“It’s definitely been a journey,” he said.

“I thought it was just going to be a small little product, but I’m happy that it bloomed into a big one.”

Diaz is now one of the youngest nominees ever to be considered for best performance by an actor in a leading role at the Canadian Screen Awards. Like other actors his age, he’s living through the whirlwind of a burgeoning career while also trying to keep up his grades and hang out with friends.

CBC News spoke with a new generation of Canada’s rising stars about the challenges of navigating the industry.

Jayden Zhang of Vancouver has always shown an interest in acting. His mom sent him to a drama summer camp, where he grabbed the attention of a talent agent. 

The auditions began rolling in — but the first one stood out for having a mysterious script, with only a few pages and little information attached to it. Eventually, it led Zhang to the role that would become his big break in Shang-Chi and the Legend of the Ten Rings.

“It’s a Marvel movie. It came out last summer,” Zhang said. 

Indeed, Shang-Chi and the Legend of the Ten Rings was one of 2021’s biggest Blockbusters and Zhang got a prime gig as young Shang-Chi, the counterpart to fellow Canadian movie star Simu Liu’s lead role.

“It was like a crazy roller-coaster that you were kind of scared to get on at first, but then it was really fun and you didn’t want to come off again. It was great,” he said of acting in the film. 

Finding balance

Stephanie Gorin, a casting director in Toronto who has worked on projects like Anne with an E, Baroness Von Sketch Show and FX’s Fargo, said the challenge for young actors is to pursue acting for the right reasons.

“I think the hard thing with youth is, do it because you really love it, not because you think you’re going to be a star,” Gorin said.

“Don’t worry if suddenly you’ve got a basketball final and you can’t do an audition. Go do your basketball final, still live your life. I think it’s important to have a balance both for kids and for adults.”

Zhang said working on Shang Chi — the first role that he received through an agent’s booking — taught him how to stay grounded despite the film’s success. 

Because the movie was shot in Australia in the middle of Zhang’s school year, his friends would send him homework to complete in his hotel after a day of filming. It was a “weird juggling act,” Zhang said, but he managed to get through it with the help of a tutor.

In Diaz’s case, the sudden onslaught of red carpets, awards ceremonies and media interviews took time away from his social life and he hopes that, in the future, this will be more of a consideration in productions where child actors are present.

“I feel like they could definitely improve on letting us loose a bit, and letting us take a breather,” he said.

Jett Klyne, a 12-year-old actor from Penticton, B.C., worked on the Marvel miniseries Wandavision. Klyne played the role of Tommy Maximoff, the son of protagonists Wanda (Elizabeth Olson) and Vision (Paul Bettany).

Having begun his acting career at five months old when he was cast as a Gerber baby, Klyne said balancing his passion with his academic responsibilities is tough but “rewarding.”

“If you’ve been doing it your whole life or you’ve even been doing it for half your life as a child, it’s a lot of your time, so you really gotta love it and work a lot for it to pay off,” he said.

Breaking down some barriers

Saara Chaudry, 17, who recently won a Canadian Screen Award for best performance by children or youth for Lockdown, said her favourite part of acting is telling the stories of people whose stories generally go untold.

“Being a brown girl on screen is making a statement in itself,” said Chaudry, adding that this kind of representation was uncommon when she was younger.

“And for the longest time, and still somewhat, it is not the norm.”

Chaudry recalls an incident as a child actor performing in a staging of Les Miserables where, she said, her casting as Young Cosette was questioned because she was not white and blonde. One of the people who believed in her most was Gorin, who cast her in the production, she said.

“I’ve been pretty fortunate that I’ve been able to kind of knock down some doors, break some barriers,” Chaudry said.

“And people have believed in me enough to let a girl like me take up space on screen.”

Gorin said she’s heartened by how much representation of Black, Indigenous and performers of colour has improved, as well as representation of the LGBTQ community.

“I think studios and networks are striving now to have more representation of minorities and the LGBTQIA+ community,” Gorin said.

“I think that that’s really important that we do that.”

