gotten so bad that people have questioned whetheror notHarry Potter should be “canceled.” Several members of the cast — including Daniel Radcliffe, Emma Watson, Rupert Grint, Bonnie Wright, Katie Leung, and Fantastic Beasts lead Eddie Redmayne — have even criticized Rowling’s views or have spoken out in support of trans rights. The whole thing has been a massive, frustrating scandal both for fans who fell in love with Rowling’s seemingly inclusive world, and for those who brought it to screen.
It’s also a scandal that Return to Hogwarts avoids. Though she doesn’t have any interviews exclusive to the reunion special, Rowling appears repeatedly throughout the two-hour event. These appearances are from a Warner Studio Tour Rowling gave in 2019 and predominantly occur during the first 20 minutes of the special, which covers Harry Potter and the Sorcerer’s Stone and Harry Potter and the Chamber of Secrets. They’re exactly what you would expect. Rowling explains some of her inspirations and what it was like to see her world take off in such a major way. Director Chris Columbus and star Daniel Radcliffe praise Rowling for creating a series that transformed an entire generation of children. And that’s about it. The special briskly moves on to cover the joys and challenges of filming eight movies starring kids.
That’s the telling part of Rowling’s footage in Return to Hogwarts. Similar documentaries like those about the making of Game of Thrones or The Witcher have featured long, glowing speeches about the brilliance of their creators. In comparison, Return to Hogwarts seems as though it is monitoring itself. It gives Rowling just enough praise to feel honest to the story of Harry Potter, then it hurries along.
But as much as this reunion special refuses to be effusive, it also refuses to be critical. There’s no mention of Rowling’s recent controversies or her views on transgender people. Initially, that absence can feel frustrating. As mentioned before, this is a WarnerMedia documentary about a bunch of Warner Bros. movies. Of course it’s only going to highlight the good parts. But as Return to Hogwarts continues to dissect every movie as well as how Radcliffe, Grint, and Watson literally gave up their childhoods for this series, this absence feels more forgivable.
This special proves that Harry Potter has always been about more than one woman. It’s more than the top-notch British actors who gave this world shape, or the child actors who sacrificed a decade of their lives to give this series empathy. It’s even more than the ravenous fans who spent hours waiting in line for the next book, the next movie, or the next meet-and-greet. Harry Potter is a story that hundreds of people tirelessly brought to life for the joy of millions of fans. It’s about capturing the pain and confusion of growing up and offering this saga as a lifeline to younger generations. Rowling’s views are still revolting, and her presence in the world of new Harry Potter content still feels unsettling. But Return to Hogwarts makes the silent argument that her toxic views shouldn’t erase so many people’s hard work, or an entire generation’s magic.
On March 31, Karnataka Home Minister Araga Jnanendra said the government has a limited role to play on the issue pertaining to ‘halal’, which is left to the wisdom of people.
Jnanendra said the ‘Boycott halal food’ campaign is not a law and order situation but something related to faith and sentiments, “which everyone knows.”
Recently some right-wing groups gave a call to boycott ‘halal meat’, ahead of ‘varshadodaku’, the day after Ugadi when many communities in the state have a non-vegetarian feast. Ugadi, which is the Hindu New Year festival, was observed on April 2.
This call comes close on the heels of ban on Muslim vendors around temples during the Hindu religious fairs in parts of Karnataka.
Udupi recently witnessed the hijab row first flaring up with a few Muslim students of the Government Girls Pre-University College alleging that they were denied entry to the college with the headscarf.
The Muslim students later approached the Karnataka High Court against the ban on Islamic headscarves inside classrooms. The court dismissed their petition saying that they have to abide by the school uniform rule.
Editor’s Note: BuzzFeed does not support discriminatory or hateful speech in any form. We stand by the LGBTQ+ community and all fans who found a home in the Harry Potter series and will work to provide a safe space for fans. If you, like us, feel impassioned about trans rights, learn more or donate to an amazing UK-based charity here.