Shang Chi and the Legend of the Ten Rings marked the first time a Marvel superhero was played by an Asian actor. Zhang hopes that he can be an example.

“I just want to say that for those other young Asian kids like me out there looking for more opportunities, believe in yourself,” he said.

“You can do it. And you might just end up like me. And I’m really happy about where I am.”

The review, written by CinemaBlend managing director Sean O’Connell, complained that the film’s focus on Lee’s Asian background — as well as plot lines that revolve around Lee’s struggles through puberty as a young girl — limited the film’s ability to connect with audiences. 

“I recognized the humour in the film, but connected with none of it,” O’Connell wrote in his review. 

“By rooting Turning Red very specifically in the Asian community of Toronto, the film legitimately feels like it was made for Domee Shi’s friends and immediate family members. Which is fine — but also, a tad limiting in its scope.”

WATCH | Disney-Pixar film Turning Red puts Canada in the spotlight: The upcoming Disney-Pixar film Turning Red puts Canada in the spotlight with a Canadian director, voice actor and a story set in Toronto. 1:58

When asked whether that might be a problem for audiences, Turning Red‘s cast disagreed.

“Of course not,” Rosalie Chiang, who plays Lee, told CBC News in an interview. “This is a coming of age film, everyone goes through this change … I think different people of different cultures are going to go through it differently, but at the end of the day, the core messiness and change is something everyone can relate to.”

Canadian actor Maitreyi Ramakrishnan — who plays Lee’s friend Priya — described the story of Lee’s friends and family as “universal,” and that many people will be able “to relate to Meilin’s story, regardless of whether you are a young Chinese girl from Canada or not.”

Shi also disagreed with the review, saying that the film “is a love letter to that time of our lives. It’s a love letter to puberty. It’s a love letter to Toronto.”

Critic, editor-in-chief issue apologies

Much of the criticism around the review stemmed from O’Connell discounting elements of Asian culture as alienating.

The review pointed to another film, The Mitchells vs. The Machines as an animated film that “bothered to include plot elements everyone could find engaging,” and pointed to Turning Red‘s “mystical red panda bit” as particularly difficult for audiences to identify with. 

Hours after the post went up — and after hundreds of comments online complaining about the content — CinemaBlend pulled the review, and both O’Connell and editor-in-chief Mack Rawden issued apologies. 

“I’m genuinely sorry for my Turning Red review,” O’Connell posted on Twitter. “Thank you to everyone who has reached out with criticism, no matter how harsh.”

“It is clear that I didn’t engage nearly enough with the movie, nor did I explain my point of view well, at all. I really appreciate your feedback.”

In a tweet shared by the CinemaBlend account, Rawden stated the site “failed to properly edit” O’Connell’s review. He stated that the review had been reassigned to another writer, and the site has since added “new levels of editorial oversight.”

We failed to properly edit this review, and it never should have gone up. We have unpublished it and assigned to someone else. We have also added new levels of editorial oversight. Thank you to everyone who spoke up. – Mack Rawden, Editor-In-Chief a href=”https://t.co/kfkfwlf4q8″https://t.co/kfkfwlf4q8/a

mdash;@CinemaBlend

In a since-deleted tweet promoting the review, O’Connell further said that while “some Pixar films are made for a universal audience, Turning Red is not.”

“If you are in [the target audience], this might work well for you. I am not in it. This was exhausting.”

WATCH | Director Domee Shi on her film Turning Red: Director Domee Shi and the cast of Pixar’s Turning Red sit down with The National co-host Andrew Chang to talk about Asian representation, letting Toronto star as itself in the movie and the universality of coming of age. 6:56

When contacted by CBC, O’Connell declined to comment for this article. 

Turning Red is scheduled to premiere on Friday, March 11, and currently holds a 94 per cent “fresh” rating on review-aggregate site Rotten Tomatoes.

While it was originally scheduled to debut in theatres as well as online, earlier this year president of Disney Media and Entertainment Distribution Kareem Daniel said Turning Red will premiere solely on the Disney+ streaming platform “due to the delay in the recovery of family films in theatres caused by the ongoing pandemic.”