Chaitra Navratri – which marks the beginning of the Hindu lunisolar calendar – is being used to polarize society in Madhya Pradesh and Rajasthan where elections will be held in 2023, Congress activists and leaders feel.
In Rajasthan, thousands of RSS activists thronged in Ajmer and chanted “objectionable” slogans. A bike rally was organized in the city to mark the beginning of the Hindu new year.
Similarly, in Karauli, after a bike-rally, a crowd comprising RSS activists and Hindus attacked a mosque and raised objectionable slogans which resulted in communal clashes.
Though the Ashok Gehlot-led Rajasthan government acted quickly and arrested many miscreants, tension prevailed and spiraled in neighboring areas. As per reports, at least 46 people were detained for stone pelting and arson. However, no FIR has been registered so far.
Meanwhile, Rajasthan Chief Minister Ashok Gehlot appealed to the public to remain calm and not indulge in violence. “I have spoken to DG police. Police and administration are present there. I appeal to the public to maintain peace and stay away from miscreants who are present in every religion,” he said.
Gehlot urged the PM to make an appeal to maintain peace, saying that strict instructions have been given to the police to identify the culprits at the earliest.
In Madhya Pradesh’s Jabalpur, RSS activists attacked municipality officials after they tried to remove RSS flags. Interestingly, the order to remove the flags was issued by the BJP-led state government.
In several districts in Madhya Pradesh, communally-charged songs are being played from loudspeakers and huge audio-decks.
MP Congress spokesman KK Mishra said that incidents in Rajasthan and Madhya Pradesh are “identical and part of a conspiracy to polarize the society ahead of next year’s assembly polls”.
“The nine-day festival which is celebrated to worship different forms of shakti is being used by the BJP as an opportunity to spread communal hatred and polarize society along religious lines,” said Mishra.
Referring to an incident that occurred in CM Shivraj Singh’s home district Vidisha, where two tribal men were killed after a riot broke out, Mishra said, “Even CM’s home district is burning but he pretends to be asleep.”
“They were trying to give it a major communal spin, but the Congress deployed its leaders and activists on the ground and a major communal riot was averted,” added Mishra.
It is worth noting that one person was killed and over 50 injured in a clash between Muslims and the tribal community in Khamaria village on March 19.
According to Congress leaders, two boys of the tribal community were shooting a video after playing sports. They had a dispute with a few people of the Muslim community. Elderly persons present there intervened in the matter and settled the issue.
However, after an hour or so, RSS-BJP activists allegedly tried to invoke the communal tension following which the two communities clashed, resulting in the death of two people. 50 people from both communities sustained injuries.
An FIR was registered against 16 persons. 13 persons have been arrested so far in connection with the incident.
Attacking the BJP government for failing to manage the law and order situation in the state, Mishra said that the Congress will fight to ensure justice for all and maintain communal harmony in the state.
Harry Potter and the Cursed Child has canceled its November 19 performance at Broadway’s Lyric Theatre. The production, in a Tweet published less than an hour before the intended curtain time, said the last-minute decision was due to a principal actor being unable to perform, and that it is not a COVID-related matter.
The new version of the Tony-winning play, condensed from its original two parts, began November 12 following the shutdown caused by the coronavirus pandemic. The one-part version will officially open December 7. As understudies typically do not rehearse until once a show is frozen, the production determined it would be unsafe for one to go on with such short notice, citing the “technically complex nature” of the show. Performances are expected to resume November 20.
The Broadway staging currently stars James Snyder as Harry Potter and Diane Davis as Ginny Potter alongside James Romney as their son Albus Potter; David Abeles as Ron Weasley, Jenny Jules as Hermione Granger, and Nadia Brown as their daughter Rose Granger-Weasley; and Aaron Bartz as Draco Malfoy and Brady Dalton Richards as his son Scorpius Malfoy.
Rounding out the company are Oge Agulué, Kevin Angulo, Chelsey Arce, Quinn Blades, Michela Cannon, Will Carlyon, Lauren Nicole Cipoletti, Judith Lightfoot Clarke, Ted Deasy, Kira Fath, Stephanie Gomérez, Steve Haggard, Ben Horner, Edward James Hyland, Jax Jackson, Jack Koenig, Spencer LaRue, Rachel Leslie, Sarita Amani Nash, Alexandra Peter, Dan Piering, Kevin Matthew Reyes, William Rhem, Antoinette Robinson, Stephen Spinella, Tom Stephens, Maya Thomas, and Karen Janes Woditsch.
The play, penned by Jack Thorne, director John Tiffany, and original series author J.K. Rowling, takes place 19 years after the events of Deathly Hallows as the title wizard’s youngest son begins his first year at Hogwarts School of Witchcraft and Wizardry.
Go Inside the First Day of Rehearsal for the Return of Harry Potter and the Cursed Child
One of the most memorable scenes in the new documentary American River is a chance encounter with a young man named Christian, who struggles with a neurological disorder but finds serenity living among the raccoons, in industrial ruins along the Passaic.
“And he’s the only one–he’s the one who totally gets the river: ‘This is the most peaceful place in Paterson.’ Bingo!” author and co-star Mary Bruno told an enthusiastic audience at a screening in Morristown’s Mayo Performing Arts Centerlast week.
Author Mary Bruno and restoration ecologist Carl Alderson, stars of ‘American River,’ MPAC, March 31, 2022. Photo by Kevin Coughlin
Directed by Scott Morris with backing from Dillard Kirby, the 86-minute film was inspired by Bruno’s 2012 book, An American River: From Paradise to Superfund, and re-creates her four-day kayak trip with environmentalist Carl Alderson.
The documentary asks why this river, which zig-zags for nearly 90 miles from its pristine headwaters in Mendham to toxic Newark Bay, has been abused, loathed and ignored for so long by so many, and whether we as a society have the will to save it.
Slideshow photos by Kevin Coughlin. Click/hover on images for captions:
Before starting this project, Producer Kelly Sheehan only knew the Passaic as “where The Sopranos dumped all the bodies.”
Bruno grew up in North Arlington, where park benches turn their backs on the river.
“For all my life,” she says in the film, “I thought of the Passaic River as a monster. It wasn’t. It was a victim.”
Morris has lived near the river in Chatham for decades. He never thought twice about it, he admitted, until hearing Bruno give a book talk.
American River is unusual, Morris contends, because it’s neither “hopeless and dark” nor rose-tinted.
Director Scott Morris fields a question after ‘American River’ screening at MPAC, March 31, 2022. Photo by Kevin Coughlin
“I really want people to see all sides of it. It’s not just one or the other,” the director said.
It was a daunting undertaking, stretching from 2018 through the pandemic.
Morris previously teamed with Kirby on another David-vs-Goliath film, Saving the Great Swamp, Battle to Defeat the Jetport. This time, he oversaw a 15-person crew and a dozen cameras, including drones and kayak-mounted Go Pro’s.
They recorded 150 hours of video and 32 hours of audio — more footage than Peter Jackson sifted for his epic eight-hour Beatles doc, Get Back.
Video: ‘American River’ trailer:
Although Morris used Bruno’s book as a template, American River still held surprises.
“You don’t always know what you’re doing until you get there,” Morris explained. It took three tries to find the precise source of the river, for one of the most stunning shots of the picture.
There are historians, and accidental tourists, and river denizens such as Millington resident JoAnn Behr, who moved to the water’s edge in the 1980s to raise goats. At Thursday’s reception she fondly recalled tubing adventures and midnight canoe rides.
Rays of hope are limned by activists and low-income residents of Newark’s Ironbound neighborhood.
Molly Riley, who works for an environmental nonprofit, speaks at screening of ‘American River,’ MPAC, March 31, 2022. Photo by Kevin Coughlin
They fought powerful chemical companies that dumped dioxin, a deadly leftover from Vietnam-era Agent Orange production, and other hazardous wastes into the Passaic.
The government finally outlined plans last year for a $1.8 billion cleanup of the river’s lower 17 miles, described in the film as the nation’s largest Superfund site.
Other encouraging developments, said Bruno, who jetted from Seattle for the screening, are a national park at Paterson’s magnificent Great Falls and Riverfront Park, along a Newark stretch once filthy with flotsam.
And there is the example of the late Robert Perkins Jr., a visionary who preserved thousands of wild acres—including Great Piece Meadows and Troy Meadows–by strategically acquiring a patchwork of parcels to thwart developers.
ONE STORY, MANY RIVERS
As the title suggests, American River could be the saga of the Detroit River, the Charles in Boston, the Anacostia in Washington D.C., and numerous other polluted waterways, according to Alderson, Bruno’s guide and companion on both of her Passaic kayak trips.
On their second pass, Alderson was disturbed by the profusion of downed trees and dead animals. He blames climate change for increasingly severe storms such as Hurricane Ida.
Alderson spends his spare time guiding tours of urban rivers such as the Hackensack and Raritan. His day job is restoring habitats. Can the Passaic be restored to health?
“Yeah, if I live to be 300, I could get it done,” he cracked before the MPAC screening.
During the Q A session someone asked him what’s next. Getting a big laugh, Alderson said he’s working on American River: The Musical.
Executive Producer Dillard Kirby at ‘American River’ screening at MPAC, March 31, 2022. Photo by Kevin Coughlin
In another light moment, Dillard Kirby, who bankrolled the movie as executive producer, said his wife told him to lay off the jokes during his introduction.
“Someone might come up and slap me,” deadpanned the retired president of the F.M. Kirby Foundation. He referred to the Slap Heard Round the World at last week’s Oscar Awards.
American River persuaded Kirby to paddle the Passaic last fall.
Morris’ next act is a ways off. He’s hitting the film festival circuit, and hopes to pitch American River to Netflix, Hulu and other streaming platforms. He ducked out of Thursday’s screening for a virtual Q A with a Yale fest.
You can catch the documentary in person and online at this week’s Princeton Environmental Film Festival. In June, American River will be featured in Washington D.C. at an international conference of the Waterkeeper Alliance, for a training workshop as a “tool for advocacy,” Morris said.
‘PEOPLE MATTER’
The documentary resonated with many at the Mayo Performing Arts Center.
Aspiring filmmaker Darren Gong, a 2017 graduate of Morristown High, said American River was his introduction to the Passaic River.
“I want to kayak it now,” he said.
Lee Goldberg of Morris Township grew up around the Passaic—in his youth he watched Philippe Petit traverse the Great Falls on a tightrope. Yet American River was an eye-opener.
“I’m blown away but what I just saw,” Goldberg said.
Everyone who lives within five miles of the Passaic should see the film, added Mendham Councilwoman Amalia Duarte.
Singer and activist Kathy Moser suggested a hip-hop songwriting contest to raise awareness about the Passaic. Newark native Ned Waldman, 90, shared river memories of people swimming and boating and eating hot dogs at East Side Park during the Depression.
Newark native Ned Waldman, 90, remembers seeing people swimming in the Passaic. He shared his memories after ‘American River’ screening at MPAC, March 31, 2022. Photo by Kevin Coughlin
Molly Riley, who works for an environmental nonprofit, said she enjoyed the film, but wished it dove deeper into the polluters and their impact on persons of color.
“It’s hard to get people to care about pollution unless they know the people it’s affecting,” Riley said.
Karol Ruiz of the Wind of the Spirit Immigration Resource Center said American River’s portrayal of the Ironbound battle inspired her to push to clean the Rockaway River, near a Superfund site in Dover.
For Mary Bruno, that is the takeaway.
“People matter. When we pay attention, David wins,” said the writer and paddler behind American River. “Goliath wins when we’re asleep, and we’re not paying attention. So let’s wake up. Let’s stay awake.”
Potion-making is a notoriously tricky craft. One dash of the wrong ingredient and you may well make someone incendiary instead of invisible.
Perhaps it should come as no surprise, then, that it took the creators of “Harry Potter and the Cursed Child” a second try to perfect their theatrical brew. The breathtaking new version of the wizard juggernaut moves as fast and furious as the Hogwarts Express, casting a thoroughly intoxicating spell on children, parents, and muggles alike.
If the original two-part marathon version of the show, which debuted in London in 2016 and was playing in San Francisco when the pandemic hit, felt saddled by draggy exposition, the new iteration feels bolder and braver, confident in its power to charm and dazzle even those of us who don’t know floo powder from chocolate frogs. From the first ballet of wands to the last explosive fireball, the sorcery of “Cursed Child” bewitches the audience.
This time Steven Hoggett’s mesmerizing movement and John Tiffany’s muscular direction capture not only the thrills of J.K. Rowling’s canon but also its big heart. My daughter Daphne, 11, a Potter-head from way back, was initially uncertain that the play could ever live up to her idolatry, having read the books and watched the movies so many times over that she knows most of it by heart. Still, it took about three minutes into the show before she was gasping and giggling with delight for the next 3½ hours.
The secret to Jack Thorne’s new adaptation is perhaps its streamlined nature. Cutting away anything that doesn’t fuel the narrative leaves us with a tale of universal emotional richness, a story of fathers estranged from sons, teens grasping for identity and a society stupidly turning a blind eye to its own corruption.
This epilogue takes place 19 years after the Battle of Hogwarts (where the books and movies left off). Long the toast of the wizarding world, Harry Potter (played by John Skelley) sends his son Albus (Benjamin Papac) off to Hogwarts with high hopes that are dashed when the boy turns out to be a bit of a wallflower. He is not a natural at magic and his only friend is Scorpius Malfoy (Jon Steiger) the son of Harry’s old nemesis Draco (Lucas Hall). Steiger nearly steals the show with his sensitive turn as an alienated youth. The young actor’s comic timing is as smooth as butterbeer.
Emotional vulnerability is what grounds all the high-tech spectacle in something meaningful and true. Skelley beautifully captures the angst of parenthood, a father struggling to understand his son even while reckoning with his own childhood grief.
The new script transforms what used to be a byzantine plot of time travel adventures, tragic origin stories, assorted love interests, and fandom easter eggs into a narrative that’s as intimate as it is epic.
A wizard battle between old foes Harry Potter (John Skelley) and Draco Malfoy (Lucas Hall) is among the highlights of “Harry Potter and the Cursed Child.” (Matthew Murphy/The Curran)
The quiet moments hit as hard as the high-flying special effects, which include a round of mid-air dueling between Harry and Draco, an imaginative onstage lake and a rather wild romp with Polyjuice potion.
Of course some of most magical stagecraft is also the most simple. Imagine a cart of suitcases standing in for a speeding train, or wraith-like puppets sweeping down from the ceiling to dangle mere inches above your head.
Daphne, for her part, seemed most delighted at the moments of light comedy woven throughout this dark world of dungeons and dragons. She laughed so long, hard and loudly at some scenes, such as Moaning Myrtle’s vamping in the girl’s bathroom, that I had to resist the urge to shush her a little. The mommy in me was tickled that she loved the show, of course, but the theater critic worried a tad about decorum.
Etiquette lost out to glee in the end and it was a truly memorable afternoon for mother and daughter, a theatrical bonding experience visceral enough to make us forget about the rigamarole of the pandemic era, the masks and lines and QR codes, and remember just how magical live performance can be.
By Jack Thorne, working on an original story by J. K. Rowling, John Tiffany, and Thorne, based on the series by Rowling
Through: Sept. 4
Where: The Curran, 445 Geary St., San Francisco
Health safety: Attendees 12 and over must have proof of vaccination and booster, those under 12 must have proof of negative COVID test, ticketholders are asked to wear masks inside the theater
Running time: 3 hours, 35 minutes, one intermission